A personal essay on the play of children and grown-ups all over the world. The director has shot the film in different countries and cultures: Bali, Brazil, China, Denmark, UK, Haiti, Spain and the USA.

Hana is a psychologist and a thoroughly independent woman. Her unemployed husband, jealous of his wife, finds a younger girlfriend, but their teenage son Honzik is frustrated; everyone ignores him. Hana's patient Eva, an attractive middle-aged woman, is having problems with her 25-year-old son; she is in love with her son's friend and her son is offended by her behavior. To complete the circle, he falls in love with Hana and Honzik is utterly disgusted by their affair. Another of Hana's patients is Dub, a millionaire who can have pretty much anything, or anyone, he wants. He wants Hana. But he can't have her.

1947, in Patagonia, in a little village on the seaside. An abandoned house on the beach shelters Letty's dreams, her loneliness that only Miguel, a very young pianist, may share with her. Tomas, her husband, loves Letty and eagerly defends her against all the village, while she keeps playing her part of a 'femme fatale' with a romantic past and a very adventurous file. But on a windy day, a handsome and strange foreigner appears, coming from the sea, a man just as those Bette Davis used to fall in love with. For Letty, reality begins to look like the most incredible dreams of her. But this will call the police inspector's attention. With that mysterious spy, Letty will be involved in a story that will end as those stories she was so fond of when she was going to the movie theater of her little willage.

An erotic film that is imbued with many influences from Italian realist cinema, and now and then it adopts a Jean-Luc Godard-like style.

The trilogy "Resonanz von Augenblicken II" (resonance of moments II) is a compilation of scenes shot on S-8 in several european and westafrican sites, complemented with few TV quotes. Playful situations are shown—as intimate moments, or staged as a show. Behind their superficial ease, profound existential realms can be sensed that otherwise seem to be suppressed in everyday life.

The documentary focuses on the daily life of the director’s father, an 85-year-old man. It addresses the difficulties of old age, loneliness, fear of death, and grief prompted by the loss of a lifelong partner, as we follow the protagonist experiencing the loss of his spouse, with whom he had shared a 57-year life journey. The film captures the strong feelings that prevail, as well as the initiatives taken by the elderly protagonist in his effort to overcome loneliness.

An audiovisual essay on the relationship between the so-called Golden Age of the Netherlands, which comprises a good part of the 17th century, and the contemporary nature of the struggles undertaken during that period.

After working as a reporter and an assistant at a radio station, Watanabe Yoshimitsu, former leader of the bosozoku gang Black Emperor, returned to his old stomping grounds and began to make a film about bosozoku. At the time, he was 21. The teenage members of the bosozoku group, also known as " Thunder " would get into their revamped motorbikes and cars and race around the city. With the police as their enemies, they ran from patrol cars and did other defiant acts. They would put on outlandish clothing and, as a result of fights with rival groups, were very loyal to other members of their own gang. Every Saturday, they would cruise around, vanish and reappear throughout the entire night with no particular goal. However on 1 December 1978, because of provisions in the new highway transport law, the end was at hand for their " season of running wild. " The film shows them simply continuing to run wild on this last night before the law is to take effect.

Cia marries Dono, a university administration employee. Cia marries him to soothe her heartbreak when her father marries her best friend, Lies. But when they go to Dono’s hometown for their honeymoon, they find his relatives acting mysteriously. Dono’s sister, Lastri, never speaks. His brother is insane and there is only an old woman whom he speaks to. On their wedding night, Cia realises that Dono cannot perform sexually, but Cia still loves him. One day when Cia is taking a bath in a river near the house, she is attacked and raped by a man. Dono tells her that when he was a boy, he saw his mother raped by Kromodongso. Later, the same person rapes his sister. Strangely, Kromodongso does not admit to have raped Cia, although he admits to raping Dono’s mother and sister. Finally, Dono admits that he raped Cia, his own wife. He did that, as he cannot perform in a normal situation. Dono can only do what Kromodongso did to his mother. Cia is happy because Dono is truly a man.

The 12-year-old Aneta and Boy feel that there is something like a first love between them. The kids are traveling to the countryside together. They get to two of Aneta's grandparents - one of her grandmothers was married three times. Aneta's favorite grandfather is her grandmother's third husband. He is not her real grandfather, but she loves him because he likes to fantasize. He taught Aneta a magic game - to light a match and imagine anything in flame. Her favorite grandfather dies. Aneta mourns him for a long time, lights matches but no use.

Is the story of women that were guerrilleras in Uruguay at the beginning of the 70's. Under an intimate focus, the film shows the moments of decision and the personal crossroads that it involve. The documentary search the experience and the look of common individuals in exceptional situations and goes to the bottom of the load of tensions, fears, contradictions and personal costs that those labor instants of the History have.

Directed by Franciszka and Stefan Themerson.

Italian short film.

A mentally deficient man spends New Year's Eve in front of the television in his dingy rooming house, in the company of his landlord. The two spend the evening drinking and watching a ten-year summary of global catastrophes before the ominous programming is capped-off with well wishes for the New Year.

An animated poetic etude with dry pastels. Empty beaches, peace, the sound of waves and contact with nature - time for reflection and silence.

Life is but a moment. And the trials and tribulations life throws at us are also momentary. All things shall pass, just as they came, in due time.

A compilation of excerpts from old Helsinki-themed documentaries and new material.

An abridged version of the film “Ravi Shankar”, a film portrait of the Sitar Maestro, depicting through a series of interviews and recitals his versatile personality as a well-known classical performer and a creative composer of Indian Music.

Actors adapting Mikhail Lermontov's "Bela" are imbued with the lives of their characters, shown from the perspective of the Russian officer scouting locations in the Chechen landscape.