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"It’s not until we arrive at Habitat does the wandering eye of Ratté’s interlocuteur find respite in a cascading curved form soaked in the color of a pale sunset. The revelation of this habitat creates a visual serenity rarely found within the quivering feedback lines previously employed in Ratté’s work. The simplicity and exactness of the vertical lines that dance across the screen in Habitat suggest a kind of transcendental arrival at a near-perfect modular frequency where the input and output harmonize. These lines are pulled back like stage curtains to expose once more the gleaming horizon, this time delicately tinged with a rainbow spectrum created from gamma ramped signal saturation." - Nicholas O'Brien
Breaking the Habit is a 1964 American animated short documentary film directed by John Korty about cigarette smoking and lung cancer. It was nominated for an Academy Award for Best Documentary Short.
Unveiling The Music Industry
(Body dialog - architecture - nature - elements)
A man orders a gang to raid a bank, but the client is killed by the gang during the raid. Detective Nat Pinkerton finds a note in the jacket pocket of the murdered client, stating where he can find the gang. In search of the gang, Nat is overpowered and tied up by the criminals. Nat's colleague cuts the ropes, as Nat has been left alone by the gang. While his colleague raises reinforcements, Nat pretends to be tied up, and the gang puts him in a barrel. His colleague appears with the reinforcement just in time.
Kick That Habit is a 1989 film by PETER LIECHTI, an audio-visual portrait of his native country, eastern Switzerland. The film collects samples from the land-and-soundscape, underscoring in the process the oft-ignored industrial underpinning of our latter-day culture. Also native to eastern Switzerland is VOICE CRACK, the everyday household electronics duo of NORBERT MOSLANG and ANDY GUHL, whose musical workings are explored as part of Liechti s vision. Whether clicking quietly and rhythmically or humming and shrieking at ear-splitting volume, their recycled electronics produce innovative sounds and provide an appropriate accompaniment in this cinematic search for the detritus of our culture, the lost and destroyed remains of the last century of progress.
In 1979, the Argentine military dictatorship closed la Casualidad, a sulphur mine located 4,200 meters high amid the Andes Cordillera. The town's two thousand inhabitants scattered throughout the country. A lone man remained at Casualidad, amid ruins and memories, two hundred kilometres from the nearest town.
A person wearing a Nixon mask with a rather long nose shoots heroin.
In a dead-end room lives a slave of the system, addicted to the computer mouse and a reality show that never ends. Obsessed with an illusion, his dream is to go to the paradise that he has seen in a TV commercial...with just a flick of a finger.
Queer catholic musical short by Stanford student Marjorie Newman that toured with Divine and John Waters' film "Polyester"
The daily actions and interconnections of a neighbourhood’s inhabitants, hand-drawn into the folds of textured, off-white card, create dimensional and narrative ambiguities: a spectacle of everyday human situations.
Habitat 2190 follows the construction of the nature reserve Fort Vert at the site of the so-called “Jungle”, the former refugee camp in Calais, France, addressing the ways in which an imagination of nature is weaponised in the governing of borders, interrogating the intersecting mobilities, rights and co-existence of human and nonhuman life. Commissioned for the Middlesbrough Institute of Modern Art as part of the exhibition Fragile Earth: seeds, weeds, plastic crust (29 June - 29 September 2019). Collaboration between Hanna Rullmann and Faiza Ahmad Khan, design by Tom Joyes. Supported by the Elephant Trust.
Count Hubert de Latour Latour is the lover of the Duchess de Maulévrier. The day he is surprised by the Duke in the company of his wife and... in a rather compromising situation, Hubert resorts to a subterfuge, claiming that he has come to see the Duchess to seek support to be elected at the Institut de France, whose chairman is precisely her husband. The latter takes him at his word and Hubert becomes... a member of the French Academy! Which just shows that everything leads to everything.
1967 short by Carles Santos