Life as a teenager is never easy and when you are gifted with the superhuman abilities of a spider and lead a double life as a student and crime fighter; life gets even harder.
Miles Morales (Shameik Moore) is finding it even harder to hide his secret from his family who has grown concerned that his erratic behavior is more than the usual teenage angst.
In another earth, Gwen Stacy (Hailee Steinfeld) deals with her Police officer father desperately hunting down her alter-ego believing that she is a killer which drives a wedge between them as Gwen desperately tries to find her way forward.... read the rest.
Sad night tonight. After 80-odd years, this was the last film to show in my local cinema before it closed down. Doubly sad because it’s also not actually very good. The conceptualisation behind the hybrid styles of animation is spectacular and executed in an highly polished fashion - as you’d expect. The story is all over the pace though, and the proliferation of Spidey’s seemed designed more to allow the narrative to become more culturally inclusive (and bankable) rather than to develop any meaningful characterisations. What personas there are spend their time wallowing in a mire of unrequited... read the rest.
FULL SPOILER-FREE REVIEW @ https://www.firstshowing.net/2023/review-spider-man-across-the-spider-verse-is-an-animated-work-of-art/
"Spider-Man: Across the Spider-Verse is the epitome of incredibly detailed, gorgeously unique, undeniably epic animation within its medium. Separately from enjoying this movie or not, any or all cinephiles should bow to the ridiculously talented artists and animators behind this pure work of art.
That said, the attributes and issues are more or less the same as the original. The various animation styles are overwhelmingly stunning, but also to the point of cre... read the rest.
And perhaps Beyond the Spider-Verse will retroactively make Across’ story more enjoyable, but for now, the franchise’s flashy visuals are fully in controls of its web-shooters.
As a stand alone feature, Across the Spider-Verse is groundbreaking with its half-a-dozen animation styles and plethora of Spider-Men. The Spot is an insanely cool villain, Spider-Man 2099 is an anti-hero teetering on the verge of becoming a full-time villain, and Spider-Punk oozes overall awesomeness.
But with the film sitting at 162 minutes and a sequel on the way in less than a year, the story ultimately fee... read the rest.
I don't know, but in my humble opinion, the punk Spider-Man really needed to look like Johnny Rotten, Sid Vicious, someone from the Sex Pistols. He sort of screamed them in the way he was depicted, right down to the multi-media used around him.
They really missed an opportunity for if not a great pop culture reference, but at least an in-joke for the punk community. I mean, throw us a bone here. He spent half his time mocking us anyway (in a pretty hysterical way) at least give us the laugh when they do the face reveal.
Anyway, it's not bad. Miles is less... boring in this cartoon tha... read the rest.
Overall, another groundbreaking film in the franchise that only builds on everything they created in the previous film as the brilliant animation and incredible writing is used to show the audience a well-rounded story about a Spider-Man who is trying to find his place in the world, with the only major drawback of the movie being that it suffers from the flaws of it being one of two parts.
I don’t have that much to say about “Spider-Man: Across the Spider-Verse”, the sequel to the equally terrific 2018 Oscar winning film “Spider-Man: Into the Spider-Verse,” except that it’s easily one of the best films of the year. It’s the type of achievement in animation that’s not only artistically skilled but also wildly entertaining. This is one of the most perfect pieces of animated cinema in years and even better, it’s aimed squarely at more sophisticated audiences of older kids, teens, and adults.
Miles Morales (voice of Shameik Moore) is back for part two, and he’s happily fulfilling... read the rest.