A biological mother, Sara, and a foster mother, Virginia, share a girl. Sara lost custody due to problems with alcohol and drugs. Five years later, the girl is returned to her.

A documentary about Marcello Mastroianni.

A rich man can not cheer his daughter Marcelka. He calls overseas doctors and tries to repaint his castle but nothing helps. Only young boy Petrik is able to amuse Marcelka with his artistry.

Ariella, a lonely young woman, feels like a stranger in her own house. Ariella is discovering her sexuality and her arrogant mother Helena, her father Rodrigo and her brothers Clécio and Alfonso do not give any love or affection to her. One day Ariella discovers the secret of her despair and plots to take her revenge.

This centenary performance of Umberto Giordano' Marcella was prepared from the composer' manuscript, the score and parts having been destroyed during World War II.

A 'period' piece set in the hot summer of 2011, in the midst of the Berlusconi era. The life of a quiet corner market is shaken when the mayor decides to close it down. The only political organization people can turn to is the local section of the Democratic Party, which is separated from the market by a concrete wall, built to allow the construction of the subway.

The young girl, an insomniac. The mother, an artist. The dog, named Marcel. The little girl loves her mother immensely, but her mother loves Marcel more than anything else. Will an unpredictable event allow those circles of love to reconnect?

Maricela and her mother Eugenia have fled El Salvador for the US with hopes of building a better life. Unable to find work in her profession as a school teacher, Eugenia becomes a live-in housekeeper to the affluent Gannett family. Conflict occurs when Maricela clashes with teenage Stacy Gannett, who resents her presence at home and at school. Can Maricela win Stacy's friendship and still remain true to her own ideals and values?

Marcel the shell gets locked outside.

Short docuemntary by the basque filmmaker Chumy Chúmez (José María González Castrillo).

Marcello always stares at Andrea, a young girl who loves wearing lipstick and craves for his attention during biochemistry classes. Despite the initial wrong impression, Andrea is not what Marcello is staring at: there is something more behind the surface. ‘Marcello’ is a coming-of-age story of transgender self-expression.

A modern fable, the animated biopic will chart the epic life of Pagnol, a celebrated French novelist, playwright and filmmaker who grew up in a middle-class household in Marseille and became one of the world’s most inventive and prolific artists from the 1930’s to the 1950’s. Throughout his long career, Pagnol’s books were translated into more than 50 languages and sold more than 150 million units. Pagnol also built his own studio and distribution company, pioneering talking pictures and helping shape the global cinema industry at the time. His movies, including his best-known Provence-set melodrama trilogy “Marius,” “Fanny” and “César,” reached more than 200 admissions worldwide.

Arguello couples her larger-than-life stage presence with her brutally honest take on post-pandemic hook ups and why broke men are better in bed, an exploration of how “Beauty and the Beast” triggered an epiphany, and a self-reflection on her middle school D.A.R.E. essay.

Marcela, a 5th grade teenager, has chosen to study law but she doesn't feel comfortable with the decision. Being questioned by her tutor, she begins to imagine possible artistic scenarios in which she could perform, from dancer to film director. However, her family and social background push her to choose a more "traditional" career.

After shooting to fame with Federico Fellini’s “La Dolce Vita” (1960), actor Marcello Mastroianni (1924-1996) starred in more than 160 films in his nearly half-a-century career. Directors Mario Canale and Annarosa Morri look into the melancholic charm of one of the most famous Italian actors through interviews with his two daughters, Barbara and Chiara; directors Fellini and Luchino Visconti; actresses Claudia Cardinale and Anouk Aimee; and in archival footage of Mastroianni himself. The subject matter ranges from Mastroianni’s passion for kidney-bean pasta and his addiction to the telephone to his famous laziness, humility and talent. Shown in black-and-white, Mastroianni — elegantly holding a cigarette in between his fingers — is undeniably the dandy.

A homeless young man, living in his delivery truck, is simultaneously adopted by a pranksome group of youngsters and made into a police informer. Believing that he is doing something good both for the other kids and for himself, he has no qualms.