The dusty roads of Odessa preserve and tangle the traces of many a traveler. Led by the shadow of Kira Muratova and their desire to follow her footsteps, Anya and Gleb set out on a journey to find the keepers of her memory, and the characters of her films. These Odessa encounters connect “reality” to the world of Muratova, where, as we know, everything is bound to repeat itself.

SHUICHI INOHANA FILM WORK １９９０

Five childhood friends from a small Montenegrin town have gradually moved away to different corners of the former Yugoslavia, yet they remain in contact, aware that their long-time friendship continues to play a fundamental role in their lives.

The story begins with an uptown idyll. Widowed Mrs. Saárdy and her daughter, Hedda live in seclusion. András, a decent carpenter apprentice courts to the girl. Their idyllic relationship is disturbed by an unexpected storm. Hedda longing for splendour and glory meets young Count Relle one day. The adventuresome young man coaxes the girl, sets up an elegant apartment for her. Hedda's happiness, however, does not last for long because the count is re-conquered by his former sweetheart, Alice.

Unmistakably French in its melancholy, this treatment of an apocalyptic subject (the film takes place after some kind of global disaster) takes La Jetée as its primary reference. Like Chris Marker, Félix Fattal builds a dynamic story from static images in Après nous, le déluge. The near-total lack of movement encourages the viewer to look into the texture of the imagery itself, lending it a haptic quality.

They used to spend every summer here, but now the daughters have grown up, the parents are divorced and the wooden cabin at the lake has to be cleared out. Those four, once a family, come together again for a whole weekend - and the feelings and memories of the past are closer than they thought.

Life in the provinces is a special world, a special way of life, a special relationship that is different from that in the big cities. Everyone here knows each other, and almost everything about each other. Everything here is like under a magnifying glass. The patriarchal way of life has changed little in recent years with technical progress. The old and the new. Everything here that is ugly bulges out with a vengeance, but the good things also do not go unnoticed. This film is a parable: a story about Russia, about the customs that prevail in the modern village.

It is a movie about a conspiracy and a desperate struggle between mysterious men and women.

A look at how a small community in Greece and its environment fall victim to the forces of 'disaster capitalism'.

A story of an army colonel who is fighting the accusations in committing war crime but his only witness is comatose in the hospital.

Short film of the audience leaving the afternoon show at Circus Carré in Amsterdam. | In the early years of film, shots of visitors after a performance, churchgoers after a service, or workers leaving the factory were a proven success. Often the images were shown only a few days after they had been shot. These screenings attracted many curious viewers who enjoyed looking for images of themselves, of relatives, or acquaintances.

A set of memories, a series of readings. After two hundred years as an independent nation, Peru has many forgotten struggles in different territories and from different times. Marking the country’s bicentennial anniversary, this super 8mm film brings together activists and families in a compilation of speeches from history’s B-side. A beautiful, stirring expression of liveness, agency, resistance, and the intergenerational obligation to renew and refresh our communal commitment to rights and democracy.

Australian TV-movie written by Jerome Ehlers and directed by Mark Lamprell.

For five years a group of mediums and scientists witnessed more phenomena than in any other experiment in the history of the paranormal, including recorded conversations with the dead, written messages on sealed film, video of spirit faces and even spirit forms materializing. Can the dead speak to the living via electronic devices such as radios and tape recordings?

The film is based on the true story of Captain Marinesku and set in 1944 during WWII at the Russian Navy Base. Young and beautiful Tanka is in love with Aleksandr Marinin, the brave Captain of the Russian submarine. He is under the KGB surveillance, and his life is at risk. He takes his boat to fight the Nazi fleet, and he cannot come back home without a victory.