After a crash, a group of soldiers are stranded on an unknown planet, fighting for survival while unraveling the mystery of why they were brought here.

“The past is never dead. It’s not even past”, is announced in white letters, emulating the VHS format and quoting a famous line by American writer William Faulkner on the screen before the appearance of the protagonist in an everyday situation. This quote is the introduction and declaration of principles of What remains in me, director Tamara Mesri’s debut feature film. Through several meetings, reunions and the meticulous display of archival material (including photographs and family documents), the film recreates the story of Luba Alkon de Biegún, the filmmaker’s grandmother and an Holocaust survivor.

A group of jilted souls have found refuge inside a forsaken neighbourhood scorched by brutal violence, fire and destruction. They try to build themselves a home but the memories of the place still walk among them.

The Dreamer That Remains is a documentary produced by Betty Freeman and directed by Stephen Pouliot in 1972. Here is the director’s original cut along with his commentary. If you’ve never seen Partch or his instruments before, this is the place to start.

Lilian and her four kids are in search for a better life. She dares to leave her violent husband in Guatemala and joins the migrant caravan in order to make it to the Mexican-US border. Being a single mother, this is her only chance to make the dangerous way through Mexico.

A Tibetan immigrant returns to her home country to witness the Chinese occupation.

Elia Suleiman’ın bu yeni filmi, kendi ailesinin 1948′lerden günümüze uzanan hikâyesini ele aldığı, yarı özyaşamöyküsel, harika bir komedi. Film, Suleiman’ın babasının, bir direniş savaşçısı olduğu dönemden itibaren tuttuğu günlüklerinden ve annesinin sürgündeki aile üyelerine yazdığı mektuplardan esinleniyor. Geride Kalan yönetmenin tabiriyle, “topraklarında kalan ve İsrailli Araplar’ diye etiketlenen, kendi vatanlarında bir azınlık gibi yaşayan Filistinlilerin günlük yaşamını gözler önüne sermeye çalışıyor.

Made for the 30th anniversary of the Montréal massacre, Judith Plamondon’s documentary gives voice to the survivors and witnesses of the tragedy and is narrated by Karine Vanasse, actor and co-producer of Denis Villeneuve's 'Polytechnique' (2009).

The director’s grandparents Wilhelmine, an Austrian Catholic, and Bernard, a Jewish Czechoslovakian communist, have always been part of her life, although she never met them in person. Her uncle Hermann lives in what was once their house, with their furniture, Marx and Lenin busts, Hanukkah lamp, countless photos, letters and oil paintings. Through the film Judith Schein asks whether it is possible for a house and its interiors to narrate History.

Pierrot is turning seven years old today and lost his first tooth. He celebrates his birthday with his brother, sister and father. Only his mom is missing, bedridden upstairs.

An essay film about separation, through the director’s experience as a child of divorced parents. We observe them in their workspace as the director narrates the story of their meeting and separation as a natural progression of life, despite the trauma that inevitably follows her.

A group of volunteers sets out to return the possessions of those who died of covid in the early stages of the pandemic to their loved ones.

Based on Ghassan Kanafani's novel, 'Returning to Haifa,' this film, set in 1967, centres on a Palestinian couple who return to the war-torn city to search for their young son Farhan, whom they were forced to abandon when fleeing Zionist acts of terrorism in 1948. Saeed and Atefeh's own house has even been taken over by a Polish Jewish family, who, it transpires, are holding Farhan hostage. It is up to the couple, with the assistance of Farhan's steely grandmother, to find a way to reclaim their lost son. One of the few Iranian films to tackle the Palestinian issue from a historical perspective, this stunning piece of work from Seifollah Daad features meticulous attention to period detail and moving performances.

Austria's largest housing complex erected in one building stage is situated in the Northeast of Vienna. It lies on the former premises of a horse racetrack and comprises 2.400 flats. 59 blocks and long hall-like corridors lead more than 8.000 people to their living rooms: The film offers glimpses into the lives of more than 20 people - the life of an individual behind one of the countless doors.

What would you like to see if you couldn’t see any more? A blind mother and her seven-year-old son teach each other how to navigate the world as his vision slowly fades and a new life awaits.

Religion comes between Sharif and Laila, bringing their love story to an end. Sharif moves on with his life, but Laila can’t, and then they meet again. The film is an ode to the golden age of Egyptian cinema, centring on the seamstress of Souad Hosny.

Set six months after a deadly outbreak has all but ended the human race, a man and woman have survived by isolating themselves in a remote cabin and never opening the door. Now they don’t have a choice. Starved for resources, they must confront the horrors that threaten them… but what’s inside may be even more toxic than what remains outside. When it all ends, this is what remains.

When Satoshi was little, his mother Akiko always took good care of him. She was gentle, but mentally strong. However, two years ago she was diagnosed with cancer and now it's Satoshi's turn to comfort and care for her. However, despite his best efforts, she passes away. A year after Akiko's passing, Satoshi, his father Toshiaki and his older brother Yuichi start new lives. Around that time, Satoshi receives a present from his mother.