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An adult who has a mental age of child. An eccentric middle-aged man wearing a raincoat at the height of summer. In an ordinary morning in Taipei, a group of anonymous people and TV set unexpectedly stage a preposterous breakfast show.
The ceremony performed every morning. The breakfast which never ends.
The year is 2027, and the Vampire War is over. As part of the truce Miami and L.A. were walled off and given over to the monsters to rule as they saw fit.
A man, whom we don't identify, kills himself with his razor because he can no longer bear the complaints of his wife, whose face we can't see well either. An impressionistic work with very close shots that cut out reality until, for example, the faces of the characters are omitted. A kind of description and brief chronicle of daily life in a house for a few minutes serves as a framework for the irruption of an unusual tragedy. Filmed without sound, it lacks any subsequent dialogue, although a piano band with a jazzy air has been added.
A man, a tower of toast bread and a package of inconspicuous contents. A film that begins with a skillful exercise and ends with a treat.
Blackmailed by dirty cops, rookie thieves Nathan and Jeff are sent to steal a briefcase from a warehouse. But what seems to be an easy mission to avoid jail, unleashes their worst nightmares from the underworld of crime.
Anri Sala created the encounter between his Albanian heritage – a snapshot of the famous Studio Marubi, which had introduced photography into the Balkans as from end of the 19TH century – and a masterpiece of French art – Le Déjeuner sur l’herbe by Édouard Manet – in an incongruous juxtaposition. We can see three women in traditional costume busying themselves around a sewing machine; the view is frontal, the pose frozen, a pure “Studio Marubi” snapshot. The insertion of a detail from Le Déjeuner sur l’herbe within this image looks like an “accidental encounter” introducing colours and nudity into a very classic photo. The characters in Déjeuner are gradually “swallowed up” by the sewing machine which soon will have finished weaving a traditional dress for the naked young woman painted by Manet, making her similar to the seamstresses. In less than a minute and in a manner apparently light even poetic, Anri Sala touches on the main themes so dear to this work.
After finding the butter on his bread to be off, a scholar examines the food under a microscope. This short film is from the Corrick Collection by the Corrick Family Entertainers.
Parodist deformation of the famous painting by Manet Luncheon on the Grass.
A funny musical comedy about an adventures of children and adults in a summer camp.
A diamond heist with colorful characters and crisp cinematography, the humor is best described as unsophisticated Terence Hill and Bud Spencer larks complemented by crude animation, a bright and jazzy score by Cavallone regular composer Franco Potenza and a bevy of stunning women: Maria Pia Luzi, Beryl Cunningham, Magda Konopka and Claudie Lange.
Joselito, sets a breakfast meeting with his siblings Amor and Isko, to talk about their inheritance.
In this comical short, a man has a hard time making breakfast for the woman who sleeps beside him.
A 1977 short by Rosario Hernández.
She gets up, makes breakfast. He’s still asleep. Irritated, she launches into an interminable torrent of criticism of him. A monologue of increasing violence …
After a painful break up a journalist is traveling to the Elbrus mountains where he meets another woman.
Stop motion characters stumble and fumble their way through a clearing in the woods.
Fragments of a diary video epic.