In dem Grab von Tut-Ench-Amun wird eine weitere Mumie gefunden. Was für die Archäologen ein Sensationsfund zu sein scheint, stellt jedoch eine bedrohliche Gefahr dar: Denn die Mumie ist ein Alien, welches für den Menschen tödliche Sporen mit auf die Erde gebracht hat. Als ein gieriger Laborassistent zudem auch noch die vermeintlich wertvolle Grabbeigabe der Mumie stiehlt, erwacht diese wieder zu neuem Leben, um sich an den Grabschändern zu rächen...

This film is the 5th work of "grained time" series. What I want to express with this series is disassembling and restructuring the human sense. This time, I constructed a series of actions by extracting one frame from hundreds video material. The video materials are shooted in another time, another person of another place. I focus on what is different and what is the same in each frame of the film, and ask what the film is and the boundaries between montage and animation.

María is an Amorúa girl; an indigenous group that traveled the savannas of Orinoquía as nomads. She lives with her grandmother Matilde, her sister diana and her cousins in Puerto Carreño, in the Colombia-Venezuela border. The amorúa are considered wild and are not literate. Matilde wants her granddaughters to learn to write and read to live better in this town of "rational whites" as they call us. The director follows María's life for 8 years from her childhood to her adolescence and invites her to travel the places her grandma did as a nomad.

Two police officers, one black and one white, each for their own way of justice, embarking on a confrontation of death and death.