A documentary about the wondrous passion of Carmen Martinek, who takes movie theaters as her lovers.Carmen does a little of everything at Vienna's Schikaneder cinema: She cleans and caresses it, and runs the projector. She strokes its seats and even sleeps there after long nights at the bar. It is, she admits, just like being with a person you couldnŽt live without. Anja Salomonowitz made a quiet little film about Carmen, observing her as she moves through the empty theater, as she puts in only brief appearances at home and immediately returns to the base station. After being forced to watch as her last theater was transformed into a supermarket, Carmen considers movie theaters to be erotic but also endangered environments.

Boldly rewriting the opera’s dialogue to accommodate his concept, Mr. Tcherniakov presents “Carmen” as a large-scale role-play, a novel bit of psychotherapy for a numb modern man.

Carmen, a brave journalist, discovers soon after her mother's death that she has inherited her grandma's house. She decides to move there without knowing it hides dark secrets.

The protagonist is Carmen X, a sexy female member of a terrorist gang. She asks her uncle Jean, a washed-up film director if she can borrow his beachside house to make a film with some friends, but they are in fact planning to rob a bank. During the robbery she falls in love with a security guard. The film intercuts between Carmen's escape with the guard, her uncle's attempt to make a comeback film, and a string quartet attempting to perform Beethoven.

Carmen is a gypsy teenager, destined to live a life that is repeated every generation: getting married and raising as many children as possible. But one day she meets Lola, an uncommon gypsy who dreams about going to university, does graffiti and is very different. Carmen quickly develops a complicity with Lola and discovers a world that, inevitably, leads them to be rejected by their families.

Antonio is the leader of an underground armed group fighting in the village of Ronda against Napoleon's troops which have imposed French rule in 1808 Spain. Micaela is madly in love with Antonio but he is devoted to Carmen, the region's most beautiful gypsy who lives and sings at a local inn.

Iván is a Spanish film producer who travels to Argentina with a single mission: to meet Carmen Trevilla, a cult director who is in the creative process of her new “video.” From minute zero, he feels captivated by her overwhelming and disconcerting presence. Although he still does not know if he is going to produce it – since he thinks that his cinema will not be well received by current European sensibilities – Iván takes advantage of every moment with Carmen to record, with his cell phone in his hand and an endless smile on his face, every adventure they embark on.

Set in 1962 during the Berlin crisis, the contented lifestyle of Carmen and her kid brother, whom she's nicknamed Babyface, comes to an abrupt end when their parents acrimoniously separate.

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

U-CARMEN is a feature film based on Georges Bizet's 19th-century opera that was filmed on location in a modern South African township setting. The energy, compassion, and heat of township life in all its elements create a constantly visually interesting and dynamic background for the unfolding of the story, which owes part of its huge popularity to the thrilling combination of a violent gangster tale with a passionate, almost supernatural love story. As it unfolds, it explores issues of fame and wealth, the position of a strong and independently minded woman in a very masculine society and, perhaps most importantly, the incomprehensible attraction between abuser and victim. Bizet's opera, based on Prosper Merimée's novel, premiered in Paris on March 3, 1875. Set in a poor area of Seville, the story of the magnetic woman who seduces, loves, and ultimately destroys her lover and herself...

Director Carrie Cracknell makes her Met debut, reinvigorating the classic story with a staging that moves the action to the modern day, in a contemporary American industrial town.

A rural village elder plans an event on the return of a farmer's daughter from the city, unaware that she has become a Westernized burlesque artist.

With a devilish sway of the hips and a hint of Andalusian flair, Carmen, the beautiful cigar-maker sets her sights on a soldier: Don José. Fate will do the rest. Composed to a libretto by Meilhac and Halévy based on Prosper Mérimée’s novella, the opera exploded the boundaries between tragedy and comedy with a modernity that caused a scandal at the time. Can we kill the one we love with love? The fiery beauty of Bizet’s music, where one unforgettable aria follows another, has worked year in, year out to make it the world’s most performed opera.

Peter Brooks' adaptation of Carmen by Mérimée and Bizet.

Seebühne (or floating stage), with its 7,000 seat open-air amphitheatre, is the location for the French composers most successful opera. With a set designed by British artist Es Devlin, who has designed sets for stars such as Adele, U2, Take That and Kanye West, the stage sits on the water near the shores of the stunning Lake Constance in Austria. This romantic and dramatic setting regularly welcomes opera lovers from all over the world, where the productions are extravagantly original and innovative and frequently use the waters of the lake as an extension of the stage. 

Like a girl runaway, Tsuyu moves to Osaka to work as a bar hostess. She meets the owner of a model school, Yoko, and seriously thinks about becoming a fashion model. Yoko tells her that she can move in to Yoko’s house to take lessons, while making a living at the same time.

It's a journey in a dead place, the need of finding a home. Get trough the grief to understand it.

This ever-popular opera is given a fresh point of view in Barrie Kosky’s highly physical production, originally created for Frankfurt Opera. The Australian director is one of the world’s most sought-after opera directors, whose Royal Opera debut with Shostakovich’s The Nose in 2016 was greeted with delight. For Carmen he has devised a far-from-traditional version, incorporating music written by Bizet for the score but not usually heard, and giving a new voice to the opera’s endlessly fascinating central character.

In 1975, 10-year-old Amar lives in a village in northern Morocco with his violent uncle, waiting for the unlikely return of his mother, who has left for Belgium. He finds a friend in Carmen, his neighbor, who is a Spanish exile and who works as an usher at the village cinema. Carmen helps him discover a world previously unknown to him.

A mother who lost her memory. Her best friend, kidnapped and disappeared being pregnant. A daughter who tries to rescue them. A reflection upon friendship, motherhood and loss.