The end of the world begins today and here.

A meditative state of wonder where the fleeting beauty of shadows evokes our place in the world, the passage of time, and the very essence of life and its fragility.

During a dinner given by a wealthy baron and his wife, attended by four of her suitors in a 19th century German manor, a shadow-player rescues the marriage by giving all the guests a vision what might happen tonight if the baron stays jealous and the suitors do not reduce their advances towards his beautiful wife. Or was it a vision?

An Ottawa police captain searches for the person who poisoned his sister, who was attending the university in Montreal. So desperate is he for revenge that he begin to use his own brutal methods to find the killer. Soon he discovers that not everything is what he thought it was.

Killing The Shadows is a bawdy comic fable set in the Ottoman Empire during the mid-14th century based on two legendary figures in Turkish folkore, the jester Hacivat (Beyazit Ozturk) and the nomad Karagoz (Haluk Bilginer), men who apparently lived and died by their sense of humour.

In a kingdom ruled by a young and unpredictable king, the military commander has a secret weapon: a shadow, a look-alike who can fool both his enemies and the King himself. Now he must use this weapon in an intricate plan that will lead his people to victory in a war that the King does not want.

On March 21st, 1945, the British Royal Air Force set out on a mission to bomb Gestapo's headquarters in Copenhagen. The raid had fatal consequences as some of the bombers accidentally targeted a school and more than 120 people were killed, 86 of whom were children.

Shadows of Light combines the loud and soft tones of life. The centerpiece is an Austrian mountain pasture where the summer solstice is celebrated with international artists and where tradition and zeitgeist are not contradictory.

There used to be a boy who could control Yo-kai with a mysterious watch. However, he became unable to see Yo-kai when he became an adult. With the boy's duties finished, the watch was buried away in space-time. Then 30 years later, quiet everyday life comes to an end as a fateful day beging with a comet drawing near. The terrible Yo-kai virus Onimaro infects people's malevolent intentions and spreads infinitely. The one chosen by the Yo-kai Watch is the one who can save humanity from its crisis. The bond between humans and Yo-kai may be recovered with the attainment of a new Yo-kai Watch.

Vampire housemates try to cope with the complexities of modern life and show a newly turned hipster some of the perks of being undead.

There are a bunch on children in a suburban neighborhood getting hurt in unusual ways. One mother's child gets hurt and she goes looking for answers and finds them but its with twist no one would expect.

7 years ago, Namo, installation artist in Beijing, fell and lay unconcious in a stroke, cerebral infarction. He recovered after strenuous rehabilitation period and came to Jeju Island for his exhibit. He met Moonsoo, who planned and designed his exhibit and came across the lives of the people in Jeju. He came to look back on his past and began to vaguely figure out the reasons of his confusing life. His wife who left without any notice, Moonsoo who still hurts in his heart from what Namo did to him 7 years ago, the town mayor who chose suicide after telling his lifetime secret to Namo, and Artist Namo himself who is still confused about his exhibit topic, the dog eating shadows, through which he wanted to describe a dog that eats a person's hope by eating his shadows. Namo went back to Beijing and was faced with the reasons of his confusion...

Young adults become fascinated by the events of the three missing filmmakers in Maryland, so they decide to go into the same woods and find out what really happened.

For no apparent reason, a mute young woman assaults a youth who delivers water on his bicycle, injuring him and ruining his bike. Surprisingly, she asks him to feed her fish while she is in custody. Her tiny apartment, he discovers, is a shrine to his favorite escape, the movies.

In an Iranian juvenile detention center, a group of adolescent girls serve their sentence for the grave crime of murdering their father, their husband or another male family member.

Young filmmaker Pankaj Butalia directs this sweeping film about ill-fated love set against the epic canvas of India's partition into Hindu Indian and Muslim Pakistan. The film opens with Lajma, a beautiful school teacher with greying hair, leaving Pakistan for her childhood home in India. There she discovers that the home is in ruin, her aging aunt is half senile, and her cousin Gautam is bitter and defeated. Flashback to 1947 when India splits in two -- the police force a proud old Muslim man, along with his grieving daughter-in-law, to take in a couple of impoverished Hindus, Chand and Bhagwati, into their large home. Later, Chand's mute sister Lajjo arrives with her young daughter Lajma in tow. Suffering from some unnamed past trauma, Lajjo is eventually shipped off to an asylum, leaving Lajma with her uncle. Later still, Lajma, Chand's son Gautam and their neighbor's son Jamal all live and play with each other in Chand's vast complex.

An intellectual encounters a youth group that seeks social change.

After the death of their father, two half-brothers find themselves on opposite sides of an escalating conflict with tragic consequences.

Tells the true story of Ramla Ali, who fled Somalia with her family as a young girl, seeking asylum in London from the civil war. As a teenager, she pursued her love of boxing, but did so secretly as she knew her family would disapprove. Ali became the first boxer, male or female, to represent Somalia at the 2020 Olympic Games and made history after winning the first ever professional female boxing match in Saudi Arabia.

Irene is a magazine editor living under the shadow of the Pinochet dictatorship in Chile. Francisco is a handsome photographer and he comes to Irene for a job. As a sympathizer with the underground resistance movement, Francisco opens her eyes and her heart to the atrocities being committed by the state.