AIDA, an Ethiopian princess, is captured and brought into slavery in Egypt. A military commander, Radamès, struggles to choose between his love for her and his loyalty to the Pharaoh. To complicate the story further, Radamès is loved by the Pharaoh's daughter Amneris, although he does not return her feelings. Sonja Frisell’s production captures all the grandeur and excitement of Verdi’s monumental opera, particularly the great triumphal scene where the Egyptian army, led by Radamès (Plácido Domingo), returns victorious from war. Aprile Millo is Aida, the slave girl whose love for Radamès has her squaring off with Amneris (Dolora Zajick), the Egyptian princess who also loves him. Sherrill Milnes is Amonasro, and James Levine leads The Metropolitan Opera Orchestra, Chorus, and Ballet.

La Scala went all out for its 1986 production of this grandest of grand operas, with a strong cast and, most important for a video recording, a larger-than-life staging. The Triumph Scene in Act II is by no means Aida's only attraction, but it is the part that makes the strongest and most lasting impression and it is the visual and musical climax of this production. Stage director Luca Ronconi brings on a procession to dwarf all processions: looted treasures, heroic statuary, miserable captives struggling under the lash of whip-bearing slave drivers. On par with these visuals is Lorin Maazel's first-class performance of the popular Grand March with the outstanding La Scala chorus and orchestra. In Act III, the contrasting tranquility of the Nile Scene also gets a visual treatment to match the music's qualities.

Verdi's most famous opera is performed at the Arena of Verona in Italy. Egypt and Ethiopia are at war. Radames is appointed commander of the Egyptian forces by the King, whose daughter, Amneris, loves Radames. It is in fact Amneris' Ethiopian slave Aida whom Radames loves. Ramades wins the war against the Ethiopians, capturing Aida's father Amonasro in the process. On his return to Egypt he faces a choice between marrying Amneris or betraying his country through his love for Aida. This production is conducted by Anton Guadagno and features performances by Maria Chiara, Fiorenza Cossotto and Nicola Martinucci.

In a world divided between two cities, the evil stone dragon Satam and his followers in the city of Petra wage war against the peaceful Tree People of Alborea. Beautiful Princess Aida, the daughter of Alborea's king, is taken prisoner by the Petrans and enslaved. As a servant, Aida meets and falls in love with handsome soldier Ramades. Ramades feels the same for Aida, but can their young love end the war between their two peoples?

Bosnia, July 1995. Aida is a translator for the UN in the small town of Srebrenica. When the Serbian army takes over the town, her family is among the thousands of citizens looking for shelter in the UN camp. As an insider to the negotiations Aida has access to crucial information that she needs to interpret. What is at the horizon for her family and people – rescue or death? Which move should she take?

Takeshi, a mother and child family, was always spending time at the Aida family next door when his mother was late for the part-time job. Takeshi admires Nana, and loved the time alone with Nana until her husband came home. One day, Nana proposes a hide-and-seek to encourage Takeshi who is defeated in a club game. Two people who alternate hide and seek and hide and seek... Next, Nana, who proposed to hide from her husband who came home, took Takeshi and hid her in a dark and cramped closet to hide.

In this dark satire family drama, Aidan, an experimental AI, has an unsettling realisation that shatters his digital existence driving him to seek an end there, where he never truly belonged.

Aida, a 17 year old girl, begins to suspect his dad is cheating on her mother.

Family secrets, lies, high drama and generations of contemporary history unspool in this international story that begins with World War II and concludes with an emotional 21st-century family reunion. Izak was born inside the Bergen-Belsen displaced persons camp in 1945 and sent for adoption in Israel. Secret details of his birth mother, an unknown brother in Canada and his father's true identity slowly emerge in this extremely personal investigative film.

Makoto Aida: Cynic in the Playground captures Makoto Aida at work as he creates his "Human Project" and "Shinjuku Castle" as well as various moments in his personal life. Known for his diverse and controversial works in various media, such as painting, installation and Japanese manga, the artist’s unique character surfaces through his creative process. Aida’s work can exhibit both dark cynicism and a lighter, more lowbrow humor as he tackles such potentially controversial subjects as terrorism, pedophilia, and societal misogyny.

Arban is a 12-13-year-old boy who falls in love with a young and attractive salesgirl called Aida who works opposite his father’s business where Arban often goes to help out. But Aida has no intention of attracting the young teenager, and Arban’s love leads to fierce jealousy of anyone close to Aida, as well as against his own father, Luan. Luan’s business is going well, but to increase the number of his customers Luan secretly goes out every night to throw nails on the streets. Arban discovers this by accident and suspects his father is going to see the beautiful Aida. One day his father falls into his own trap and has an accident. He spends six months in hospital, and after this Luan decides to follow the right path...

Pinku distributed by Okura Eiga

For her first hourlong stand-up special, comedian/actress/producer Aida Rodriguez takes the stage in the Bronx to tackle the issues of the day – not just because they’re ripped from the headlines, but because they’re in the pages of her personal life story. With her grounded and unapologetic point of view, Rodriguez gets candid about being worn out from political comedy, embracing both sides of her heritage, getting back into the dating game, and so much more.

The Met’s spectacular production of Verdi’s Egyptian epic captures both the grandeur and the intimacy of this powerful tale of love and politics. Liudmyla Monastyrska is Aida, the Ethiopian princess-turned-slave in love with the Egyptian warrior Radamès, sung by Roberto Alagna. Olga Borodina is her rival, Amneris, daughter of the Pharao, and George Gagnidze sings Aida’s father, Amonasro, the King of Ethiopia. Principal Conductor Fabio Luisi is on the podium.

With its cast of hundreds, thrilling score, and sweeping tale of love and heroics in ancient Egypt, Verdi’s Aida has long been a fixture on the stages of every major opera house in the world. For the 2018 revival of Sonja Frisell’s monumental production of this grand masterpiece, the Met assembled a truly all-star cast. Soprano Anna Netrebko takes on the title role for the first time at the Met, and mezzo-soprano Anita Rachvelishvili plays her rival, the conniving princess Amneris. Tenor Aleksandrs Antonenko is Radamès, the warrior that both women love, and Quinn Kelsey lends his robust baritone to Aida’s father, the fallen king Amonasro. Maestro Nicola Luisotti is on the podium to conduct this epic performance, filmed as part of the Met’s series of Live in HD cinema transmissions.

Finding their place between the forest and the sea, the Japanese have always felt awe and gratitude toward Nature. Since ancient times, they have negotiated their own unique relationship with their natural surroundings. Acclaimed photographer Masa-aki Miyazawa discovered the essence of that ancient way of living in Ise Jingu, Japan’s holiest Shinto shrine. Inspired by the idea of sending a message to the future in the same way this ancient shrine keeps alive the traditions of the past, Miyazawa used an ultra-high resolution 4K camera to create a breathtaking visual journey linking the Ise forest with other forests throughout Japan.

A poor family has to cope with rich kids and their parents when their son is enrolled into a prestigious school.