A teenager come to the city and living inside the half-demolished Wushan community.

Based on extensive research and abundant archival footage, this documentary covers the history of Albania in the 20th century, with a special focus on the troubled relationship with Italy, its neighbor across the Adriatic Sea.

Features the one-group gig held by Fuki Commune (ex. LIGHT BRINGER) on November 13, 2017 at Shinjuku ReNY.

After years of growing as a team, this Puerto Rican group of circus performers, known as “La Comuna” (The Commune), have been forced to leave their creative headquarters. It has been one year since their last performance and now they must come together to pick up the pieces of their creative home. Staring Marietere Vélez (actress and screenwriter, “Receta no incluida”), Yussef Soto (actor, circus performer and founder of “Y no había luz…”), Delia Isabel Rivera, Miguel Sabalier and Catalina Morales

In a Beirut apartment, two girls wander around, confronting each other with unspoken words. Mixed-up messages and ambiguous actions take place in an ever-changing place surrounded by abstract and concrete sounds. The two girls break the wall of silence with every human emotions : confusion, desire, violence, appetite, bravery, ecstasy, happiness and separation.

The Greek guest workers -gästarbeiter- in the industrially developed central and northern Europe in the mid 70s.

Every year, a group of Russian seasonal workers returns to bleak Barentsburg on the island of Svalbard to perform dangerous work in the mines.

A man and a woman are talking to each other. Their conversation is audible but inaudible. Once their conversation is heading to the climax, her tears are going up. The situation is reversed. Did he hear or did she hear?

This third cavemen short from Mapo Proyectos shows how the cavemen communicate.

A man tries to break away from the routine of the isolated town where he lives by using new social networks that, some say, would make it possible for him to meet potential lovers.

As one of our programmers put it, “This is delightful, the most Viennese thing I can imagine.” As the title spells out, the director documents her desperate, valiant, lockdown-era efforts to help retain a small grocery business in her Gemeindebau (subsidized tenement block) and does via an accessibly personal film that tackles complex, serious subject matters with intelligence, sensitivity, great humor, and even touches of unapologetic silliness.

Campaign film for the Swedish Folkpartiet (People's Party) in 1936.

Uninhibited examination of the legacy of Lebanon’s civil war. A reflection on the destinies of comrades who were once bound by ideologies and remain tightly knit friends. The film travels the chimeric and daunting reality of Lebanon's fractured post-war landscape.

They are about to divorce, but can not agree how to share the community property.

One of the main theses of the Marienthal study was that prolonged unemployment leads to a state of apathy in which the victims do not utilize any longer even the few opportunities left to them. The vicious cycle between reduced opportunities and reduced level of aspiration has remained the focus of all subsequent discussions.

Jean-Marie Straub pushes this musicality of blocks to a paroxysmal extreme, mixing blocks of time (40 years separate the various extracts that are going to be used, and what is to be filmed), blocks of text (Malraux, Fortini, Vittorini, Hölderlin) and blocks of language (French, Italian, German), and from this ruckus emerges the history of the world, yes, History with a capital H, and from the same movement, the political hope of its being overtaken. So this is an adventure film, about the Human adventure, still one that is always, in the end, overtaken by Nature. (Arnaud Dommerc)

The film shows how the whole society changes in war conditions, i.e. human nature in all layers of society, to incredible proportions.