HARUN FAROCKI – TAKE TWO combines two perspectives on filmmaker Harun Farocki. For his TV documentary “Die Sache mit der Realität. Eine Collage über Dokumentarfilm” (1996), Lothar Schuster had a long conversation with Farocki, whom he had known since the late 1960s. Farocki discusses the idea of the Enlightenment, the compositional patterns of his films, the relationship between image and text. Ingo Kratisch, responsible for the camera in many of Farocki’s films between 1977 and his death, used his photo and film camera to record casual observations during the shooting of “The Creators of Shopping Worlds”(2001), “In Comparison”(2009), “Serious Games”(2009/10) and other films. In HARUN FAROCKI – TAKE TWO, Schuster’s and Kratisch’s footage alternates; discourse and observation comment and complement each other. On the one hand the gradual construction of thoughts during speech, on the other the act of patiently waiting, making pauses and preparing to shoot.

An involving, beautifully modulated yarn about a young intellectual's "war" with two equines in a mountain village during the Cultural Revolution. A young student, Ma Jie, who is sent to a tiny Beigao village in Shanxi Province and has the mundane task of watching over livestock during the Great Cultural Revolution. Surrounded only by the extreme boredom, he initiates a war against two donkeys. What ensues as a result, is an impressive feature debut by director Li Dawei who manages to infuse a believable quirky and black humorous universe within a realistically grim setting.

Dagmar the dancing mosquito has the hots for Egon. But Egon, putting love on hold, is busy achieving the ultimate sprint on his bike and wants to see the world. When wicked red ant queen Dominella and her soldiers kill the black ant queen and take over her heap, our heroes are drawn into an exciting forest floor drama that puts their friendship to the test and forces them to use their talents to the utmost.

How to get a pair of perfect breasts and stay alive? Zohar Wagners' journey of survival.

Film directed by Hisashi Saito.

Largometraje de dibujos animados de 1991. Duración: 60 minutos. El diseño gráfico de los personajes es diferente al de la serie.

After finishing her studies abroad , Hanan (Laila Alawi) returns to the home of her wealthy father Salem (Ahmed Mazhar), who's married to Inayat (Souad Hussein). She meets Ahmed (Iman El Bahr Darwish) who works for her father and her stepmother tries to get rid of him so that Hanan marries her son.

In 1971, during the Liberation War of Bangladesh against Pakistan, Rahelillah follows his conservative uncle, Jabar, who supports Pakistan while Shaheb joins the Liberation Force following his progressive uncle Sabar.

Tales of Two Who Dreamt is set in a housing block in Toronto and pivots on representation and self-representation. Here, a Roma family rehearses the stories of their past for the upcoming hearing on their residency status.

En ‘Historia de dos dimensiones’, Keni ha rastreado una poderosa fuente de energía en un área desértica del mundo invizimal. La unidad Z1 descubre un templo subterráneo de aspecto egipcio, pero está custodiado por un Invizimal llamado Überjackal que no parece estar bien de la cabeza.

The thrilling continuation of the renowned 2019 cult classic, 'Country Boys Make Do', the sequel sees the boys on the run, hiding out from the consequences of the last film. Haunted by their past, the cowboys embark on an adventure to set things right.

The 100 years of history of the Chosun Ilbo and the Dong-A Ilbo show that wrong press can be a social weapon.

Memories are created and preserved when a boy paints a porcelain cup, a grandfather tells his grandchildren about two birds, and a grandmother reminisces about an unremarkable summer afternoon.

A collage of traditional Jewish folk tales.

The World Health Organisation has revealed that Glasgow's wealthiest live on average 28 years longer than its most deprived inhabitants. Journalist Julien Brygo asked the wealthy how they interprate the poverty of their neighbors. A photographic movie.

What happens when you tell a ghost story alone in a tunnel, a cemetery, or any other place that is easily connected to the other world?