A guy falls for a girl who draws him into a modern-day cult.

Three years have passed, Riff returns home, seeking a chance to be with his ex, but now his friend, Jerome, for a second time. But an unexpected act leads him into losing him forever - just as how Orpheus loses a chance to be with Eurydice.

The myth of Orpheus, set in the music industry, in a hellish version of Los Angeles.

It came therefore to be believed that Orpheus taught, but left no writings.

The story of Orpheus takes the Greek myth and focuses on the sense of loss and guilt. Only in this story rather than being a musician Orpheus is an artist, an artist trapped in his studio with a fading memory of his lost love – but nightly he is pestered and bullied by The Critic, a living embodiment of his own troubled mind.

Orpheus can enchant everyone with his music, even animals and plants. His song can also rescue his beloved Euredice from the underworld, under one condition - Orpheus must reach the land of the living before looking to see if his love is following him.

Jonny lived with his mother his entire life.

Outside time and reality, the experiences of a poet. The judgement of the young poet by Heurtebise and the Princess, the Gypsies, the palace of Pallas Athena, the spear of the Goddess which pierces the poet's heart, the temptation of the Sphinx, the flight of Oedipus and the final Assumption. This film is the third part of Cocteau's Orphic Trilogy, which consists of The Blood of a Poet (1930), Orpheus (1950) and Testament of Orpheus (1960).

A poet in love with Death follows his unhappy wife into the underworld.

Young lovers Orfeu and Eurydice run through the favelas of Rio during Carnaval, on the lam from a hitman dressed like Death and Orfeu's vengeful fiancée Mira and passing between moments of fantasy and stark reality. This impressionistic retelling of the Greek legend of Orpheus and Eurydice introduced bossa nova to the world with its soundtrack by young Brazilian composers Luiz Bonfá and Antonio Carlos Jobim.

The Ballet de l'Opera National de Paris mounted this production of the late Pina Bausch's dance-opera Orpheus und Eurydike, which Bausch had adapted from composer Christoph Willibald-Gluck and Ranieri de' Calzabigi's 1762 opera Orfeo ed Euridice. As the title suggests, it takes its basic narrative from the myth of Orpheus, and his courageous but ill-fated attempt to rescue his lover Eurydice (also known as Eurydike) from the jaws of the underworld. This particular production finds Yann Bridard dancing as Orpheus and Marie-Agnès Gillot dancing as Eurydike , with mezzo-soprano Maria-Riccarda Wesseling accompanying Bridard and soprano Julia Kleiter accompanying Wesseling. Pina Bausch did the choreography and stage direction, while Rolf Borzik designed the sets, costumes and lighting. The Balthasar-Neumann Ensemble & Choir, under the direction of Thomas Hengelbrock, lend musical accompaniment.

Two best friends from Berlin win a trip to Greece. On their excursion, they get lost on an island. They wander in the woods until they find an abandoned village where they encounter a mysterious creature, who calls himself Hercules. They spend the night together in a cave and dream a mystical dream. On the next day, nothing between the two will be like it was before.

This musical comedy based on an opera by Jacques Offenbach incorporates a twist on the classic Greek myth: Orpheus, a music teacher at a girls’ school in the ancient Greek city of Thebes, actually does not miss his wife Eurydice that much – until the gods and Offenbach himself pressure him to retrieve her from Hades.

Documentary about Marcel Camus' 1959 film Black Orpheus, its cultural and musical roots, and its resonance in Brazil today.

Despite it being her father's death anniversary, Patricia, a young streamer, tries to continue with her daily rutine until one sponsor offers her a large sum to make a live stream that night playing "ORFEO", a paranormal summoning challenge. She accepts without imagining how dangerous it is to face your own demons.

Although the situation is universal, Japanese mourning rituals are given solid coverage. The 49th day after death is considered crucial, as the date at which the soul passes from this world to the next and, therefore, the date from when the living are expected to get on with life. But Yoko doesn't move on. The ache of the loss that simply won't heal takes an awful toll on her husband and friends, who try doggedly and unsuccessfully to help her move on, and to guide her away from the misguided and damaging belief that daughter Kanako's spirit has entered another living child (by sharptongue, IMDB.com)

Eurydice is a singer in a group that plays in country fairs. The group is not successful and Eurydice gets convinced by a rich farmer to follow him to Athens, where he promises her that he will make her a famous singer. Things do not turn out as promised, and Eurydice returns to the band, which is very successful now, due to Orpheus, a mute clarinet player, who has joined them. The farmer comes to reclaim her by force and Eurydice gets killed in a car accident. Orpheus tries to give her life with his clarinet.

The movie was shot at the junction of documentary and fiction films. The film takes the viewer into the late Ural summer of 2019 and immerses us in the real life of today's youth, with all its uncertainty, fragility, pain, despair and aspirations.

It’s a beautiful winter day. Four children are playing on the bridge, but fifth actor enters the game... The sniper.