As a CODA (Child of Deaf Adults), Ruby is the only hearing person in her deaf family. When the family's fishing business is threatened, Ruby finds herself torn between pursuing her love of music and her fear of abandoning her parents.

A famous pianist at the twilight of his career meets a free-spirited music critic who soon becomes his rock as his mental state deteriorates.

A lost soul stumbles drunken through the city. In a park, Death finds him and shows him many things.

Alex uses dance to try find her place between hearing and deaf.

A maniac is stalking and killing female students at a university.

This short animation draws on advanced digital technologies to offer a new vision of dance in cinema. With motion capture (MoCap) and particle processing, designers Denis Poulin and Martine Époque create virtual dancers free of their morphological appearance. In this balletic and hypnotic film, dynamic traces carry the motion of the real dancers behind the on-screen movements. Addressing environmental themes by way of metaphor, CODA is a fused universe where space and time collide, deploy, and dissolve. In this technically and formally innovative film, luminous bodies in the infinite space of the cosmos transform and evolve to the rhythms of Stravinsky’s Rite of Spring.

This tiny film is a poem which recapitulates many of the ideas presented in the earlier films and serves as a tiny song/verse to remind the viewer of the things that have come before and the things which will continue in the future.

When faced with a future alone, Harry chooses to relive the past.

An act of violence in the shower room of a boy's prep school gets out of hand and all of the participants are traumatized.

Cleo is a sweet young woman who lives alone in her apartment. Bored and eager for love, Cleo looking out the window, falls in love at first sight with a beautiful woman with whom she only exchanges glances. Dreamily, she believes that the feeling is reciprocal.

Experimental short made from scrap film material.

Nina is a rat-girl who lives with her kind in an underground village, which is ruled by a harsh tyranny. But she will discover that a big world exists outside, and she will escape there to improve her understanding of reality.

A conclusion and recapitulation of the Eryngium cycle, Coda deals directly with the theme of self-portraiture. The first shot alludes to the end of Erichvon Stroheim's Foolish Wives, where the corpse of the hero-director is dispatched in a man-hole. Other dramatic self-portraits follow: Caravaggio's Goliath, Dante's Sestina (read by the film-maker), and Dürer's Self-portrait with Eryngium. The abandoned villa of Migrazione is revisited. But the finale is hopeful.

These four films spontaneously manifested as four stages of life: childhood, youth, maturity and old age. Elohim was photographed in early spring, the week of the Lunar New Year, the very spirit of Creation. Abaton was photographed a few weeks later in the full ripeness of spring, the very purity and passion of the Garden. Coda was photographed in late spring, in the aftermath of this purity, the first shades of mortality and Knowledge appearing. And finally, Ode, photographed in early summer, is a soft, textured song of the Fallen, the dissonant reds of death, seeds and rebirth. – Nathaniel Dorsky

A young man is lost in his thoughts trying to avoid a reality that is unbearable for him.

The story of a mother who now needs the full-time care of her son who struggles to keep giving it.

Five years after the all-out war between the Sanno and Hanabishi crime families, former yakuza boss Otomo works in South Korea for Mr. Chang, a noted fixer. When tensions rise between Chang and the Hanabishi, and Chang's life is endangered, Otomo returns to Japan to settle things once and for all.

Oscar winning composer Ryuichi Sakamoto weaves man-made and natural sounds together in his works. His anti-nuclear activism grew after the 2011 Fukushima disaster, and his career only paused after a 2014 cancer diagnosis.