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Province of Lugo, Galicia, Spain. A year in the life of A Fonsagrada, a rural region whose inhabitants live both near and far from urban civilization; a praise of the distance that crosses the four seasons of the year, whose inevitable passage transforms both the natural environment and the existence of people, a simple, dignified and peaceful existence.
A distressed young woman, possibly on the run is surrounded by nothing but barren landscapes of forests and fields. As she progresses to an indiscernible denouement, the film contorts shape into a circular series of pulsating images that touches on the horror and the metaphysical.
In 1991, when images of the Gulf War flooded the international media, it was virtually impossible to distinguish between real pictures and those generated on computer. This loss of bearings was to change forever our way of deciphering what we see. The image is no longer used only as testimony, but also as an indispensable link in a process of production and destruction. This is the central premise of "War at a Distance", which continues the deconstruction of claims to visual objectivity Harun Farocki developed in his earlier work. With the help of archival and original material, Farocki sets out in effect to define the relationship between military strategy and industrial production and sheds light on how the technology of war finds applications in everyday life.
The story centres on Ako and San, two women who live in the same house, and who live in, visit and leave the house. This omnibus effectively uses the stage of the house to challenge various approaches to the expression of time and space. Interesting the minor misalignments between people that unfold in the house!
Overcoming many obstacles, Haruto and Aoyama have finally become an item. They affirm their love for each other and agree to leave for faraway lands, but the following morning Aoyama disappears. Where could he have gone!? Before long, Shibahara, a man who claims to know all about Aoyama's situation, appears before Haruto. What secrets has Aoyama been hiding? Haruto returns to the male escort club and meets fellow castrated escort Ruka. In an industry full of temptations, will Haruto be caught up in the danger zone yet again? With the appearance of new characters, what impact do they hold for Haruto and Aoyama’s relationship?
Thea is stuck. She has moved cities to start over but is unable to let go of the past. When her ex-boyfriend suddenly visits the area, the opportunity to revive the past arrives with him. Distance is an intimate relational drama about letting go, played out in North-Norwegian scenery.
Study of the relationship between observer and landscape in the contemplative experience. The view building the landscape from the necessary distance. The delimitation of its borders against the total continuum of nature. The observer immersed in the path of his gaze across the landscape. Resting the gaze in the details that make the globallity. The view selecting the space included as a landscape.
On a misty sea drifts a lonely boat. While unseen danger lurks in the fog, the boat's motor is out of order and visibility is as clear as the relationship between the two men sitting in the boat. Do they get out of the mist? Or is it already too late?
The special relationship between a secular, queer and feminist woman and her twelve siblings and parents - all members of an Ultra-Orthodox community.
Unsent letters from an "un"abandoned home.
A brief story of a guy who's obsessed about having sex with ETs.
Tomas' 3-year-old daughter was kidnapped by soldiers during the war in Guatemala, and 20 years later, he learns that she is living only 150 miles away.
Mado wakes up in the morning finding all the people disappeared. Hearing a strong typhoon might strike, everyone has escaped the disaster. She checks her school, but no one is there. She meets her classmate, Fujii, unexpectedly. Fujii asks Mado to find a shelter together. He doesn't want to leave her alone. Both start looking around to see if anyone's left behind: An empty theatre, a movie is still running on the screen. A young girl stands by a desolated pool. A strip show theater with a retired stripper. An old man brushes his shoe in a bowling center continuously. Both guys search everywhere. And finally in the heavy rain, they find shelter in a factory. This is a factory where Mado's father had died in.
The fears and insecurities of two teenagers, Sara and Helena, come to light during a bike ride.
A young wife awaits the return of her husband from the war. But when he arrives, mutilated and sick, she is repulsed.
Short film.
Sometimes, a crazy looking person enters the subway, and suddenly, a void is created around him. But what would happen if you chose to stay and treat him kindly? Perhaps, you would discover that inside him, there is someone who was once sane. Or maybe, you would discover, that deep down, we are all a little insane.
An instant in the memory of landscape: the smuggling that for centuries crossed the line between Portugal and Galicia. The Gerês Mountains knows no borders, and rocks cross from one country to another with insolence. Smugglers also disobey this separation. The rocks, the river, the trees: silent witnesses that help them to hide. They just have to wait for the night to cross the distance that separates them.
The short documentary looks at some innovative approaches to providing services and accommodation for battered women in rural, northern, and Native communities. Filmed in Thompson and Portage La Prairie, Manitoba, and West Bay Reserve, Ontario, the film introduces the women who operate and use various types of accommodation such as transition houses, transition apartments, and safe houses. The shelter on West Bay Reserve is singled out as a project that was built by women for women to stand as a reminder that the Reserve will not tolerate violence against women. A Safe Distance is part of the The Next Step, a 3-film series about the services needed by and available to battered women.