Web series about film history, movies and filmmaking.

This IFC Original Series created by Oscar nominee Nanette Burstein (The Kid Stays In The Picture, On The Ropes) follows three NYU film students as they try to direct an award-winning film and launch their careers. Former Peace Corps volunteer Alrick prepares a politically charged allegory, sculptor Leah readies her emotionally raw autobiographical project, and Vincenzo applies his experience as an opera director in the making of his urban fable. Over the course of ten weeks, these students assemble crews, deal with difficult locations, clash with the police, face funding crunches, and encounter personal adversity. As the deadline for NYU's First Run Festival approaches, will their films be completed in time? Can their films bring them acclaim and lead to future work?

Following on from the success of ESPN's 30 for 30 series, this collection of sports documentaries continues to tell compelling stories from the unique perspective of the filmmakers.

Much has been made of the Films style. Salon.com television critic Matt Zoller Seitz has called NFL Films "the greatest in-house P.R. machine in pro sports history . . . an outfit that could make even a tedius stalemate seem as momentous as the battle for the Alamo."[5]

NFL Films productions follow certain patterns. Film is mostly used, one camera is dedicated entirely to slow motion shots, microphones are present on the sidelines and near the field to pick up both the sounds of the games as well as the talk on the sidelines, and narrators with deep, powerful, baritone voices are preferred. Narrators have generally been from the Philadelphia metropolitan area, with well-known announcers such as Jefferson Kaye, Harry Kalas, John Facenda, Andy Musser, Jack Whitaker, William Woodson, and current announcer Scott Graham all having narrated NFL Films presentations at various points in time. J.K. Simmons was tapped to narrate the company's one-hour recap of the 16-0 regular season of the 2007 New England Patriots, while actor Burt Lancaster was tabbed for narrations during 1969. Burl Ives narrated the 1971 Washington Redskins highlight film.

Team-specific films such as year-in-review films have occasionally been narrated by broadcasters or personalities involved with the team in question. Examples include the 1985, 2000 and 2001 Oakland Raiders season reviews being narrated by actor and former Raiders player Carl Weathers. Former Giant Frank Gifford periodically narrated New York Giants season reviews (notably the company's throwback-themed 2013 season recap) until his death in 2015, and ex-Giants teammate Pat Summerall narrated highlight films for many teams until his death in 2013. New England Patriots play-by-play announcer Gil Santos narrated the year-in-review films of the 1974, 1976, and 1978 seasons, and New Orleans Saints films from their inception in 1967 through 1979 were narrated by Don Criqui, who called Saints games for the NFL on CBS in the team's early years, and radio announcers Al Wester and Wayne Mack.

The style has been called tight on the spiral, a reference to the frequently-used slow-motion shot of the spinning football as it travels from the quarterback's hand to the receiver. This shot usually consists of showing the quarterback throwing the football, then the camera zooming in to focus on the spinning ball, then, as the ball starts to descend, the camera zooms out, showing the end result of the ball traveling into the receiver's hands. NFL Films also dubs sound bites of local radio broadcasts over key plays, because radio announcers are typically more enthusiastic about their home teams than are network television broadcasters. In addition, NFL Films often uses multiple camera angles (with an emphasis on close-up shots that often exaggerate the speed of the players in real time). The company's films also employ muscular orchestral scores from a wide variety of musicians, notably Sam Spence, Johnny Pearson (whose "Heavy Action" became the theme for Monday Night Football) Frank Rothman, Ralph Dollimore, Udi Harpaz, Malcolm Lockyer, Jan Stoeckart (under his varied stage names such as Jack Trombey), Peter Reno, Paul Lewis, Prameela Tomashek, Dave Robidoux and Tom Hedden. The company's use of KPM Musichouse tracks also notably included Syd Dale; tracks include "Malestrom" for the company's 1968 Minnesota Vikings season highlight reel and also the psychedelic-flavored jazz track "Artful Dodger" on the film recap of Super Bowl V, specifically during the montage which shows Johnny Unitas' 75-yard touchdown pass to John Mackey which was tipped in flight by Eddie Hinton and Mel Renfro before bounding to Mackey.

The company also makes prolific use of footage of players and coaches in the locker room after the game. With these techniques NFL Films turns football games into events that mimic ballet, opera, and epic battle stories. Among the company's most famous creations is the poem and accompanying music cue "The Autumn Wind", which have become official themes for the Oakland Raiders.

Reviews and previews of the latest films to hit the big screen in the capital, served with a pick'n'mix of red carpet interviews with the stars.

A celebration of Paul Newman and Joanne Woodward’s iconic careers and decades-long partnership. Director Ethan Hawke brings life and color to this definitive history of their love, lives, and philanthropy.

The Taipei Golden Horse Film Festival and Awards (Chinese: 台北金馬影展; pinyin: Táiběi Jīnmǎ Yǐngzhǎn; Pe̍h-ōe-jī: Tâi-pak Kim-má iáⁿ-tián) is a film festival and awards ceremony held annually in Taiwan. It was founded in 1962 by the Government Information Office of the Republic of China (ROC) in Taiwan. The awards ceremony is usually held in November or December in Taipei, although the event has also been held in other locations in Taiwan in recent times

THE PERSONAL STORIES FROM THE BATTLE THAT CHANGED THE COURSE OF THE WORLD.

In the spirit of LOST FILMS: WORLD WAR II and LOST FILMS: VIETNAM, this 2-part special event features the most critical military operation of World War II. D-DAY: LOST FILMS presents this iconic battle using newly discovered colour footage, much of which has never been seen. For the first time, viewers can see the largest amphibious assault in history entirely in newly transferred colour HD - 5,000 Allied ships landing over 160,000 soldiers across a 50 mile stretch of Normandy beaches.

D-DAY: LOST FILMS presents this world-changing week through the personal accounts of soldiers on both sides, focusing on three specific units: the American 1st Division at Omaha Beach, the American 507th Paratroopers, and the German 352nd Division. Allied and German survivors give their first-hand stories on the war that changed the course of the world. The long held belief that an Allied victory was secured after a single, bloody day will be dispelled. And the final death toll far exceeds anything seen on the beaches. D-Day remains one of the most important turning points of WWII, yet very few of us know the real story...until now.

Comedy short films from new and established talent. Showcasing original, weird and very funny films.

Beckett on Film was a project aimed at making film versions of all nineteen of Samuel Beckett's stage plays, with the exception of the early and unperformed Eleutheria. This endeavour was successfully completed, with the first films being shown in 2001.

YOASOBI's first live footage collection "THE FILM" captures three shows: "KEEP OUT THEATER", the duo's first live streaming headlining concert in February 2021 from a construction site where the former Shinjuku Milano-za movie complex used to have stood, "SING YOUR WORLD", another live streaming concert in July 2021 held at UNIQLO CITY TOKYO in the Uniqlo headquarters premises in Ariake, Tokyo as a collaborative project with the "UT" clothing line and attracted 280k viewers connecting at once, and "NICE TO MEET YOU", a two-day concert series at the Budokan in December which was their very first performance with a live audience (the footage is from December 5).

Michael Aranda takes the reins as host to talk about Film Criticism.