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This documentary examines the musical tastes of Puerto Rico's youth. The terms "cocolos" refers to those who prefer salsa music, and "rockeros" to those who prefer rock music. Through interviews and an array of musical settings, the film explores the young people's feelings in a humorist yet serious manner, bringing to the forefront issues of biases and national identity inherent in this innocent yet very powerful form of social entertainment.
From Dharavi's slums to Navi Mumbai's heights, a couple sheds their past. Two kids find a discarded keyboard, sparking unexpected joy. Amid urban contrasts, they learn that discarded dreams can still sing anew.
Blue Cocoon follows the story of Cynthia, a woman who lives alone, isolated from the outside world. Her day-to-day routine involves listening to an old grammar phone and the catching and killing of butterflies in vicious traps that hang from her window. One day, this routine is disrupted as a curious young girl enters her garden unexpectedly. Cynthia is besotted by the girls’ grace, youth and beauty and in her deranged, intoxicated state, decides to kidnap her using the chloroform that she uses on her butterflies, and on herself recreationally.
A small town gentleman learns that his prim and proper wife was once a showgirl, and that, even worse, he had enjoyed a one night stand with her in the Orient.
The movie tells the story of the successful uprising of the indigenous peoples of Bougainville Island against the Papua New Guinea army and the mining plans of the mining corporation Rio Tinto Zinc (RTZ) to exploit their natural resources. The documentary reveals how the Bougainville Revolutionary Army (BRA) managed to overcome the marine blockade strategy used by the Papuan army by using coconut oil as fuel for their vehicles.
When puberty hits the 14-year-old Sonny Kruger, he starts looking at his attractive classmate Coco in a different way. Too shy to ever stand a chance with her, he starts doubting his own masculinity. Sonny’s macho father Bero, his attractive sister Kimberly and bullying classmate Nigel, all contribute to his confusion and frustration. With the help of his best friend Ferdi and the things he sees in nature that inspire him, he eventually does have the courage to approach Coco.
It shows an electoral campaign in Guadeloupe in which Coco la fleur is asked to stand for election for strategic purposes. However, when he discovers how much publicity the campaign offers, he seizes the opportunity to voice the people's grievances.
The movie adaptation of the greatest tale of all time, from the international best-seller by Capucine and Boulet. "Pretty Coco. He's so handsome, he's so nice, Coco. All pink like a rose, all round and all cute, he's the most beautiful."
This film is the sequel to the film Coco Hotahota Te Maeva. It chronicles the exchanges between Coco Hotahota and the San Francisco troupe Hui Tarava, from the last Farereiraa organized in Tahiti to the first Farereiraa in San Francisco. A film dedicated to the memory of Coco Hotahota, the major choreographer of Tahitian dance.
Fashion icon Coco Chanel, steeped in wealth and fame, still issues game-changing designs and collections. The audience is taken backwards in time to the woman's upbringing in an orphanage, and traces her path to ubiquity as it winds through poverty, wars, doomed romances, and rather glamorous betrayals.
Paris 1913. Coco Chanel is infatuated with the rich and handsome Boy Capel, but she is also compelled by her work. Igor Stravinsky's The Rite of Spring is about to be performed. The revolutionary dissonances of Igor's work parallel Coco's radical ideas. She wants to democratize women's fashion; he wants to redefine musical taste. Coco attends the scandalous first performance of The Rite in a chic white dress. The music and ballet are criticized as too modern, too foreign. Coco is moved but Igor is inconsolable.
The events revolve around the struggle between good and evil, not among humans but through a new perspective among animals inside a veterinary hospital.
A small village lies peacefully nestled in the hills beneath the Provence sun... until the arrival of an odd group of vacationers. Who are these gorgeous young women from the big city strolling on the village square under the watchful eye of a chaperone as beautiful as she is authoritarian? Scandal arises when it’s learned these dreamy creatures are none other than the employees of a Marseille brothel come to enjoy the good clean air of the country. All hell breaks loose as the villagers take a stand for or against the presence of these "ladies of pleasure". The mayor is called on to relay women of the moral rules of the region to the women. But the fact remains, they can’t be forced to leave: while they have no intention of plying their trade, no law exists to bring their country retreat to a premature end. Different mentalities are revealed, passions unbridled, love kindled... and doesn’t love always solve everything in the end?
China, 1997. An unhappy marriage, a love affair and a child who holds all the secrets.
Megalomania in the jungle. Two monkeys want more. Lust for the largest coconut drives them higher and higher up into the tree.
After an 18-year hiatus from acting, Sherihan returns to the stage to portray Coco Chanel, the renowned French fashion designer and style icon.
Remember and relive the songs that moved you from the movie Coco.
Unanimously considered the greatest choreographer Polynesia has known, Coco Hotahota is a dance master. He is one of the rare group leaders, if not the only one, to actually take care of the entire production chain of a show, whether it is writing the theme, writing the songs, composing. , costume creation, choreography. In 1962 he created his troupe, Te Maeva, which in 55 years of existence will have been the most successful troupe in the history of Heiva i Tahiti, and also the largest troupe in terms of number, more than 150 dancers in peak, in the 80s. Today we have the impression that Coco, who has long represented modernity, has become a bit of a reference for tradition. It's the whole contradiction of the character that we also admire for that. This film traces the long history of Te Maeva.