#7 (1996)
01/01/1996 (NL)
32m
Overview
Essentially a slow evolution from black to white, this film is an articulation of the old idea of Aristotle's that colours arise from the clash between light and dark. The colours of #7 are based on the opposition of pigment and light, and are all produced by stamping paint directly onto the negative.
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Status Released
Original Language English
Budget -
Revenue -
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Content Score
47
Still needs a little work.
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