Germans settled in Vojvodina in the late 17th century. In time, customs and traditions were assimilated and former newcomers became natives and locals. However, WWII puts former neighbors to the test and reveals the best and worst in people. Defeated, collectively guilty, their trace will vanish. What is left is Vojvodina and places they inhabited, quiet witnesses and silent traces of existence.

A short film of the origin story of one of films’ greatest misunderstood villains.

How to become a grown up? Paint your nails, cut your own bangs and give up the old, too childish toy. But is it worth being in a hurry?

Kaan has always been looking for a meaning in his life. Gizem and Bengi were in love but the city didn't welcome much girls like them. Fuat had spent his life as a homeless in the streets of Istanbul. There has been a belief that an old spiritual ship once got stuck in Istanbul. A ship that would only be visible to the ones who would belong to it, who would need it in their lives. A ship that would take them to where they belong to. The ship was about to take off. The film is inspired by the short animation film called "How Did The Amentu Ship Move", made in 1970 by Tonguç Yaşar and Sezer Tansuğ.

Each year, thousands of Central American migrants journeying north to the US go missing. Kökdil captures moments of tender care, hope, and sadness as a group of mothers travel through Mexico in search of their lost children.

Tiny little objects that suit a certain purpose and meet other's demands were also something that had their own space and time before they became objects.

6-year-old Nushaida starts a journey to find her parents, whom she lost while fleeing Myanmar, among refugee camps for Rohingyas in Bangladesh.

Zeki is a freerunner whose life is turned upside down when his father, the widower Mahir, decides to move from Rotterdam to Istanbul. While Mahir goes out to work, Zeki has to spend the summer holidays inside the posh gated community where they live. Escaping over the wall, Zeki befriends Kemal and other street kids, who are pickpockets. Trying to belong, he conceals how he lives in the gated community. As Kemal and Zeki get closer by the day, Kemal's best friend becomes jealous…

A young woman joins a theatrical troupe where she slowly believes that the director is involved with a secret group and that he is in grave danger.

An injured dog finds it's way into the hearts of a family after escaping an underground dog-fighting ring.

Sol, a 17-year-old teenager, moves with her mother to the Gonzalo's home, the actual mother's boyfriend. In this town, where from the beginning Sol only finds hostility, she must face bullying from her schoolmates and Gonzalo's harassment. While wandering the streets trying to find a way out, Sol meet a mysterious and magical female dog with whom she establish a symbiotic relationship. It be this dog, the one that violently and surprisingly, always appear to defend Sol until the last consequences.

Claudia and Flavio were once passionately in love, but all of that is over. Now, in their fifties, they must venture anew into the world of love and dating once more but for Claudia confronting the end and accepting a new beginning isn’t so easy. Claudia is unwilling to let go and forget the life she’s built with Flavio, while Flavio, eager to move on, soon finds himself in a relationship with a much younger woman. Claudia soon reconnects with Nina, a student from her days as a professor.

Izumi (Kento Hayashi) was abandoned by his parents. He now commits burglary, targeting women and the elderly. He is chased by the cops. While on the run, in the mountains of Miyazaki Prefecture, he helps an injured elderly woman, Suma (Etsuko Ichihara). Izumi then stays at Suma's home. At first, Izumi keeps an eye for money that he can steal. The people though in the village think Izumi is Suma's grandson and take care of him. A change takes place in Izumi.

Before the young Chen Pi is Er Yuehong’s apprentice, he has become a killer due to a friend’s words, which ends up foreshadowing his fate. Chun Shen, the son of a fisherman, tragically witnesses Pao Tou of Abelmoschus Gang murders his entire family. He turns to Chen Pi and becomes his first customer. This marks the start of Chen Pi’s revenge for Chun Shen.

A Greek father, estranged from his German wife, kidnaps his daughter from her busy career mother in Berlin, and brings her home to live with his family. An international custody battle follows.

On the eve of the summer vacations, Marc (16 years old) only dreams of one thing: seduce Sonia. Tonight, he has decided to confess his love for her. But while he performs a balancing act to impress her, he is taken by a dizzy spell and is victim of a fainting spell. He is rushed to the hospital and the doctors discover that he has leukemia. A race against time begins: the disease and Sonia's love become Marc's two challenges.

A teenager creates a checklist to complete before she studies abroad and realizes that her toughest task is leaving behind her best friend.

Belonging To Laura is a modernization and hilariously witty remake of Oscar Wilde's classic play Lady Windermere's Fan. The play takes place on Laura Windermere's 21st Birthday. Engaged to Tiernan, they are the golden couple of the Dublin crowd. With their big day fast approaching, Laura's world is turned upside down when her best friends gleefully break the news that Tiernan has been seen with a mysterious and sexy older woman. Laura learns the hard way that she is not as perfect as she, and everyone else, believed.

I Don’t Belong Anywhere - Le Cinéma de Chantal Akerman, explores some of the Belgian filmmaker’s 40 plus films. From Brussels to Tel-Aviv, from Paris to New-York, this documentary charts the sites of her peregrinations. An experimental filmmaker, a nomad, Chantal Akerman shares her cinematic trajectory, one that has never ceased to interrogate the the meaning of her existence. Thanks in great part to the interventions of her editor, Claire Atherton, she delineates the origins of her film language and her aesthetic stance.

One of the few European films of the 30s to criticize the Nazis, even if they couldn't be directly named due to censorship: Gangsters with gray hats stir up trouble in what is obviously the Sudetenland.