More than 40 years after making "Cléo de 5 à 7," Agnes Varda invites her star, two other cast members, and her assistant directors to look back. She takes us through the film, from opening scene to the end, visiting its Paris locales, placing her aged actors in the same spots, telling stories, and listening to others' reflections on the making of the film. She and they talk about making a film on a low budget, its showing at Cannes, and trying to fix a problem in the last shot. Her assistant directors discuss casting, costumes, sets, and the ways the film changed their approaches to filmmaking.

A woman slowly loses her mind over the last four seasons of her life and her memories escape her one by one. Her husband remembers their life together through them. The story of a couple who meet one last time.

Across an oneiric journey, a woman remembers or invents her own memories with a man, object of her fantasies.

Homemade footage of parties, travel, and everyday life.

A man remembers all the incredible stories that took place in his hotel.

Australian Exclusive! The long-awaited DVD release of The Church's 1990 video collection! a compilation of clips ranging from early touchstones like 'The Unguarded Moment' and 'Electric Lash' through their hit 'Under the Milky Way', 'Metropolis' & 'You're Still Beautiful'. Also includes home video clips and more! 18 total tracks.

Leonard Maltin interviews the founder of the Walt Disney Archives, Dave Smith, and is shown Disney artifacts from different eras.

While Douglas Coupland works on a grand art project about Canada, the writer recounts his life and his musings about the various aspects of Canadian identity.

A project of theatre-documentary on the Srebrenica massacre.

At the school gymnasium, a prince and his friends are training to commit an attack.

Director Jean Delannoy's immediate followup to his brilliant Les Jeux sont Faits was the more conventional Aux Yeux du Souvenir (aka Souvenir and To the Eyes of Memory). The film is based on a true story, wherein an France airliner managed to survive a journey from Rio De Janeiro to Dakar with two of its engines incapacitated. To this already intensely dramatic situation has been added a romantic subplot involving Claire Magny (Michele Morgan) and Jacques Forester (Jean Marais). The love story adds very little to the film; fortunately, neither does it detract from the film's overall quality. As was the case with many French productions of the 1940s, Aux Yeux du Souvenir benefits immeasurably from the Wagnerian musical score by Georges Auric.

A camera shows, always in a fixed shot, the traditional Madrid of the nineties, bequeathing to the future images of acts and customs that are gradually being lost: it records the spontaneous words and gestures of anonymous people who behave in a natural way, as they would if the camera were not present.

Memory Eye is partly a personal diary and partly a visual meditation on birth. During a train trip I slip into slumber and am projected into the neither-dream-nor-reality-zone, where this short film takes place. This voyage is woven contemplation… deep, intimate, sensorial, pre-natal, pre-image contemplation.