A pessimistic urban drama, with a musical score by Jack Sels and Max Damasse, charts in strongly expressionistically lit black-and-white images the wanderings of a tormented man through the cosmopolitan port city of Antwerp. The only people to show him understanding are an orphan and two disillusioned women.

The relationship between Greenland and Denmark is full of fantasy and myths. And these are exactly what Danish artist Lasse Lau reflects upon – and in turn documents – in his first feature-length film. But how do you give a form to the Greenlandic experience when you are an outsider yourself? Lau has created a sensitive film about authenticity and recreation by letting both elements become a part of the work, together with his performers. But also by watching and listening intently. The colonial history is entrenched in both Greenland's infinitely beautiful landscapes and in the collective consciousness. But so is the willingness to break with it and look ahead with a new political self-awareness. 'Lykkelænder' is the result of a long-term research project, but talks about its extremely complex topics in a way that grounds the postcolonial perspective in a recognisable life experience. It does so with both a sense of humour and with emphasis.

A woman has a brief, intense affair with a younger man while awaiting her trial for the murder of her husband's mistress.

Chekhov's famous characters are reimagined with a Kiwi twist and congregate over Zoom. In a direct commentary of our world in lockdown, the characters are still searching for meaning in their lives while battling love, jealousy, dissatisfaction, dreams, hopes and plans - not to mention malfunctioning video calls! This drama all plays out in self-isolation and over virtual interactions with each other.

Lara and her ailing father nurse an injured seagull that Lara has found in her backyard. But this is merely a convenient distraction for father and daughter from discussing the topic of death.

In Kyrgyzstan village school old teacher of Russian language was change to a young teacher of Turkish language. But old man doesn't give up, he is completely in love with Russian culture and he desperately wants children to learn the language. A lot of funny and sad at the same time situations happens to him on the way fighting for his love.

Animated short based on a poem by Andrée Chedid. A woman remembers boating with her father and feeding the seagulls.

Veroniki, a former actress, turns 80 today. Her great granddaughter, Vera, has made many preparations for the birthday in an attempt to communicate with Veroniki, who suffers from senile dementia. Among other things, Vera has prepared a game of memories. The youngest granddaughter, Danae, refuses to participate in the effort to activate Veronica, as she considers it useless. Will Vera be able to bring her grandmother back and remind her who she is?

The film was made in the context of the 5th Panorama Film School of the Aristotle University of Thessaloniki with the theme DEACTIVATION.

Adapted from Anton Chekhov's 'The Seagull', Bhandevanov's interpretation of the story set in Southern Thailand, where Nual is a naive girl who wants to be an actress in big city.

Late 19th century Russia, the countryside. The young playwright Treplyov is in love with Nina. This is a tale about many complicated loves and lives. Takarazuka Star Troupe 2014 adaptation of Anton Chekhov's The Seagull.

A woman searches for her blind sister in this feature-length English-language cut of the TV miniseries Seagull Island (1981).

A young boy, Ive, and his friends set sail on the sea in order to try and repay his father's debts. They name their boat "Sinji galeb". Soon, the pirate Lorenco and his gang notice the children on their boat.

What if Konstantin Gavrilovich, from Anton Chekkov's famous play, did not commit suicide and was murdered instead? And who did it? Boris Akunin's take on The Seagull unfolds as a comedic murder mystery.

On a summer’s day in a makeshift theatre by a lake, Konstantin’s cutting-edge new play is performed, changing the lives of everyone involved forever.

Chekhov’s masterly meditation on how the old take revenge on the young is both comic and tragic, and marks the birth of the modern stage.

Adapted by David Hare whose stage plays include Skylight, Pravada and screenplays include The Hours and The Reader, directed by Jonathan Kent (Gypsy, Private Lives).

Two young people are tormented by constant emotional changes and instant trips, both trying to communicate with what they feel for them.

The relationship between a seagull and a ship.

It talks about a orphan who lives without a father and he loves boats.