This film is widely regarded as the first film made by an African south of the Sahara. Labelled an “ethnological documentary in reverse,” it shows 1950s Paris from the cinematic perspective of a group of African immigrants. (Mubi)

An ode to liberated speech and to the power of words, "those one speaks to others, those one speaks in silence", Alain Tanner's third film is inspired by a poet and a poetic text which deeply affected him as a young director.

A psychodrama about how injustice is turned into oblivion about an opportunity worker and a woman from the civil house of a marriage for 30 years . Soon the relationship fails due to the aggressive, also destructive tendencies of the man who enters a deep personal crisis. When the marriage coined/shaped of force and Psychoterror goes finally into the breaks, the man looks for comfort in the alcohol and becomes criminal.

In Kouroussa, his native village, little Baba lives happily, between Madou, his father, a gifted mechanic, Kouda, his sweet mother, and his gang of pals. Kouroussa is a wonderful place where Baba learns about life. But like all little boys Baba grows and now he is old enough to continue his studies in Conakry. He must say farewell to his village and cross all Guinea to the capital city of Guinea to live with his uncle.

Interviewees discuss the memories, tastes and experiences that they associate with Africa for a personal vision of the continent.

Director Oren Gerner ponders aging and family in a time of transition in this inventive quasi-factual feature about an elderly man (played by Gerner’s father) seeking purpose and meaning as the years tick by.

In a house on the coast, Doktor Dolittle lives with a monkey, a little dog, a pig, a crocodile, a duck and a parrot. He knows the language of animals. A swallow flies to him and tells of a terrible disease among monkeys in distant Africa. Dolittle and his animals board a ship and begin a hilarious journey.

When bookseller Buzz cons Diana into thinking that his friend Stanley knows all there is to know about Africa, they are abducted and ordered to lead Diana and her henchmen to an African tribe in search of a fortune in jewels.

A unique look at three of the greatest builders of the African Savannah: weaver birds, aardvarks and termites. In their spectacular buildings they do not live alone! Many roommates from other species, from small insects, reptiles and birds to large mammals, not only live together — they also benefit from sharing the same roof.

Cycling in Africa: Namibia

Report retracing the military campaigns of the Belgian colonial troops in Africa through geographical maps, title cards, and documentary footage.

Camera de Afrique Is a 1983 documentary. Acclaimed Tunisian filmmaker Férid Boughedir wrote, produced and directed this documentary that recounts 20 years in the history of African cinema through interviews and excerpts from 18 films.

A mockumentary mixing actual private footage of Stalin with reconstructed dramatic sequences featuring doubles.

There is an interlinking history of violent European colonialism and the cultural legacy of ethnographic collections in institutions. This documentary traces the progression of colonial history from the Berlin Conference of 1884-85 to the systematic elimination of cultural traditions, religions and lifeways which would occur sporadically through genocides and warfare until the early 20th century throughout the African continent—surveying the inquiries and movements for historical justice, the relationships between European institutions and colonial violence and following enduring struggles against these organisations to regain what was taken.

For this second special, the French trio only has a budget of 5000€ to find a car that can handle the wilderness of South Africa.

During a French construction project in the Sudan, a military doctor fights against leprosy and the natives seek protection against witch doctors.

This documentary of repressive political realities in Cameroon begins with the 1990 publication of an open letter to President Biya calling for a national conference - and the immediate arrest of the letter's author and publisher. The narration then examines the nation's colonial history, beginning with the first German missionary in 1901, the establishment of schools, French occupation following World War I, the paucity of books written by and published by Cameroonians, and the repression of the CPU, a leftist organization of the 1950s and 1960s. Cameroon and its people are the lark, its feathers plucked first by colonialism and then by native strongmen: 'Alouette, je te plumerai.'

Soviet documentary about the First International Festival of African Art in the city of Dakar in the spring of 1966.