Director Andreas Voigt interviewed people of different ages and social backgrounds about their experiences after the fall of the Berlin Wall. He paints an important picture of this historic period in German history, filled with radical social and economic change and insecurity. Last Year Titanic was shot from December 1989 through December 1990 — the last months of the GDR and the first months in united Germany.

Last Year in Utopia documents an experimental set-up: a staged group media experiment, isolated from the outside world, is reconstructed on the site where the original events unfolded. The boundaries between autonomy and heteronomy dissolve in new role assignments as the film makes the power structure behind the artificially created utopia visible.

1922 year. Khakassia. Fields. Former red partisan Fedor Polyntsev is taking his family to Minusinsk. On the way, a wounded Khakassia youth-herder comes across. Trying to give him first aid, Fedor is captured by the relatives of the herder, who considered him guilty of injuring the young man.

Near Munich, in Bavaria, Germany, is the Schleißheim Palace, where French filmmaker Alain Resnais shot his film Last Year at Marienbad in 1960. Nearby is the Dachau concentration camp, where thousands of people were killed between 1933 and 1945. An essay about the present and the past, beauty and horror, life and death.

Just as he's getting ready to celebrate the new year amid a global pandemic, a thirteen-year old's careless winter break is interrupted when an earthquake hits nearby.

Set on background of personal ceremonies and tradition, this is the story of a twelve year old boy. To him, the passing from one year to another coincides with his passing from childhood into adolescence.

Stunning espionage documentary on the US conspiracy that led to the 1964 Brazilian coup d'état. John F. Kennedy and Lyndon Johnson original White House tapes, and CIA Top Secret documents reveal how the US government planned to overthrow Brazilian elected president João Goulart.

The festive season brings nothing but havoc to a group of teens, struggling with their own mental politics.

The director captures the final year in the life of the woman who helped raise him, as age slowly gets the best of her. The simple filming style, in which neither the camera nor the protagonist ever leaves her flat, results in an unusually intense and extremely personal record of time passing and the relationship with a loved one. It's a raw yet formal testament that sensitively manages to avoid any trace of sentimental kitsch, leading the viewer on an emotional journey of the everyday reality of Bunina's days and her mercilessly worsening physical and psychological condition.

A documentary about the film Last Year at Marienbad

Rodrigo, the director of this film, was given three months to live. Lonely in facing death, he searches for Eduardo, his first boyfriend. But Eduardo won’t answer.

Ґандагар — фантастичний світ краси й благоденства, результат мутацій і генної інженерії. Однак таємнича сила вдерлася на планету й порушила цю ідилію. Жіноча Рада вирішує послати лицаря Сільвана розвідати плани ворога. Разом з прекрасною незнайомкою вони довідаються, що колись ґандагарські експерименти породили Метаморфа — творця армії вбивць. Битва з Метаморфом може відбутися тільки через тисячу років…

New Year’s Eve dawns in a moon-kissed car, and Sofia has a dream that she tells no-one: while walking on a desert, she gets to know that she is sick. She pretends she does not care. Has she lost heart?

This movie was based on a TV series popular in Argentina at that time dealing with the adventures of high school seniors.

“What were you doing last year, when I took this photo from a train passing by your house?”

An aging screen icon gets lured into accepting an award at a rinky-dink film festival in Nashville, Tenn., sending him on a hilarious fish-out-of-water adventure and an unexpectedly poignant journey into his past.

The film is dedicated to a Russian peasant woman-artist Lyubov Mikhailovna Maikova. At the age of 79, Lyubov Mikhailovna began to paint with watercolors, and soon painted with paints. She created more than 150 paintings.

Картина знайомить глядачів із бурхливим роком життя відомого актора Хоакіна Фенікса, який у 2008 році заявив, що завершує кар'єру в кіно, щоб стати музикантом. Фільм показує портрет героя, коли він опинився на роздоріжжі, вирішивши ґрунтовно переосмислити свою творчість, за чим спостерігала вся світова спільнота.

On the island of La Gomera, children imagine stories while they examine archeological remains. An ethno-fictional journey in which past and present coalesce, creating resonances between the volcanic landscape and Silbo, the whistled language of the island.