Copenhagen’s “8 House,” an ultramodern loop of apartments created by architect Bjarke Ingels, reinvents the concept of “home.” Its 500 residents can traverse all nine floors by bike while their kids attend kindergarten on the ground floor. This exuberant documentary profiles the (mostly) happy residents, including a group of children who experience the best scavenger hunt ever, offering a hopeful, inspired picture of communal living by design.

exploration of body horror and trans identity

Grammy nominated band Deafheaven perform their 2021 album 'Infinite Granite' live from Riverwood Art Studio in Minnesota.

1. The Portal 2. Hypogeum 3. Body Of Light 4. Nunhood 5. Evolution 6. The Eclipse 7. The Seal 8. Sanctuary 9. God/Aeon 10. Ancient Astronauts 11. Megalithic Dreams

Yang Jiechang brings to life a friend's personal narrative of events of the 1989 Tiananmen Square massacre, through a new kind of ink painting.

This film is a look at the disappearance of religious and industrial cultures in a small town (Scardovari) located in northern Italy (Po Delta). This erasure, together with the economic situation, pushes the men and women to return to the water to survive. The image as a representation of the memory of a place, of an inner landscape, of a mystery. A narrative that belongs to the world of exegesis, to an infinite world of relationships, of networks where each image enters into correspondence with another, opening up the meaning ever more and breaking the unity of history.

Rose’s mesmerizing encounter with a variety of orchid beings and her own unstoppable imagination.

Infinite Nectar draws on the poetics of space by exploring abandoned Sikh heritage buildings in the city of Lahore (Pakistan). These spaces carry traces of the 1947 Partition of India and have been resilient in the face of power shifts, urban transformations and cycles of trauma throughout history. The artist unfolds these layers through the textures, architectural juxtapositions, and cracks within these spaces, overlaying them with animated mosaic-like stones and caressing them with a fragmented marble hand of Maharani Jindan Kaur, the last empress of the Sikh Empire and a revolutionary female character, who returns back to her place of origin and haunts the city like a ghost.

This is a media-fashioned attack aimed at the disturbing omnipotence of hyperrealism and fascist banality – best symbolised by Donald Trump’s burning latex effigy.

Anonymous voices follow one another, leaving messages on an answering machine, creating a purely auditive experience. The messages are destined for various recipients, some identified and some not. From one voice to the next, the tone shifts from recognition and joy to boredom and anger. The degree of familiarity varies; the messages range from banal matters to the serious illness of a relative. All these voices have the goal of being heard on the other end of the line and eventually receiving an answer. Infinite Distances explores how we communicate, evoking recent nostalgia for the landline and pointing to our fundamental need to connect, share, and be heard.

"A little later a thousand hungry eyes are bending over the peepholes of the stereoscope as though they were the attic windows of the infinite..." - Baudelaire, On Photography, 1859

A chance encounter allows a young girl to see the duality of her life as she faces her demons.

The Vedas are a large corpus of texts originating in Ancient India. Philosophies and sects that developed in the Indian subcontinent have taken differing positions on the Vedas.

Pink Floyd's Echoes from the Meddle album as an alternate soundtrack to the ending sequence of 2001: A Space Odyssey - Jupiter and Beyond the Infinite

They've captured our imagination and are a source of childlike wonder, but what exactly are rainbows? Learn the science behind these weather phenomenon and how one day they might help pinpoint habitable planets in deep space.

Moving at speed over a receding white planar surface defined by rows and rows of identical black letters that spell out, again and again, ‘CHRISTOPHER REEVE', to the sound of etude-like pieces for piano played with a certain hesitance.