Brownsville Black and White is the story of sixty years of Black/Jewish relations in the Brooklyn Community of Brownsville. The film is a poignant examination of group cooperation, urban change and social conflict as told through the personal histories of those who lived there. Brownsville is the first of two films dealing with inter-ethnic relations in the U.S., left unfinished after the untimely death of the director Richard Broadman. A small group of friends and colleagues completed the film after his death.

Two older women chat over a meal.

Until the rise of the Civil Rights movement in the 1950s, black and white audiences in America had to use separate movie theatres. In 1916 a new industry had begun with the first "all coloured" film, made as a protest against D W Griffith's Birth of a Nation. Director Russ Karel 's documentary charts the development of the independent African-American cinema movement through the eyes of the segregated audiences and tells of the fate of those opposing that dehumanising social order, including Paul Robeson and Josephine Baker , during the McCarthy era.

Black and White Drawing is about the two dimensionality of the film frame and the illusion of three dimensionality created by drawing. A sheet of gray paper is placed on the floor front of the camera. The film switches to negative: the paper is now darker, a different shade of gray. Haxton sketches in with "black" chalk black areas in wavy lines and goes over and over them, making them more solid. He leaves the frame. There is a cut to positive image: the chalk draws along the first areas, uniting them into a single shape that looks somewhat like a twig or a tuning fork with one short leg which appears at first to be equal in length to the other. Haxton uses the conventions of shading as "shadow" to make the white areas look like volumetric or perspectival extensions of the black: the drawing seems very object like.

Black and White Tapes derive from a series of performances Paul McCarthy undertook in his Los Angeles studio from 1970 to 1975. Conceived for the camera and performed alone or with only a few people present, these short performances use video to articulate both monitor and studio space.

“For Black and White Film, Huot created his own photographic imagery for the first time. After a few moments of darkness, a young woman (Sheila Raj) lowers a covering of some kind, slowly revealing her naked body. She reaches outside the circle of light, which illuminates only her silvery form, scoops up dark paint, and, beginning with her feet, gradually paints her entire body. When she has become invisible except for the faint sheen of the paint, she drops her arms, looks straight ahead, and the film fades to total darkness. The serenity of the film, which is structurally reflected by Huot’s presentation of the action from a single position in a single take, its sensuality, and the aura of ritual it creates (Raj always moves in a formal way and, except when she needs to look for the paint, looks modestly down) make Black and White Film a quietly haunting work.”—Scott MacDonald, “The Films of Robert Huot: 1967 to 1972”, Quarterly Review of Film Studies, Summer 1980.

An animated collage film.

Told by a U.S. Army colonel and his wife, this vintage Western set in post-Civil War Texas chronicles the exploits of the all-black 10th cavalry regiment, which was formed in 1871. Cesar Romero plays the unit's commander.

A two part documentary that details the contribution of black and Asian people to television history from the birth of television in 1936 to 1992. Interviewees include: Pearl Connor, Thomas Baptiste, Lenny Henry, Norman Beaton, Horace Ové, Carmen Munroe, and Stuart Hall.

A recently appointed black police commissioner is killed. So, Frank Janek is assigned to investigate.

Two men, taught by the same master, find themselves destined to cross swords.

A film about the reality of lesbian and gay life in Cuba.

Condensed material from Dietmar Brehm’s cumulative work Praxis-Selektion – once in black and- white and once in green-red, with electric guitar. In INSIDE Brehm denaturalizes his video recordings and develops new dramaturgies of image and sound. Flickering effects, blurs, and positive-negative inversions yield a texture of mysterious associations whose Pop art aesthetic resembles print techniques and comics.

A short black and white horror film about the corruption of a woman

Animated experimental film using only black and white, with a musical score.

Boogie in Black and White is a UNC-TV documentary written and produced by Alex Albright about the making of the movie Pitch a Boogie Woogie. The movie was filmed in Greenville, North Carolina in 1947 with a local cast of African American musicians and actors. John W. Warner, owner and manager of the local Plaza Theatre, filmed the movie

Imagine being a high school senior who has no friends, struggles with anxiety, and is being bullied, constantly. The film, The Black and White Mind, follows Johnathan Stewart, an adolescent with High-Functioning Autism. Johnathan faces many trials throughout the film, as he is trying to come out of his shell and integrate himself into the "social game."

Composition in Black and White is an attempt to isolate the different elements of the film: rhythm, melody, colors, composition, invoice, to restructure them and thus create a new form of cinema, at the same time as a new way of looking. The result is that each shot becomes a complete cinematic event. I ask each viewer to watch, quite simply to step out of their usual film viewing conditioning.

The college experience is not always as perfect as some school brochures may lead you to think. For some, making the transition from high school to college is easy, but for others it is difficult and confusing. Out of Black and White tells the story of Chris Lewis, a college graduate who is reflecting upon his days as a freshman. What he remembers is a time of academic stress, disorientation, and doubt. Laced with wisdom from the Old Testament, Out of Black and White zeros in on a precise target that promises hope and insight for anyone who has ever experienced a traumatic season of life.

A Parable in Black and White examines the nature and breadth of prejudice as seen through the eyes of two hobos, one black and the other white. What happens while they are out on a walk one day leads to an understanding that despite our differences, we are all human.