I hadn't seen this anywhere before so I took the estimated world population of the release year of every single Bond film and used it as a divisor against that of the year of Spectre's release to give a multiplying factor which can be used alongside the usually seen inflation adjusted numbers.
Here are the results with Thunderball coming out on top:-
- Thunderball $2,198,201,223
- Goldfinger $2,017,488,994
- You Only Live Twice $1,572,874,535
- Live and Let Die $1,518,838,537
- From Russia with Love $1,302,797,359
- Diamonds Are Forever $1,241,565,392
- The Spy Who Loved Me $1,187,752,827
- Skyfall $1,145,522,895
- Moonraker $1,086,850,049
- Dr. No $1,018,556,960
- On HM's Secret Service $1,009,319,819
- Spectre $880,669,186
- Man with the Golden Gun $809,816,584
- For Your Eyes Only $778,504,034
- Casino Royale $741,890,577
- Goldeneye $674,246,020
- Quantum of Solace $673,019,991
- Octopussy $658,690,648
- Die Another Day $631,993,795
- The World is Not Enough $593,375,000
- Tomorrow Never Dies $593,288,848
- The Living Daylights $550,081,015
- A View to a Kill $479,893,730
- Licence to Kill $397,820,654
Reply by Midi-chlorian_Count
on September 20, 2021 at 3:52 AM
Did you ever get this done for all the Bond films? It would be interesting to see how it compared...
Reply by DRDMovieMusings
on September 20, 2021 at 2:53 PM
First of all, I really dig what you did here!
Second, I haven't gotten through Thunderball yet, BUT, my favourite Bond film may actually be the non-canonical Never Say Never Again which, apparently, was a kind of redux of Thunderball.
At any rate, while I don't have the same number of movies in each year, I do have a minimum of at least eight titles for each year. Below is my list of Bond titles ranked by profitability vs. the profitability for all movies (that I have in my database) in its release year, as a ratio:
And here's the list comparing Bond titles' profitability (revenue over budget):
The average profitability for all Bond films is $4.81, substantially better than the average for all the 2,358 movies in my dbase from 1924 to 2021, which is $3.81, and the rule of thumb break-even for producers is revenues that hit 2x budget, so even the lowly Quantum of Solace, while it lagged the dbase average, yet still put some money in producers' pockets.
At the end of the day, raw revenue numbers are important for several reasons - they give us an idea what people are talking about (since the higher the revenue, the more people who saw it and talked about it); and they also give an indication what the audience market might be - if lots of people are watching this kind of movie, look for more of this kind of movie. My interest in better understanding profitability came in part from musing about how so many great movies did not do great box office, while some silly movies have made craptons of profit. But, beyond that, profitability gives us keener insight into the process of movie-making, especially when we can observe, for example, consistencies in profitability from installment to installment within a franchise; or wild discrepancies among movie titles within a genre - what did one movie get so right while another similar movie got so wrong? Etc., that kind of thing.