An unconventional cinematic work in which, through many narrative layers that intertwine, the director offers us a very particular view on a subject that is still taboo in society and arts.

Documentary about the soprano Tefta Tashko Koço. It uses only photographs of her, as well as short interviews with various friends of her. Although the audio is not perfect, you can enjoy many fragments from her songs.

Two sweaty men end up at odds with each other in a crowded sauna. A short film about prejudice and politics. And cock.

Antonio, a filmmaker running out of ideas, has a vision of the city's patron, St. Nicholas, who asks him to make a film about his true story. So Antonio sets out on a journey in the myth's footsteps, crossing all the countries where the saint is revered. Turkey, Belgium, Holland, France, Russia, all the way to the United States, where he is better known as Santa Claus, i.e., Santa Claus. A journey in the midst of a melting pot of popular cultures and traditions, with all their contradictions, a journey through colors and religious rigor mixed together giving life to a sacred figure who is, at the same time, a consumerist model.

A sleeping car employee seeking a well-deserved rest is prevented from doing so by the crowing of his neighbor's rooster. Just as he's about to settle the score, he's presented with a gift: a rubber band around the annoying bird's beak temporarily puts an end to its vocalizations. But the animal can't be left alone, and Pierre has to take it with him on his nocturnal journeys: you can imagine the disturbance it can cause when, after being thrown out of a wagon window, it lands in the next van full of pheasants. The whole little world spills out onto the train, and the conductor is not at all pleased! Pierre manages to get a young passenger to assume ownership of the rooster, but not for long. Every time Pierre tries to get rid of it, it somehow comes back to him.

Straight from the Auditorio Nacional, in Mexico City, we'll offer an exclusive coverage of one of the most important Latin boy bands in history as they present their show as part of their farewell tour.

Remember and relive the songs that moved you from the movie Coco.

A bigamist with one family in Buenos Aires and the other in Mar del Plata sees his life turned upside down when his wives discover what he has hidden from them for so many years and unite to take revenge.

Female magicians turn people into origami roosters and vice versa.

The sound of wings reverberates through the air. In the murky half-light, race pigeon 043 has finally returned after seven years. The family's barely-maintained peace after their son's missing is shattered by 043's return, as the daughter brings a street boy home. Things begin to change gradually, so do the people. In the aftershock of the storm, what course should the wounded follow?

A man is left at the altar by his bride, so his two cousins decide to bring him to the place they used to go on vacation when they were kids.

The daily life of 3 girls in high school.

A rapturous crime fable set in the Dominican Republic, Nelson Carlo De Los Santos Arias’ COCOTE follows Alberto, a kind-hearted gardener returning home to attend his father’s funeral. When he discovers that a powerful local figure is responsible for his father’s death, Alberto realizes that he’s been summoned by his family to avenge the murder. It’s an unthinkable act — especially for him, an Evangelical Christian. But as pressure mounts, he sees few ways out. Questions of faith, tradition and honor course through this electrifying film, which, seemingly at the speed of thought itself, jumps between film formats, colors, and aspect ratios, radically envisioning a community torn asunder by senseless violence.

A man falls in love with a girl who has short-term memory loss.

“Bells ring for victim and perpetrator alike, they ring for the master and the servant, the sounds falling into each other, beginning and end, life and death, sleep and awakening, work and prayer.” Helga Schütz’s lyrical verses are closely interwoven with Dagnija Osite-Krüger’s exploration of bells and their many shapes. Whether melted down as tools of war or warning of danger – “Vivos Voco”, which also teaches us about the craft of bell founding, envelops us in an eery, monumental and epochal way. In her auto-fictional biography, Schütz writes about the collaboration with Osite-Krüger: “The two of us and the film, we were a team, we and the co-determinant images.”