Music Director Yannick Nézet-Séguin conducts Verdi’s grand tale of ill-fated love, deadly vendettas, and family strife, with stellar soprano Lise Davidsen as the noble Leonora, one of the repertory’s most tormented—and thrilling—heroines. Director Mariusz Treliński delivers the company’s first new Forza in nearly 30 years, setting the scene in a contemporary world and making extensive use of the Met’s turntable to represent the unstoppable advance of destiny that drives the opera’s chain of calamitous events. The distinguished cast also features tenor Brian Jagde as Leonora’s forbidden beloved, Don Alvaro; baritone Igor Golovatenko as her vengeful brother, Don Carlo; bass-baritone Patrick Carfizzi as Fra Melitone; and bass Soloman Howard as both Leonora’s father and Padre Guardiano.

Shinji (Shinichi Tsutsumi) steps out of a train station to find himself transported back to 1964.

An adaption of the book about the Moscow Metro, where the last survivors hide after a global nuclear holocaust.

Documentary essay-research about premetro in the city of Kryvyi Rih, Ukraine. This "son of the good old subway and fast tram" called as "metrotram".

Christine Goerke has wowed audiences as Turandot, the icy princess at the heart of Puccini’s grand final masterpiece. In this performance from the 2019–20 Live in HD season, Goerke stars alongside tenor Yusif Eyvazov (as Calàf) and soprano Eleonora Buratto (as Liù) in Franco Zeffirelli’s classic staging, which dazzles with its opulent visions of mythic China. Met Music Director Yannick Nézet-Séguin is on the podium, drawing a vivid array of musical colors from the incomparable Met Orchestra and Chorus.

In the near future, oil reserves are nearly depleted and Europe is connected by series of underground tunnels. While navigating these tunnels, Roger hears voices, one in particular. Seeking a way to rid himself of the voice only leads Roger deeper into a bizarre conspiracy of control - mind and body.

Puccini’s bittersweet love story returns to cinemas, with soprano Angel Blue starring as the French courtesan Magda, opposite tenor Jonathan Tetelman as Ruggero, an idealistic young man who offers her an alternative to her life of excess. Maestro Speranza Scappucci conducts Nicolas Joël’s Art Deco–inspired staging, which transports audiences from the heart of Parisian nightlife to a dreamy vision of the French Riviera. Soprano Emily Pogorelc and tenor Bekhzod Davronov complete the sterling cast as Lisette and Prunier.

He and she meet by chance on the Parisian metro. They are, were, or will be – or not – together in this world without time but with infinite space of metropoems.

András, a single father, is having a hard time finding a way to his daughter, as they both struggle to cope with the challenges of their own everyday lives.

Tenor Javier Camarena and soprano Pretty Yende team up for a feast of bel canto vocal fireworks—including the show-stopping tenor aria “Ah! Mes amis,” with its nine high Cs. Alessandro Corbelli and Maurizio Muraro trade off as the comic Sergeant Sulpice, with mezzo-soprano Stephanie Blythe as the outlandish Marquise of Berkenfield. Enrique Mazzola conducts.

The film is based on three separate incidents that take place in Kochi. The first one involves the murder of a young politician, Jaimy Padamadan, which is being investigated by Jacob Alexander (Sharath Kumar). The murder occurs during an election season and the main suspect in the case is a local don named Paruthikkadan (Suresh Krishna). The investigation is affected due to his political influences. The next story is about Anupama (Bhavana), an I. T. Employee. She is being followed by a group of gangsters. The story takes new turns and the mystery gets solved. The third story is about a group of five friends, Harikrishnan (Nivin Pauly), Usman (Bhagath Manuel), Sujath (Suraj Venjaramoodu), Sooraj (Arun) and Govind (Biyon Gemini). Harikrishnan is a youth working in Gulf. He and his friends are travelling to Palai. He has a package from Gulf which he is supposed to give to another person. The story takes new turns during their journey.

Two mismatched policewomen are assigned to guard and observe a released prisoner who has connections with a women-only gang who are suspected of counterfeiting.

The Gershwins’ modern American masterpiece has its first Met performances in almost three decades, starring bass-baritone Eric Owens and soprano Angel Blue in the title roles. Director James Robinson’s stylish production transports audiences to Catfish Row, a setting vibrant with the music, dancing, emotion, and heartbreak of its inhabitants.

A six minute film of the funeral of the murdered Metropolitan Emilianos of Grevena, of which all has been lost, save for 17 seconds. Emilianos was murdered on October 1st, 1911.

Looking for a brighter future in metropolitan Manila, Oscar Ramirez and his family leave their miserable life in the rice terraces of Banaue, in the northern Philippines. In the sweltering capital, where all kind of perils lurk in every corner, Oscar catches a lucky break when he is offered a steady work for an armored truck company and the senior officer Ong takes him under his wing.

Bucharest, 1972. Ana, 17, dreams of love and freedom. One night, while partying with her friends, they decide to send a letter to Metronom, the musical program which Radio Free Europe broadcasts clandestinely in Romania. It is then that the Securitate, Ceausescu’s secret police, arrives…

Puccini’s timeless love story, which includes some of its composer’s most beloved music, has moved generations of opera lovers since its 1896 world premiere. It has also proved incredibly popular with the Met’s global HD audiences and has been featured in three live high-definition transmissions since 2008. The most recent, presented during the 2017–18 season, includes a cast of celebrated young artists. Soprano Sonya Yoncheva is the fragile seamstress Mimì, who instantly falls in love with the passionate poet Rodolfo, sung by tenor Michael Fabiano. Soprano Susanna Phillips and baritone Lucas Meachem trade both spars and kisses as the on-again-off-again lovers Musetta and Marcello, with bass Matthew Rose and baritone Alexey Lavrov rounding out the rambunctious gang of bohemian friends. Maestro Marco Armiliato takes the podium to lead Franco Zeffirelli’s picturesque staging.

A case of writer's block inspires a young novelist to return home to New York City and reconnect with his engaged ex and his bohemian parents.

Prakashan is an amoral thug-turned-autorickshaw driver plying an autorickshaw he fondly calls Metro. Sans kith or kin, Prakashan undergoes a change of heart when he decides to help a young woman in distress to find a man she came searching for.