When police discover 18-year-old Conrad Roy dead in a Massachusetts parking lot, they are faced with an unprecedented investigation; the discovery of troubling text messages forces them to wonder if the death is suicide or something more sinister.

The Mitchell brothers compete to see who can create the best Christmas House.

After the death of his mother, Elisa (Claire Borotra) is responsible for custody of her sister Audrey (Penelope Leveque), a troubled teen and something he hardly knows. Following the last will of her mother, both go to Mont Saint Michel, where the two grew up, to spread his ashes. The second night of stay, and after a flood, Audrey disappears while the mayor's daughter, which suggests a voluntary escape, but Elisa does not think so, so it will not stop until its trace sister.

From the stage of Vinile, in Rome, rigorously standing up alone in front of her audience, Michela Giraud tells her own truth through the strong and self-deprecating point of view that has always distinguished her.

Margaret Mitchell, portrayed as rebellious and spirited as Scarlett O'Hara, grows up in a comfortably middle-class Atlanta home, absorbing her grandmother's stories of the Civil War and the burning of their city by the Yankees. Young Peggy, as she likes to be called, goes to Smith College in Massachusetts and hates it. Back in Atlanta, her mildly scandalous reputation is made more so by her first marriage, to Red Upshaw, a bootlegging rake. Later, her second husband encourages her to expand her writing talents beyond feature articles for The Atlanta Journal. Her first and only novel becomes one of the best-selling books of all time.

Second in the documentary trilogy from mastermind Jacques Rivette, featuring a conversation between Jean Renoir and Michel Simon, who celebrate their reunion by discussing, among other things, La Chienne (1931) and Boudu Saved from Drowning (1932).

The film tells the story of documentary filmmaker Michael King (Shane Johnson), who doesn’t believe in God or the Devil. Following the sudden death of his wife, Michael decides to make his next film about the search for the existence of the supernatural, making himself the center of the experiment – allowing demonologists, necromancers, and various practitioners of the occult to try the deepest and darkest spells and rituals they can find on him – in the hopes that when they fail, he’ll once and for all have proof that religion, spiritualism, and the paranormal are nothing more than myth. But something does happen. An evil and horrifying force has taken over Michael King. And it will not let him go.

Well before many chefs of his generation, Michel Troisgros hit on culinary practice and culture which today lie at the heart of world gastronomy. Refusing to bend to fashion, his cuisine is unrestrained and personal, bright and cheerful, making the world-renowned Maison Troisgros resolutely modern even four decades after its inception. This tasty yet minimalist cuisine is echoed in Paul Lacoste's meticulous direction, where the handsome lighting and smart photography make the film a pure delicacy.

This film tells Jean-Michel's story through exclusive interviews with his two sisters Lisane and Jeanine, who have never before agreed to be interviewed for a TV documentary. With striking candour, Basquiat's art dealers - including Larry Gagosian, Mary Boone and Bruno Bischofberger - as well as his most intimate friends, lovers and fellow artists, expose the cash, the drugs and the pernicious racism which Basquiat confronted on a daily basis. As historical tableaux, visual diaries of defiance or surfaces covered with hidden meanings, Basquiat's art remains the beating heart of this story.

Made in France, English subtitled. In-depth portraits of internationally acclaimed chefs featuring exclusive interviews. Michel Bras is one of France's greatest cooks, obtaining his third star in 2000 and rated #7 on the 2008 World's 50 Best Restaurants chart. We will taste four dishes, cinematographically describe what we feel, then work through each dish's culinary fabrication to the true subject of the series: investigating the ways that one invents cuisine by revisiting their space and time.

At the turn of the sixteenth century, Michelangelo (Mark Frankel), Raphael (Andrea Prodan), and Leonardo Da Vinci (John Glover) create their masterpieces, while dealing with religious persecution, political turmoil, and the discovery of America.

Michel has lived in a psychiatric hospital for many years. Blaise Othnin-Girard is fascinated by this figure outside any canon, including those to which a forced isolation would like to reduce him. Art, love, friendship in Michel's words seem different. "It seems to me that paradise ... is a love that pierces your belly and makes you really happy ... a feeling like an explosion of love in a faraway place. It's a place where you can enjoy, paradise." The director has not seen Michel since the therapeutic apartment in Mâcon in 2001, where he lived before some problems arose. He finds him now at the hospital in a Complex Psychiatry Unit: a closed and silent sector. His words reveal themselves between pain and resistance, humor and lucidity, hinting at a love affair between impeded bodies.

Based on the true story of Jim and Artie Mitchell, two brothers who entered the porn industry in the early 60's. After creating such legendary porn films as "Behind the Green Door" and "Inside Marily Chambers", they later became addicted to drugs and began a downward spiral leading to bankruptcy and murder.

Jean-Michel Frank designed style-defining interiors in the 1920s with the timeless ideal of simplicity. He worked in Paris with artists like Giacometti and Dali, and designed interiors for millionaires like Nelson Rockefeller and Templeton Crocker. The documentary tells of an amazing but tragic life of the innovative interior designer.

‘E-e-emil!’ shouts father across the small farm in Katthult, the boy is up to his old tricks and will have to be banished to the woodshed. Except that Emil doesn’t see this as punishment – on the contrary: he locks the door from inside so that he can continue undisturbed to carve another of his wooden figures, of which he has a whole collection. His little sister Ida also wants to sit inside the shed, but she’s too well-behaved. This new adaptation of Astrid Lindgren’s beloved tales from her book ‘Emil of Lönneberga’ portrays the sunny side of life in the country at the beginning of the twentieth century.

In the face of rebellion in Russia, Czar Alexander II sends soldier Michael Strogoff 2,000 miles away, with a critical message for Grand Duke Vladimir. On the train journey, Michael befriends a traveler and comes into contact with a mysterious spy, who both unexpectedly aid him in his quest. Once behind enemy lines, Michael is near his hometown and his mother, whom he must avoid in order to fulfill his mission.

A movie lesson from famous French director Michel Deville - Nude in the town and village.