EVANGELION is coming to an end. NHK spent 4 years with exclusive access to director Hideaki Anno, documenting the creative process behind the final EVANGELION: 3.0+1.0 THRICE UPON A TIME. For the first time, the camera is allowed inside Anno's studio. The documentary attempts to capture why master filmmaker Hayao Miyazaki (STUDIO GHIBLI) describes him as one who sheds blood for his films.

Journalist Laura works at home, isolating herself from others. While she lies to her mother and brother, Raul, on the phone about having an active social life, Laura's days consist of gazing at her neighbors, eating canned food and going to clubs to bring home strangers. As the anniversary of her father's death draws near, Laura develops a relationship with Arturo, a charismatic actor who shares her taste for rough sex.

A FILM BY ALEX ROSSING

Port of Marseille, France, recently liberated from the German yoke. Caught as stowaways aboard a ship, Manon, a young woman who was accused of collaborating with the Nazis, and Robert, a freedom fighter who saved her from reprisals, tell the captain about the many challenges they have had to face in order to survive.

NON PLUS ULTRAS is a comedy with a social subtext. It takes a satirical look at a short stretch in the life of five "fans" of one Prague football club who belong to the hardcore supporters - ultras or hooligans. The gang members' lives revolve around football. They revere their "world-famous" English counterparts and uncritically take them as their role models. The undeclared leader of the gang is Bejcak (played by David Novotny), a charismatic young man of around 30 years old with natural authority. He is not stupid; he likes to use foreign words, but always in a slightly unsuitable context. The oldest member of the gang is the lonely forty-year-old Tycka (Vladimir Dlouhy), whom Bejcak took under the gang's wing. Tycka is much older than the others. The stuttering youth Pejsek (Karel Zima) is a fanatic lover of all things "English". He is seconded by the none-too-bright Potapec (Michal Novotny) and the agile, wiry Vocko (Matej Hadek), who is constantly devising new loutish exploits.

Anne is an ordinary girl who wakes up alone on a mysterious island. With no recollection of who she is or how she got there, she needs to quickly figure out how to survive, and how to escape from her current predicament.

Manon Lescaut's production was updated and it worked. Highly professional production with two of the best performances I've ever witnessed in any opera. By the end of the third act I was crying and by the end of the fourth act I could not stop the tears. These two can not only sing up a storm they act one as well. This is the best Manon Lescaut I've ever seen and hope the upcoming one at the Met is as good. It truly was thrilling. Kaufmann and Opolais were unbelievably fantastic and the orchestra was superb. Pappano is the kind of maestro you want to sing for as he coaches as in the old days of maestros like Levine, etc. This is highly recommended as a keeper!

The rich Gloria, resident for years in the United States, returns to live in her native country in Sicily, where she is welcomed by her sister-in-law, widow Antonia and her son Saro. The beautiful Gloria does not fail to arouse particular interest in the inhabitants of the place, especially in a building speculator, the engineer De Vita, who intends at all costs to get hold Gloria's land. She will be able to seduce the man, and then allow herself to the sister-in-law and the nephew before leaving for the USA.

The story concerns the Yugoslavian holiday of two toothsome Swedish girls. One of the girls, played by Maria Liljedahl, is (metaphorically speaking) a world-champion in the promiscuity sweepstakes, bedding men (and women) in great profusion. Somehow, the movie also manages to be about film reviewers and film directors. Variety) commented '...the film's inherently good visual and physical qualities are themselves dissipated in [the director's] cynicism, ennui, and involuted intellectual mirror tricks.'

A couple of authors return to the house where they tragically lost their son. They intend to pick up some objects and then go their separate ways. Everything changes when they find a message left by the boy, who proposes a game of clues with unexpected consequences.

The story of a Japanese diplomat, sometimes called the Schindler of Japan, and his life lading up to and after his decision to issue over 2,000 visas to Jewish refugees in Kaunas, Lithuania resulting in saving the lives of over 6,000 people. This is the story of a man who believed in doing all he could do for the benefit of his beloved Japan, including trying to keep her from becoming embroiled in a worldwide conflict he saw as inevitable. Along the way, he came face to face with the plight of the European Jews as they tried to escape the onslaught of the Nazi's and the rapidly advancing German army. Caught between the unbending policies of his country now bound by treaty with Nazi Germany and his awakening moral responsibilities, we follow his life from his early days in Manchuria to his eventual posting in Lithuania and his appointment with destiny which would forever brand him a hero.

Anton and his family moved into a high-rise building. In order for the new neighbors to accept his trumpet music, he has to perform a little "miracle" with the instrument.

A man with a troubled past including incest with a younger sister and the murder of a woman travels to an isolated countryside town in Nagano. There a local who mistakes him for a famous television actor shows him the town's sites, including a strip bar in which the performers remove Heian era costumes. The film's narrative is in an allegorical and disjointed manner with references to Buddhist concepts.

Before a dynamic camera waitresses are rushing in all directions at the busy central Split train station, doing their daily work. The hectic atmosphere is amplified with cuts from face to face, movement to movement, transforming the film into a rhythmically programmed energetic trip.

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After the Second Impact, Tokyo-3 is being attacked by giant monsters called Angels that seek to eradicate humankind. The child Shinji’s objective is to fight the Angels by piloting one of the mysterious Evangelion mecha units. A remake of the first six episodes of GAINAX’s famous 1996 anime series. The film was retitled “Evangelion: 1.01” for its DVD release and “Evangelion: 1.11” for a release with additional scenes.

All the throbbing eroticism—and ultimate heartbreak—of Puccini’s youthful score is unleashed by James Levine and his top-flight cast. Plácido Domingo is Des Grieux, the handsome, headstrong young aristocrat who falls head over heels for the enticing, impetuous Manon Lescaut (Renata Scotto). Manon returns his love, but her obsession with luxury ruins them both. Gian Carlo Menotti’s opulent production, with sets and costumes by Desmond Heeley, superbly captures the colorful world of 18th century France.

In the Ukrainian steppe, toward the end of World War II, the German and Romanian troops are retreating in the face of the unstoppable Red Army. A Romanian military unit has set up its headquarters in a deserted school. A visit of high-ranking Wehrmacht officers is suddenly announced. Hope is awakened: will they receive new orders? But disappointment comes quickly.