Fluxes is Arthur Lipsett's view of the human condition and the mixed-up planet where humans are found. As in his other films (Very Nice, Very Nice; 21-87), Fluxes has a disconnected flow of images that, in their erratic way, build up into a cutting indictment of the world the way it is. The film's only commentary consists of unrelated snatches of words and sounds.

A film essay about Wong Kar-Wai's films: In the Mood for Love, 2046 and Days of Being Wild.

There is no mass, but only waves of energy flowing continuously outwards towards our future leaving traces of luminescent color.

Dentinho is a street artist and fights against crack consumption. França is a traveling trecheiro who passes through the cities, living in hostels, until he settles in São Paulo and discovers his political vocation. Janaina is a former user and resident of an occupation around “cracolândia”, where she struggles to raise her nine children.

The film portrays a group of artists who since the early 1960s have completely disrupted our ideas of what art can be. In large part filmed in Venice in 1990, when many of the original Fluxus artists met to hold a large exhibition almost 30 years after the first highly untraditional Fluxus' performances. Features Eric Andersen, Philip Corner, Dick Higgins, Yoko Ono, Nam June Paik, Ben Vautier, and many others.

This stunning collection of audiovisual masterpieces showcases the remarkable work of digital artists Ruth Jarman and Joseph Gerhardt, known collectively as Semiconductor. One of the field's most intriguing acts, Semiconductor have been electrifying fans for years with their brand of experimental animation. With four live cinema pieces, six short films, three music videos and more, this cutting-edge compendium will not disappoint.

Beyond the cinematographic flow of succeeding and overlaying images each group refers to a specific position of the sun which is reached only once during the exhibition period: represented by the specific orientation of the inclined glass panels and designated by a metal plaque on the floor, the sculptures become recordings of this performative event. A system and its diagram at the same time, Solar Flux Recordings, returns us to the world we inhabit and underlines the bonds which link us to the environment and its technologies.

A compilation of 14 short videos made by Studio 4°C’s directors and artists.

Black & White Video

On March 24, 1979, The Kitchen presented a two-part program dedicated to the work of various Fluxus artists. The programming began with the premiere of Alison Knowles’s “Natural Assembles and the True Crow.” For the piece, Knowles engaged in a dialogue with her own taped voice, which read aloud selections from various natural history books. Simultaneously, violinist Michael Goldstein provided an improvised score while dancer Jessie Higgins executed a number of one-movement phrases by following instructions on index cards. The second part of the night’s programming consisted of forty rapid performances—most sixty seconds or less—by various Fluxus members, including Yoko Ono, George Brecht, La Monte Young, and Nam June Paik. Ken Friedman and Larry Miller coordinated this portion of the event.

A document by Larry Miller

This video documentary explores the breadth and diversity of Fluxus. Some Fluxus features performances from Miller's extensive archive, including works by Ay-O, Eric Anderson, George Brecht, Philip Corner, Jean Dupuy, Ken Friedman, Al Hansen, Geoffrey Hendricks, Dick Higgins, Joe Jones, Milan Knizak, Alison Knowles, Larry Miller, Takako Saito, Mieko Shiomi, Yasunao Tone, Yoshi Wada, Ben Vautier, and Robert Watts. Excerpts from Miller's 1978 Interview with George Maciunas are intercut with the performances, providing historical contextualization for this highly influential movement.

"A city, its crowds; crowds processed on film then transferred to video. I used a technique particular to video to manipulate a vertical section of the image sideways, changing both its shape and color density. Each operation was repeated a number of times, in a series of consecutive incrustations. The final image was achieved in a few hours, entirely by hand (or, more precisely, by hands), like an impromptu musical improvisation. The rhythm, the flux of the city confronted with video's scanning composition and compression." (Christian Lebrat)

Command Pilot Jojweeb and Flight Engineer Tusson embark on a daring rescue mission to find their fellow I.S.E.C. agent, Jebediah Kerman, who has mysteriously disappeared. Little do they know, they aren't the only ones searching for Jeb.

This is fluxfilm No. 21 and without a title

One of the purest representations of dreams.