The brother (House Peters Jr.) of rancher Bill Martin (Bill Elliott) is killed in a stampede started by cattleman. Bill returns to the Fargo country to take his brother's place and is welcomed by law-abiding cattleman MacKenzie (Jack Ingram)) and his daughter Kathy (Phyllis Coates). The leader of the ruthless cattle interests are townsman Austin (Arthur Space) and his henchmen Red (Myron Healey), Link (Robert J. Wilke) and Albord (Terry Frost). Bill has the idea of putting up barbed wire to keep the herds from been driven over the land cultivated by the farmers. He, aided by Tad Sloan (Fuzzy Knight), produces the wire by make-shift methods, but it proves effective. The cattleman charge in court that the wire is dangerous to their herds but lose the case. Austin orders his men to seize Bill, bale him in strands of the wire, and throw him on the stage of the town hall during a fall festival. Bill doesn't take kindly to this and it precipitates open war.

When two showgirls decide to leave South America and head for home, they sweet talk the purser of a clipper ship into giving them berths. In the course of the voyage, a band of thieves attempts to take over the ship and make off with its cash cargo. The heroic purser has other ideas and weighs in to save the day.

Two undercover agents sent to get rid of a rhino poaching syndicate, become the hunted after discovering that high ranking government officials are implicated.

'Cargo' brings the raw story of three brothers who own a family business in the fishery and are trying to save it from destruction. The passion for their profession but also for their loved ones, however, drives them to desperate actions.

"How is it that we are still here? How come they're already almost printing human organs and we're still discussing gender equality? How come they already deliver fast food to homes on hangover days and racism is still such a big issue? Why is more spent on Social Security than on travel? And is there an afterlife, on social media (where it really matters)?" It is from these questions, at a time when the world is amazed by the evolution of times, that Diogo Faro starts to construct the text that will try to demystify the doubts in the comedian's head.

Lidia and her father, Pablo, return to the family lighthouse after her mother’s death. Pablo, aware of Lidia's fragile emotional balance, worries for a possible relapse after her suicide attempt. Lidia, annoyed by her father's lack of trust, will discover that something’s not right at the Lighthouse, and that danger awaits for them if they do not find out the truth.

The film is about the flickering time of travel in unfamiliar space. This video sequence, sound track and text, communicating with each other through roll calls, resonances and random coincidences. Together they form an unstable object, a movie about architecture and music, immovable and racing.

Arriving in a hotel in the city of Faro, a couple learns there are no available tables left. When another couple agrees to share a table, they spark a conversation on the city’s history, unfolding the tales of King Afonso III, who betrays his wife, and of a Moorish woman, who betrays her father.

Faro is a real goddess of a real tribe (the Bamana) in the West African country of Mali. In a landlocked country like Mali, covered in part by the Sahara Desert, water is a resource that can never be taken for granted. The Bamana village in Faro: Goddess of the Waters not only sits on a riverbank, but also depends for much of its food on fish from the river. Faro is the dominant character in this film, the unseen force for which all action takes place. (c) Ferdy on Films [Marilyn Ferdinand]

Being forced into prostitution by her father, she finds solace in her friends and her journal.

Two brothers head to Russia to help a group of priests smuggle $200 million worth of sacred relics out of the country in order to keep them out of the hands of neo-Nazis.

Camila is going through a crisis in her 30s. Everything in her life seems to be falling apart: growing up proves more difficult than she expected. Julian, her best friend, suggests she resume her major and work in a play. Together, they will live a memorable summer.

Kenyon is a narcotics agent who, with the aid of a titled bird-watcher attempts to trap a brother and sister drug smuggling team.

Five artists, two theatrical actors husband and wife, a choreographer, a musician and a videomaker have an ambitious project, they want to organize a traveling art festival following a merchant ship route. When everything seems ready for the start of the journey - inspection, something goes wrong, the freighter's route was canceled at the last minute. While the five argue with each other about how to avoid the sinking of the project in a pub, a strange and self-styled captain offers them a lifeline. Between doubts and uncertainties the five will accept the offer of the captain and on a sailing boat they will venture into a strange journey in which there will be no shortage of twists. At the end of the journey, each of the five will face life from a new point of view.

When Mort loses his and Ken's money at poker, Goss gets him to rob the stage. He is captured, identified by his palomino horse. Ken tries to clear him by robbing a stage while riding a palomino, but he also gets caught.

Fernando (Fernando Tejero) is a loser. A gray type, without ambition, that works like bookcases distributor in a supermarket of the quarter. In his free short whiles, he is a substitute keeper of a football team, a third regional one. In all the season he has not played a single minute. But the last Sunday of the league the referee indicates penalty and the regular keeper injures itself. Fernando must occupy the goal for the first time. If penalty scores, the team of the district will proclaim champion. If no, all the effort of a year will not have been worth for anything. When the penalty is just about to be kicked, a group of indignant fans with the referee invades the field and prevents the kick. The competition committee decides that the penalty must play the following Sunday, in the same goal, with same players and the field closed to the public. El Penalti más largo del mundo, (The Longest Penalty Shot in the World) is exactly the history of that week of delay.

Nadine and Lewis move to a small Bahamian island hoping to restore their relationship in the wake of a tragedy, only to find the picturesque island torn in two: on one side a dangerous human trafficker and on the other an aging patriarch, struggling to maintain order.

John Joyce arrives in Sacramento with his sister, Martha, and aunt to become the editor of a newspaper. He is determined to clear the town of the low-down mining camp types who are flaunting their freewheeling ways. When Joyce meets Faro Sampson, he falls in love, believing that she is the daughter of a minister. Actually she's the daughter of the man who runs a gambling den, "Square Deal" Sampson.

An American entrepreneur is closing a deal in Saudi Arabia in 1977. After a fallout with his influential Saudi partners, they have him arrested. Due to the US policy of noninterference in SA, the embassy won't help him. He must escape.