This video begins with the familiar interface of the Macintosh OS X desktop, with only one folder shown, labeled "contra-internet." The user clicks over to iTunes, plays the song "Get Off the Internet" by Le Tigre, and then opens a series of PDFs of theoretical and political treatises, copying and pasting selected passages into a new text document and then using the find and replace feature to rewrite their meaning. Texts by J.K. Gibson-Graham, Fredric Jameson, Paul B. Preciado, and Subcomandante Marcos that originally opposed economic and sexual hegemony are repurposed as part of a manifesto against the internet itself, critiquing its logic and suggesting possible alternatives. This is the third work presented as part of Real Live Online, curated by Lucas G. Pinheiro and Devin Kenny. It follows IDPW's Internet Bedroom, and João Enxuto and Erica Love's Waiting for the Internet.

After losing their family home in Algeria in the 1920s, three brothers and their mother are scattered across the globe. Messaoud joins the French army fighting in Indochina; Abdelkader becomes a leader of the Algerian independence movement in France and Saïd moves to Paris to make his fortune in the shady clubs and boxing halls of Pigalle.

In If play is neither inside nor outside, where is it?, Helen McCrorie takes us to Cultybraggen Camp in Perth and Kinross, Scotland. Originally built during World War II as a prisoner-of-war camp, Cultybraggen has also functioned as an army training base, a nuclear monitoring post, regional government headquarters, a data storage centre, an orchard and now – in McCrorie’s film – a world run by children.

Hip Hop artist Lil Grifo gives Cam Capone News a tour through his San Diego neighborhood.

Get an exclusive behind-the-scenes look at the making of Eric Church's new album The Outsiders. See live performances, song sneak peeks and brand new interviews all from Church and only on CMT.

Cinephile slackers Franz and Arthur spend their days mimicking the antiheroes of Hollywood noirs and Westerns while pursuing the lovely Odile. The misfit trio upends convention at every turn, be it through choreographed dances in cafés or frolicsome romps through the Louvre. Eventually, their romantic view of outlaws pushes them to plan their own heist, but their inexperience may send them out in a blaze of glory -- which could be just what they want.

"In letters, we cannot say our real name." With Catherine, we discover some precious and surprising epistolary relationships. For almost 25 years, she corresponded with incarcerated persons whose words inhabit her apartment. Another voice, from a former female inmate, echoes her.

Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.

Short film for the "A Commercial for Myself" programme.

TJFF pays tribute to the beloved and influential actor/writer/director. In addition to the special in-person event, An Afternoon with Saul Rubinek, TJFF presents a FREE online screening series full of rare titles from the CBC archive—Rubinek as small-town detective Benny Cooperman investigating a crime in Algonquin Park; early pilots featuring Saul alongside Martin Short, Eugene Levy and Dave Thomas from their pre-SCTV days; and more.

Deals with filmic reality and conformity in East and West. Won acclaim at 1976 Edinburgh Festival.

Marina, a young woman who is pregnant, experiences life through the metals of the peripheral and industrial city where she grew up. Little by little, with the help of her sister Núbia, she discovers a past where the black workers who built the capital were bestialized and excluded. When he meets Maria, a lady who is said to haunt one of the capital's first buildings, something supernatural happens. Now, these women want back what was taken from them.

Image Archive archivist Dino Everett assembled a feature-length compilation of SCA student works from the late ’60s and ’70s. The compilation features recently uncovered and previously unseen student films by Dan O’Bannon and John Carpenter. • BLOOD BATH (1969, written and directed by Dan O’Bannon) B/W (original 16mm) 7 min. • THE DEMON (1970, written and directed by Charles Adair) B/W (original 16mm) 19 min. • GOOD MORNING DAN (1968, written and directed by Dan O’Bannon, camera by John Carpenter) Color (original 8mm) 19 min. • CAPTAIN VOYEUR (1969, written and directed by John Carpenter) B/W (original 16mm) 7 min. • BLOOD BATH (1976, written and directed by Dan O’Bannon) Red tint (original 16mm blown up to 35mm) 8 min. • JUDSON'S RELEASE (1971, written by Alec Lorimore, directed by Terence H. Winkless) (original 16mm) Color 15 min. Total program time: 80 minutes.

Franek, a student of painting. By coincidence becomes involved in the cogs of a horrific totalitarian machine. His sensitivity and humanity will be heavily tested.

A drama about the less known aspects of the trading activity inside one of the biggest banks in the world - Société Générale. The movie tracks the rise and fall of anonymous trader turned superstar turned escape goat - Jérôme Kerviel - just as the 2008 financial crisis was unfolding

The story of a young. beautiful and very frustrated woman screwing everything in sight in every possible location. She is married to a famous choreographer. She has everything material she wants: clothes, a fancy home, jewelry, servants. Except one thing: her husband refuses to have sex with her because she wants to get pregnant and have a child.

Nauman, his head cropped from the frame, is shown bouncing in the corner of his studio. Here, however, the images were recorded with a fixed camera that was inverted rather than turned on its side. -- EAI

The film tells the story of Shang Qin, the president of the court, who is upright, enforces the law like a mountain, withstood pressure from all parties, and brings the real culprit to justice

A French hit man is hired by a crime family to end the life of a rival mobster, but things fall apart when the boss who hired him is killed.