Ryoichi Yoshimori is a university student. His girlfriend, Kyoko Sawada is a few years older but the pair don’t care as they are deeply in love. After Ryoichi proposes to Kyoko, she suddenly disappears. Several days later, Kyoko re-emerges but claims to have no memory of him. With the help of a classmate/lawyer Chiaki Takaharu and his childhood friend Maki Kawai, Ryoichi attempts to unravel the mystery that may be related to the rumours of a memory erasing individual known as Kiokuya.

After a violent car accident robs Grace of her memory, a handsome stranger enters her life, insisting that they are lovers. As her memory returns bit by bit, the stranger's story begins to unravel. Grace is forced to fill in the gaps and uncover the truth, suddenly fearing for her life.

A look at the life and work of Spanish filmmaker and film critic Fernando Méndez-Leite, as he writes his memoirs and a novel with autobiographical resonances.

CRYING FREEMAN: FINAL CHAPTER -- THE GUIDING LIGHT OF MEMORY (1993) is the sixth and last volume in the OAV series of Japanese anime adaptations of the "Crying Freeman" manga. A hard-hitting tale of violent criminals engaged in a brutal turf war, it is easily the best-written and most stylishly directed since the first in the series (PORTRAIT OF A KILLER). This one tells the story of a young Japanese Yakuza who takes over the Russian supply of drugs and weapons to Japan and cuts out the involvement of the Hong Kong-based 108 Dragons. Freeman, the hitman of the title and the 108 Dragons' star player, goes to Japan to investigate and gets framed for a succession of assassinations of top Yakuza bosses. The chief enemy here, Tsunaike, is aided by an icily sexy Arctic hit lady, Tanya (described as "Eskimo" in the subtitles, although she looks more Siberian), who is frequently seen in the nude in regular trysts with Tsunaike.

An older man begins to work in a modern dairy factory. He feels distant and does not identify with the place, the people and even the society. Little by little, he is approaching cows and oxen, transforming into an animal and returning to his ancestry.

The daughter of the long-established photo gallery fell in love with a South Korean exchange student because of her extraordinary talent for photography. At the same time, she also got herself involved in a democratic storm because of some pictures. And the two went on different paths.

Warsaw, mid-1980s. When it seemed that the Christmas party with her parents could not be more boring, Basia unexpectedly meets someone very familiar...

A father loses his short-term memory as the result of a botched medical procedure which causes him to develop Wernicke's Encephalopathy. Koreeda chronicles his family’s fight to receive proper treatment and benefits from this devastating malpractice.

The story takes place in Kukto in D.C. 2060 - a year after VIFAM. Ypserlon has been restored to peace, though there still remains occasional skirmishes. The Thirteen are invited there for a ceremony by the new Kukto government (its members are formerly the rebels). As two unexpected people appear, they develop a new story. It is a quest for memory.

The secretive rules of nature spread out to be extraordinary beauty. Water is a lifeform that remembers and reflects everything. Following the nature of this water and the mysterious record of the ecosystem leads to the wonderful four seaons of the Bongha Village and the late Roh Moo-hyun's ambitious visions. What is the future he dreamt of back in his home, carrying out biological agricultural technology?

Why are we still able, today, to view images that were captured over 125 years ago? As we enter the digital age, audiovisual heritage seems to be a sure and obvious fact. However, much of cinema and our filmed history has been lost forever. Archivists, technicians and filmmakers from different parts of the world explain what audiovisual preservation is and why it is necessary. The documentary is a tribute to all these professionals and their important work.

The culmination of Encina’s work with the so-called Archives of Terror—meticulous records kept by the government of dictator Alfredo Stroessner. Encina’s longstanding political and aesthetic research project focused on how a community can cope with such detailed accounts of human rights violations. Memory and history, the personal and the political interweave in this experimental documentary that explores the consequences of Stroessner’s decades-long state terror regime and how it continues to mark the Paraguayan people. Constructed from the testimonies, visual material, and memories of the children of Agustín Goiburú, an opposition leader who disappeared in 1979, the documentary is a provocative reflection on how film might respond to political circumstances amid a surfeit of images of terror.

A wrestling club must deal with the fact that their newest member is an amnesiac.

Unique archives show a world that no longer exists: pre-war Poland in which two cultures: Jewish and Polish, coexisted wall-in-wall; cottage in a cottage; town next to town. "Po-lin" - meaning "we will stop here" in Yiddish - does not deny the painful past. It only shows that there was something more next to them. Worth remembering and - perhaps - reconstruction.

Yellow Cat in Memory lane is a film on the famous Indian Poet T. K. Doraiswamy aka Nagulan. The film was shot three years prior to his death. He takes us through his memory lane while talking about Poetry, Uncertainity and Life.

A bird called Memory has forgotten how to come back home. Lua, a trans woman, searches for Memory in the streets of Rio de Janeiro, but the city can be a hostile place.

Shuji Terayama starts a poem, and then ships his pencil to Herbie Yamaguchi in the UK. Herbie ships the pencil back to Terayama, who then finishes his poem.

Inspirada libremente en el libro (“Memories of Anne Frank: Reflections of a Childhood Friend”) escrito por Alison Leslie Gold. La escritora americana recopiló el largo relato de Hanneli Goslar (una de las amigas más cercanas de Anne Frank) cuarenta años después de la Segunda Guerra Mundial. (FILMAFFINITY)

The struggles of the community of the Coconuco indigenous reservation in Cauca, which by the eighteenth-century royal card is entitled to 10,000 hectares, and in 1971 it barely has 1,500.

While combing through the belongings of his recently deceased aunt, Matsuko, nephew Sho pieces together the crucial events that sank Matsuko's life into a despairing tragedy.