Max Ophüls

Personal Info

Known For Directing

Known Credits 29

Gender Male

Birthday May 6, 1902

Day of Death March 26, 1957 (54 years old)

Place of Birth Saarbrücken, Saarland, Germany

Also Known As

  • Max Ophuls
  • Max Opuls
  • 막스 오퓔스
  • 막스 오풀스
  • Maximillian Oppenheimer

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Biography

Maximillian Oppenheimer (6 May 1902 – 26 March 1957) — known as Max Ophüls — was an influential German film director who worked in Germany (1931–33), France (1933–40), the United States (1947–50), and France again (1950–57). He is best known for his smooth camera movements and complex tracking shots. Many of his films are narrated from the point of view of the female protagonist. In addition to the American romantic melodrama Letter from an Unknown Woman (1948), the French productions La Ronde (1950), Le Plaisir (1952), The Earrings of Madame de... (1953) and Lola Montès (1955) are among his best-known works. Andrew Sarris in his influential book of film criticism The American Cinema: Directors and Directions 1929–1968 included him in the "pantheon" of the 14 greatest film directors who had worked in the United States.

Maximillian Oppenheimer (6 May 1902 – 26 March 1957) — known as Max Ophüls — was an influential German film director who worked in Germany (1931–33), France (1933–40), the United States (1947–50), and France again (1950–57). He is best known for his smooth camera movements and complex tracking shots. Many of his films are narrated from the point of view of the female protagonist. In addition to the American romantic melodrama Letter from an Unknown Woman (1948), the French productions La Ronde (1950), Le Plaisir (1952), The Earrings of Madame de... (1953) and Lola Montès (1955) are among his best-known works. Andrew Sarris in his influential book of film criticism The American Cinema: Directors and Directions 1929–1968 included him in the "pantheon" of the 14 greatest film directors who had worked in the United States.

Directing

1958
1955
1953
1952
1950
1949
1949
1948
1947
1940
1940
1938
1937
1936
1936
1936
1935
1935
1934
1934
1933
1933
1933
1932
1932
1931
1931

Writing

1989
1958
1955
1953
1952
1950
1940
1938
1937
1936
1936
1935
1934
1933
1933
1932
1931

Acting

1978

Production

1936

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