Franz Antel

Personal Info

Known For Directing

Known Credits 101

Gender Male

Birthday June 28, 1913

Day of Death August 11, 2007 (94 years old)

Place of Birth Wien, Austria

Also Known As

  • François Legrand

Content Score 

100

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Biography

From Wikipedia, the free encyclopedia.

Franz Antel (June 28, 1913 – August 11, 2007) was a veteran Austrian filmmaker.

Born in Vienna, Antel worked mainly as a film producer in the interwar years. After World War II, he began writing and directing films on a large scale. In the late 1940s, 1950s and 1960s these were mainly comedies (romantic, slapstick, and/or musical) and K.u.k. films all of which, for Austrian and German TV stations alike, have been a staple of weekend afternoon programming ever since. In between there is quite a sober film about the Oberst (Colonel) Redl affair that shook the Austro-Hungarian Monarchy on the eve of World War I.

From the late 1960s, encouraged by the new opportunities in the film industry brought about by the sexual revolution, Antel gradually switched his main interest to soft porn and ribaldry. It was in particular his series of Wirtin ("hostess") films, directed under the pseudonym François Legrand, with which he tried to win international recognition. Titles included The Sweet Sins of Sexy Susan (1967), Sexy Susan Sins Again (1969), Wild, Willing & Sexy (1969) and Don't Tell Daddy (aka Naughty Nymphs in the U.S.A.) (1972).

Among the actors Antel worked with were Hans Moser, Paul Hörbiger, Oskar Werner, Curd Jürgens, Tony Curtis, Herbert Fux, Heinrich Schweiger, Arthur Kennedy, Carroll Baker, Edwige Fenech, George Hilton, Marisa Berenson, Britt Ekland, Andréa Ferréol.

1981 was a turning point in Antel's career when he adapted for the big screen a stage play by Ulrich Becher and Peter Preses. Set from the days of the Anschluss of 1938 until after the end of the war, Der Bockerer is about a Viennese butcher named Karl Bockerer (Karl Merkatz) whose common sense rather than intellect tells him to oppose the Nazis and who dares to show resistance just because he is never fully aware of the possible fateful consequences of his actions. While Bockerer and his wife survive the war unscathed, their son joins the SA but, after some internal intrigue, is sent to the front and killed.

Der Bockerer IV

The film's strong anti-fascist message, the moving dialogue, and performances by the crème de la crème of Austrian actors and actresses (Ida Krottendorf, Alfred Böhm, Heinz Marecek, Hans Holt, Dolores Schmidinger and many more) made Der Bockerer an unusually successful film and gave new impetus to Antel's career. He made three sequels, which follow the lives of the Bockerers well into the 1960s, each depicting a crucial historical event in Austria or one of its neighbouring countries:

    Der Bockerer II (1996) is about the ten-year occupation (1945-1955) of Austria by the allied powers;

    Der Bockerer III — Die Brücke von Andau (2000) is set at the time of the Hungarian Revolution of 1956; and, finally,

    Der Bockerer IV — Der Prager Frühling (2003) deals with Dubček's Prague Spring of 1968.

Antel would recount an anecdote about himself describing how, in order to live up to his reputation as a womanizer, he used to carry a pair of high heels in his luggage which he then would occasionally place in the corridor in front of his hotel room – especially when he was travelling alone.

Description above from the Wikipedia article Franz Antel, licensed under CC-BY-SA, full list of contributors on Wikipedia.

From Wikipedia, the free encyclopedia.

Franz Antel (June 28, 1913 – August 11, 2007) was a veteran Austrian filmmaker.

Born in Vienna, Antel worked mainly as a film producer in the interwar years. After World War II, he began writing and directing films on a large scale. In the late 1940s, 1950s and 1960s these were mainly comedies (romantic, slapstick, and/or musical) and K.u.k. films all of which, for Austrian and German TV stations alike, have been a staple of weekend afternoon programming ever since. In between there is quite a sober film about the Oberst (Colonel) Redl affair that shook the Austro-Hungarian Monarchy on the eve of World War I.

From the late 1960s, encouraged by the new opportunities in the film industry brought about by the sexual revolution, Antel gradually switched his main interest to soft porn and ribaldry. It was in particular his series of Wirtin ("hostess") films, directed under the pseudonym François Legrand, with which he tried to win international recognition. Titles included The Sweet Sins of Sexy Susan (1967), Sexy Susan Sins Again (1969), Wild, Willing & Sexy (1969) and Don't Tell Daddy (aka Naughty Nymphs in the U.S.A.) (1972).

Among the actors Antel worked with were Hans Moser, Paul Hörbiger, Oskar Werner, Curd Jürgens, Tony Curtis, Herbert Fux, Heinrich Schweiger, Arthur Kennedy, Carroll Baker, Edwige Fenech, George Hilton, Marisa Berenson, Britt Ekland, Andréa Ferréol.

1981 was a turning point in Antel's career when he adapted for the big screen a stage play by Ulrich Becher and Peter Preses. Set from the days of the Anschluss of 1938 until after the end of the war, Der Bockerer is about a Viennese butcher named Karl Bockerer (Karl Merkatz) whose common sense rather than intellect tells him to oppose the Nazis and who dares to show resistance just because he is never fully aware of the possible fateful consequences of his actions. While Bockerer and his wife survive the war unscathed, their son joins the SA but, after some internal intrigue, is sent to the front and killed.

Der Bockerer IV

The film's strong anti-fascist message, the moving dialogue, and performances by the crème de la crème of Austrian actors and actresses (Ida Krottendorf, Alfred Böhm, Heinz Marecek, Hans Holt, Dolores Schmidinger and many more) made Der Bockerer an unusually successful film and gave new impetus to Antel's career. He made three sequels, which follow the lives of the Bockerers well into the 1960s, each depicting a crucial historical event in Austria or one of its neighbouring countries:

    Der Bockerer II (1996) is about the ten-year occupation (1945-1955) of Austria by the allied powers;

    Der Bockerer III — Die Brücke von Andau (2000) is set at the time of the Hungarian Revolution of 1956; and, finally,

    Der Bockerer IV — Der Prager Frühling (2003) deals with Dubček's Prague Spring of 1968.

Antel would recount an anecdote about himself describing how, in order to live up to his reputation as a womanizer, he used to carry a pair of high heels in his luggage which he then would occasionally place in the corridor in front of his hotel room – especially when he was travelling alone.

Description above from the Wikipedia article Franz Antel, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Directing

2003
2000
1996
1994
1993
1992
1990
1989
1989
1989
1988
1987
1985
1982
1981
1979
1978
1977
1976
1975
1975
1975
1973
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1972
1972
1972
1972
1971
1971
1970
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1970
1969
1969
1969
1968
1968
1968
1967
1967
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1965
1964
1964
1964
1964
1963
1962
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1960
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1958
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1957
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1955
1955
1955
1954
1954
1954
1954
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1953
1953
1952
1952
1952
1952
1951
1951
1951
1950
1949
1949
1948

Production

1987
1985
1984
1981
1978
1978
1977
1976
1973
1971
1970
1969
1968
1967
1966
1964
1963
1962
1937
1935

Writing

2003
2000
1996
1994
1987
1979
1978
1971
1964
1963
1957
1953
1952
1951
1949
1948

Acting

2006
1992
1990
1971
1971
1970

Creator

1993

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