10th entry in the Japanese horror found footage series "Not Found".

When a man's son is kidnapped by his enemy he must hit the vengeance trail.

German journalist Jürgen Todenhöfer uses this unique opportunity to expose ISIS' apocalyptic vision for the world and to document everyday life in the cities it controls. He finds a population terrified into submission by beheadings, enslavement and torture, and an organisation unwavering in its commitment to its divine mission: to spread fear and violence throughout the world, no matter the cost.

Ten-year-old Nojoom was forced to marry a 30-year-old man. The dowry offered the family a small income and 'one less mouth to feed'. Nojoom discovers that her life will take a turn for the worse. Her husband is indifferent to her age. Every day after she is wedded, the child works under harsh conditions and every night, the child-bride is raped by a man 20 years older than her. A legitimate and acceptable arrangement for all, except for Nojoom.

A man takes 10 days of unpaid leave and finds love

Kim Deok-pal becomes a knave at a young age because of his father's indulgence. While living such a life, he gets to know Ko Seon-mi and tries to become a new person, but fails and is assaulted. After his father dies, Deok-pal starts his thug life for his stepmother and half-brothers. One day, while fighting with those who assaulted him, he is chased by the police and flees to the church. However, the pastor hands over Deokpal to his detective, and Deokpal hates religious people.

Evocation of the Oradour-sur-Glane Massacre on 10 June 1944, when 642 of its inhabitants were slaughtered by a Nazi Waffen SS company, based on a visit to Diors' Museum of the Three Wars" and archive photographs.

Remake of the first 10 films made by the Lumière brothers, which were screened in Le Salon Indien du Grand Café, Paris, on 28 December 1895. This marked the official beginning of –cinema. Director’s idea was to go to the same places where the Lumière brothers made their first films. In the same hours of the day, with the same light, the same camera angle, and the same lenses. To film the vision of Europe as seen by the Lumière brothers, 120 years later.

The Wen brothers, as director and photographer of the film, documented their 10 years of journey in Tibet, from 1989 to 1999. Their film investigates the social conditions, customs, and the spiritual life of Tibetans.

Christophe moves to writer Jerome’s appartment as a roommate. Christophe falls in love with Jerome, but he has a girlfriend. Christophe spends the whole time agonizing about not-telling his love. One day, Christophe has to leave Jerome for family reason.

Franny is seven years old. Franny's mother's new boyfriend is 26 year old Nico, an aspiring filmmaker who couldn't even finish his graduation film. The first time they meet, Franny finds Nico in her mother's bed. From that moment on, Nico and Franny need to find a way to get along, love and hate each other - often all at once.

Atmospheric images of trafic on Meir and De Keyserlei. Horse and cart still dominate the scene. Different views of the city and Harbour seen from the Scheldt river.

The history of the famous Brazilian bantam and featherweight world champion Eder Jofre, who tries to deal with his personal life and the obligations of a world class athlete, with the mentoring of his trainer and father Kid Jofre.

Banking Hours 10 to 4 is a suspense thriller happening in a bank as a person gets killed inside the bank premises and the suspense is revealed within the banking hours of 10 to 4.

Comedian Udom Taephanich takes his talents back to the stage for another stand-up special loaded with laughs as he reminisces about the good old days.

The tenth 'Japan Gangster War' film.

The tenth 'Yakuza Emblem Legend' film.

Kren’s 10/65 Selfmutilation is developed from a Gunter Brus “action”. What the film emphasizes is the surrealistic drama of symbolic self-destruction that Kren drew out of Brus’ action, pacing out each gesture so that one gets a tense, iconoclastic revelation of a man covered in white plaster lying surrounded by razor blades and a range of instruments looking as if they have been taken from an operating theatre. The blades, scissors and scalpels are gradually inserted into him in a ritualistic self-operation. (Stephen Dwoskin)

This project, 10 Years Self-Portrait, started July 1, 1999. The process of this project involves taking one photograph of my face every morning as soon as l wake up. The image changes a bit by a bit as days go by.