After Hiroshi is injured in a workplace accident, Torajiro gives Sakura the money he has saved and leaves to work as a traveling salesman once again. During his travels, Torajiro meets a father who shares a drink with him. In the morning, Torajiro is shocked to learn that the man has left his baby behind and a note asking Tora to take care of the child.

Reform schools are a way of protecting society by ridding it of lawless juvenile delinquents. But who's protecting the juvenile delinquents from corrupt reform schools? Rica could be considered a bit of an expert on reform schools, having spent most of her early life in and out of them. When Rica is dragged back once again, she gets a severe beating and is finally sent off to a mental hospital with the intention of selling her and her pals into a slave trade. A trader takes Rica's friend Jun to a mountain cottage where she's pegged for the lead in his clandestine porno film operation. Once again, it's up to tough-as-nails Rica to bust up this corrupt racket once and for all!

Every year in the summer the guys meet in order to go on another sailing trip. All of them were very lucky to have faithful and devoted friends. But the seventh grader Kirill is keenly aware of the lack of friendship in his class. He especially felt this when he was accused of stealing a wallet. Kirill himself found a thief — he turned out to be a quiet and defenseless Chirok, following the courtesy of yard hooligans. Taking Chirok under his protection, Kirill managed to fend for himself and his new friend.

Simón is the owner of a hardware store in the greater Buenos Aires area with four employees. Constantly mistreating them, he never gives them a break, creating a high level of unease in the everyday work routine. Absolutely submerged into the world of labor, The Spider's Lullaby weaves its story with each tension that shape management authoritarianism but also solidarity, resistance, and vile deeds among colleagues.

The adventures of animated puppet Ku-Ku.

Red Castle Lullaby by Taizō Fuyushima

A French lullaby, "La petite poule grise" (The Little Grey Hen).

Madalena, a child born out of an affair, is hated by her stepmother who blames her for the fire that killed her husband. The blind woman abuses the girl to the point of cutting her tongue off. How long will she be able to contain the demon inside her?

Artist Eli Shamir paints the view from his studio balcony - fields stretching to the horizon, ancient oak trees, and a generation of farmers that is disappearing from the vistas of the Jezreel Valley. His large oils are treasured by collectors worldwide. It was director Ben Shani's encounter with one of Shamir's works that spawned the idea of documenting the artist at work. Neither of them had any idea that everything would change as the filming progressed, as an unforeseen danger threatened to rob Shamir of his talent. Filmed over the course of ten years, A lullaby for the Valley focuses on the fascinating figure of Eli Shamir and his paintings. As time passes, like the endless fields of the valley, they are transformed before our very eyes.

Lullabies are our first connection to the world – a universal experience we all share, yet it remains deeply personal. "Can you recall a song that your mother would sing for you to fall asleep?" is the question Tamara Trampe and Johann Feindt ask people they meet in the streets of Berlin.

Going to the doctor to make a diagnosis or to have a treatment is a common thing in the outside world. But for every prisoner it is a very difficult or impossible path. Lander Garro, the director, turns to those who have lived the experience of being ill in prison to better understand its consequences. It uses a language that goes beyond political discourse, exploring the helplessness of prisoners whose right to health is limited from an emotional point of view, through cinematographic tools. 'Tipularen sehaska kanta' ('Nana de la cebolla' - 'Lullaby of the onion') more than a political film is an artistic film, narrated in the first person and from the entrails. Based on the poem 'Nana de la cebolla' by the Spanish poet Miguel Hernández, who died in prison in 1942, the film makes a historical analogy: if it didn't make sense to die in prison in 1936, does it make sense today?

In a typical Singaporean family of three, life is well and comfortable. Unbeknownst to them, the forgotten fourth member is feeling neglected and alone. The only comfort she finds lies in her grandson.

In the year 74 BC, Titus Lucretius Carus, a young man with bold ideas, tries to convince his friend Memio that moving to the city of Rome to study is a total waste of time. Years later, Lucretius returns from the capital. Trying to find a balance between his explanations of the natural world and his emotional experience of it, Lucretius lives a deep and troubled passion with his foreign wife Isa.

Two old friends meet in a big empty house which belongs to one of them on a cold winter evening. Women have something to recall. But as they drink more it becomes increasingly difficult for the hostess to hide some dark secrets from her insightful friend

Hungarian Lullaby is a journey through time, across space, from woman to woman, linking past to present. It is a quest for the truth, that delves into a vault of secrets, forgotten memories and family history.

This Georgian drama seeks to renew and reinforce a sense of cultural and national identity as it examines a tragic event in the idyllic life of an aristocratic Georgian family. Much of the film focuses upon their happy and peaceful life of this family comprised of a young couple and their baby daughter Keto. Their life changes when two drifters come in. The two men (who seem to be Muslims from the Azerbaijan republic) are met with hospitality. They repay it by kidnapping baby Keto. ~ Sandra Brennan, All Movie Guide

A film about the life of the city and citizens. In the center of the plot is a small child who accidentally comes upon two builders and radically changes their everyday life.

A police investigator is violently interrogating a boy accused of subversive activities. Meanwhile, at home, his wife is tending to their gravely ill son. There is a strange link between the pain he is inflicting upon his prisoner and the recovery of his son.

The cameraman tells his yet-to-be-born child, Pamir, “Listen, I am going to tell you the story about my village.” The people of the village are constantly working, the camera lingering on the hands. The landscape. The traditions and rituals of the people. A woman with a tambourine. The spinning shamanic dance of an elder. A mother swinging a cradle gently. The newborn admonished not to forget the Motherland.