Everything changes in Fani's life when the opportunity arises to do an exchange program and live in another country for a year. The revealing conversations by phone or MSN and the constant notes during the class turn to another subject: the upcoming trip.

Rio de Janeiro, Brazil, 1950. In the conservative home of the Gusmão family, Eurídice and Guida are two inseparable sisters who support each other. While Guida can share with her younger sister the details of her romantic adventures, Eurídice finds in her older sister the encouragement she needs to pursue her dream of becoming a professional pianist.

The film, dedicated to all living Romanis, tells the story of what happened after a murder committed in a Romani neighborhood.

A teen star ventures out to the Italian countryside for a summer and emerges a new artist.

Maria is a cleaning lady, who is reserved, shy and clumsy. When she is assigned to the School of Fine Arts, she meets Hubert, the school's whimsical guardian. There she discovers a fascinating place where freedom, creativity and daring reign.

Véronique is a beautiful young French woman who aspires to be a renowned singer; Weronika lives in Poland, has a similar career goal and looks identical to Véronique, though the two are not related. The film follows both women as they contend with the ups and downs of their individual lives, with Véronique embarking on an unusual romance with Alexandre Fabbri, a puppeteer who may be able to help her with her existential issues.

Glinka's "patriotic-heroic tragic opera" in four acts 'A Life for the Tsar' or 'Ivan Susanin' (as it was known during the Soviet era), recorded live at the Bolshoi Theatre in 1992, and starring Evgeny Nesterenko, Marina Mescheriakova, Alexander Lomonosov and Elena Zaremba, with the chorus and orchestra of the Bolshoi, conducted by Alexander Lazarev. The historical basis of the plot involves Ivan Susanin, a patriotic hero of the early 17th century who died in the expulsion of the invading Polish army for the newly elected Tsar Michael of Russia, the first of the Romanov dynasty, elected in 1613.

Normandy, 1819. Jeanne is a young woman full of childish dreams and innocence when she returns home after finishing her schooling in a convent. She marries a local Viscount, Julien de Lamare, who soon reveals himself to be a miserly and unfaithful man. Little by little Jeanne’s illusions are stripped away.

Vera von Lehndorff is a Prussian noblewoman and daughter of the Count Lehndorff, a leader of the anti-Nazi resistance, executed during WW II. She was discovered in 1959 by Italian photographer Ugo Mulas. After initial failure, she changed her name to Veruschka, became one of the first top models and was also considered for a long time one of the most beautiful women in the world. Muse to Antonioni in Blow up, and to Dalì, in the 1960s she was on the cover of magazines like Life, Vogue and Queen, and photographed by the most important talents of the time (Avedon, Newton). In 1965 she began working on "transfigurations", which would lead to body art, where make-up becomes real body painting: from cat-woman, to snake, plant, mineral, African idol and finally to an immortal metallic body (for Rubartelli, director of the films Stop Veruschka and Trülzsch) which survives the natural decay of objects over time.

"Servus", he said after 49 years as a leading personality at FC Bayern München. Whether as player, manager or president, he played a major role in making FC Bayern the most successful German football club ever. Now, after countless athletical and personal ups and downs, Uli Hoeneß is retiring in late 2019.

After his mother’s death, Zucchini is befriended by a kind police officer, Raymond, who accompanies him to his new foster home filled with other orphans his age. There, with the help of his newfound friends, Zucchini eventually learns to trust and love as he searches for a new family of his own.

Kim Sun-woo is an enforcer and manager for a hotel owned by a cold, calculative crime boss, Kang who assigns Sun-woo to a simple errand while he is away on a business trip; to shadow his young mistress, Hee-soo, for fear that she may be cheating on him with a younger man with the mandate that he must kill them both if he discovers their affair.

To save her unborn child, she had to fight for the right to die. A True Story

Taking care of the children on their own, a group of women just realise how ignorant the whole society is, regarding the daily needs of mothers and children. In this film, the filmmaker shares her own experiences with two other women caught in the same dilemma.

A nervous, fault-finding invalid decides that his health requires that he shall live in the South, and manages to exchange his place "Up North," for a shack and an orange grove in Florida.

Second film in Tsuchimoto's series on Minamata disease - the victims of Minamata disease negotiate directly with Chisso Corporation (responsible for dumping toxic water into Minamata Bay) for life-long medical care and compensation.

Harry's jealous former mistress puts poison in some candy intended for his new fiancée. Harry discovers what she has done, and races to save his fiancée before she eats the candy.

The film follows four families, with different nationalities (French, German, Russian and American) but with the same passion for music, from the 1930s to the 1960s. The various story lines cross each other time and again in different places and times, with their own theme scores that evolve as time passes. The main event in the film is the Second World War, which throws the stories of the four musical families together and mixes their fates. Although all characters are fictional, many of them are loosely based on historical musical icons (Édith Piaf, Josephine Baker, Herbert von Karajan, Glenn Miller, Rudolf Nureyev, etc.) The Boléro dance sequence at the end brings all the threads together.

Krzysztof Komeda was a jazz pianist and film composer. With compositions like the lullaby for Rosemary's Baby (1968) by Roman Polanski, Komeda succeeded in writing his own chapter in the history of soundtracks. This documentary follows the life story of the composer by the means of his melodic sounds. It is a reflection on his soundtracks, which changed the common film scores forever. It is a contemporary document about the attitude to life in a time of social, political and cultural change after war, about work and exodus of Polish artists in the 50s and 60s. A story about how film music is created and how it affects people. Directors who worked with Komeda and who are also friends talk about him: Roman Polanski, Jerzy Skolimowski, Henning Carlsen and Andrzej Wajda. His wife, Zofia Komeda, and his sister, Irena Orlowska, recollect him.

Suddenly learning she is terminally ill, Se-yeon asks her husband, Jin-bong the absurd task of helping her find her first love, and he unwillingly joins her search. Along their journey, Se-yeon and Jin-bong are reminded of the most glittering, beautiful moments of their lives.