Megan, a young girl on her way home from school, waits for the bus before she encounters Death, who has come to take her into the afterlife. As luck would have it, Death neglected to account for daylight savings, which means he arrived an hour early for Megan’s death. Megan and Death must endure the awkward time between the present and her untimely death.

A drama directed by Edward Sloman.

After a gay purge in a dystopian future, two couples who secretly meet once a week to reminisce about their former openly gay lives must decide if their clandestine meetings are worth risking their lives.

Filmmaker Jeffrey St. Jules reconstructs the story of his grandparents and their rugged frontier life in the logging towns of Northern Ontario. It is a genre twisting reflection on a fractured family history, which St. Jules infuses with myth and fact, joy and heartbreak.

Into Daylight uses geographical landscapes as metaphors, to explore the notion of metaphysical journeys made across landscapes within in the mind. Classic cinematic devices such as short vignettes and slow pans are used in combination with a lulling soundtrack, until a change in atmosphere occurs, and a lone ghost-like silhouette is revealed to be 'making passage' through the mountainous Pass. Produced with the funding from the Screen Innovation Production Fund, a partnership between Creative New Zealand and the NZ Film Commssion.

Explore the set and the special effects for the film Daylight.

This is a 1982 concert by Crosby, Stills and Nash, in support of their "Daylight Again" CD release. Neil Young is not part of this tour, which simply means that this is a CSN concert rather than a CSNY concert.

Recurring emergence of narrative. The “loaded” image becomes the determinant feature for reading otherwise unemotional footage; a first experiment in what is an ongoing investigation.

The Batiri (Kodama & Obariyon) vs. The Bloc Party (Mr. Azerbaijan & The Proletariat Boar Of Moldova) (w The Polar Baron) vs. The Colony (Fire Ant & Worker Ant) vs. The Flood (Haack & Slaash) (w Dr. Cube) Eddie Kingston vs. Juan Francisco de Coronado Missile Assault Ant vs. Silver Ant The Flood (Sinn Bohdi, The Odditorium (Oliver Grimsly & Qefka The Quiet) & Die Bruderschaft des Kreuzes (Nøkken & Tursas) vs. The Throwbacks (Dasher Hatfield & Mark Angelosetti), The Baltic Siege (The Estonian ThunderFrog & The Latvian Proud Oak) & Jervis Cottonbelly The Osirian Portal (Amasis & Ophidian) vs. The Pieces Of Hate (Jigsaw & The Shard) Ashley Remington vs. Chuck Taylor The Spectral Envoy (Blind Rage, Frightmare, Hallowicked & UltraMantis Black) vs. The Wrecking Crew (The Devastation Corporation (Blaster McMassive, Flex Rumblecrunch & Max Smashmaster) & Jaka) (w/Oleg The Usurper & Sidney Bakabella)

Armed with only headphones and a super 8 camera, a reluctant demon must survive through one last beautiful day on Earth.

Elam Harnish, known as "Burning Daylight," is a leader among the men of Circle City, Alaska in the days before the gold rush. Nell, a dance hall girl, loves Harnish, though he has never offered her anything but friendship. Harnish's hunch that the big strike is coming soon proves true, and he throws himself into the frenzy of activity that follows, staking claims and eventually accumulating eleven million dollars. Harnish leaves Alaska for San Francisco without knowing that Nell has killed herself because of his departure. -From TCM.com Database, powered by the AFI.

A documentary film about Rocinha, the daylight of brazil´s most notorious and populated favela. A jouney inside the slum through some of its most remarkable inhabitants. An alternative vision of their everyday fight against the stereotypes of poverty drugs and violence.

An amazing and timeless collection of pretty peelers brought to the masses by super 8 seamstress Victoria Renard and Memphis Movie Messiah JMM [Superstarlet A.D.]. Set against a backdrop of sock dropping rock and roll and beautifully bizarre screen-warped colorization. Featuring the timeless toasts of the modern burlesque scene such as Miss Exotic Wood 2002 KITTEN DeVILLE [Auto Focus], URSULINA [Lucha Va Voom], THE FISHNET FLOOZYS, Miss Exotic Wood 2004 DIRTY MARTINI, MIMI LeMEAUX, CANDY WHIPLASH, THE DEVILETTES, THE SOPHISTIKITTENS, and MORE! See Starlets "burlesque" to garage rocknroll recorded in the most primitive conditions!

Seeing Daylight is a celebration of the Tlingit culture and history... the untold story of a proud, never conquered Native Alaska Tribe... a people that maintained their culture while embracing the modern world.

A man going about his day is stalked by a shadowy figure he cannot escape. This experinamental film by Dante Spraggins and Javier Burgos tells the represtaive tale that one cannot escape the things they try to run from, and must confront them face to face.

The Owl In Daylight (Philip K. Dick is here) looks closer at the intellectual heritage of one the most legendary science fiction writers that ever lived: Philip K. Dick (1928 1982). Among the people who still admire him, nearly thirty years after his death, are designer Philippe Starck, writer Jonathan Lethem, robot builder David Hanson and director Paul Verhoeven. And all of them can testify that the world is getting more and more like a Philip K. Dick novel. The documentary mirrors the sometimes bizar story of the last years of his life with the often visionary thoughts he displayed in his work.

A way of considering Europe in the light of day.

Burning Daylight is a dance/film project. The performance is set from late one night until dawn in a transit zone outside a notorious pub on a Broome-style Karaoke night. A series of contemporary dance scenes unfold expressing the...

A soundman descends into a cave. Only when it may be too late does he begin to suspect that he might not be alone.