A daily life in Korogocho, Kenya, one of the world’s poorest slums.
This 1944 black and white silent film provides brief glimpses of the lifestyle among Kenya's white/European settlers during the Second World War.
Kibera is the largest slum area in Nairobi, and the largest urban slum in Africa. This documentary depicts three important problems; violence, drugs (miraa) and albinos killing.The 2009 Kenya Population and Housing Census reports Kibera's population as 170,070, contrary to previous estimates of one or two million people .Most of Kibera slum residents live in extreme poverty, earning less than $1.00 per day. Unemployment rates are high. Persons living with HIV in the slum are many, as are AIDS cases. Cases of assault and rape are common. There are few schools, and most people cannot afford education for their children. Clean water is scarce. Diseases caused by poor hygiene are prevalent.
Idah, a diligent hardworking girl, is trapped in a mysterious dark room and faces of against Igor in a fight moderated by a mysterious shadowy figure. After numerous attempts to win she accepts her fate and is freed.
A short film documenting the time the filmmaker spent in Kenya.
A look at the Mau Mau Rebellion of the 1950s as experienced by filmmaker Donald McWilliams.
For African athletes making money abroad is the big goal. But Kenyan marathon runners need to be careful – the industry is ruthless and only few make it. For years, sports managers have been bringing African athletes to Europe to run in marathons with promises of potential prize money and a top career. For many it’s a means of escaping poverty. But what price do the marathon runners themselves pay? Long-distance running is among the toughest disciplines in the world. Professional marathon runners battle over seconds in a race more than 40km long - seconds that are often worth huge sums of money. Running has become a business. The prize money for a major event can be in five figures. Participants have to be world-class athletes to win these amounts.
As if they were showing their film to a few friends in their home, the Johnsons describe their trip across the world, which begins in the South Pacific islands of Hawaii, Samoa, Australia, the Solomons (where they seek and find cannibals), and New Hebrides. Thence on to Africa via the Indian Ocean, Suez Canal, North Africa, and the Nile River to lion country in Tanganyika. (They are briefly joined in Khartum by George Eastman and Dr. Al Kayser.) Taking a safari in the Congo, the Johnsons see animals and pygmies, and travel back to Uganda, British East Africa, and Kenya.
In the Indian Ocean, off the coast of Kenya, there is an island. On this island there is a stone town; its stone buildings stand as skeletons of the splendor of its yesteryears. High tide, low tide, Full moon, new moon. Lamu is an island frozen in time. Now Africa’s largest port is being constructed. In order to evolve, what part of ourselves do we keep and what part do we leave behind?
The story of Kenyan athlete David Rudisha, the greatest 800m runner the world has ever seen, and his unusual coach, the Irish Catholic missionary Brother Colm O'Connell.
Kenya, a bold five-year old girl, is reluctantly dragged to a symphony by her mother. Through the power of the orchestra, the young girl's passion for music blossoms before her own eyes.
In one of the world's largest and oldest refugee camps, Dadaab, the inhabitans survive by watching films and dreaming. The refugees cannot leave the camp, but they let their minds escape the harsh reality: by going to the simple cinema hall run by Abdikafi Mohamed, the film's protagonist.
A documentary about people in Kenya who are imprisoned by the global flower industry. The dilemmas of the industry become painfully clear and a dark world of oppression, sexual abuse and terrible working conditions unfolds. There is only one conclusion possible: the smell of the imported rose is not sweet, but bitter.
The photographic record of an African expedition led by producer-explorer Armand Denis and his (very) photogenic and camera-toting wife Michaela, who goes bird-riding at an ostrich farm. The expedition ranges from the central interior jungles and mountains to both coasts and as far south as Capetown, and ends with a gorilla hunt led by natives using 100-year-old muskets.
Each year over 1.2 million wildebeest travel across the vast Serengeti plains and Kenya's Masai Mara on a 1,800 kilometer circular journey, relentlessly followed by every big African predator. Revolutionary spy cams - airborne, swimming or disguised as rocks, skulls or dung - reveal the Great Wildebeest Migration from entirely new perspectives. This 2-part series focuses on the growing-up of a calf as he takes his first steps, faces his first deadly perils and tries to cross crocodile-infested rivers. It combines natural humor with exciting drama and gripping music.
Milking the Rhino is a 2009 documentary film that examines the relationship between the indigenous African wildlife, the villagers who live amongst this wildlife and conservationists who look to keep tourism dollars coming in. Both the Massai of Kenya and the Ovahimba of Namibia have spent centuries as cattle farmers. With their lands being turned into protected game reserves, these ancient tribes have turned to tourism as a means of survival. While some environmentalists think that community-based conservation is ideal for these villagers, the dangers of drought and the starvation of their cattle remains a constant reality.
The lives of three extraordinary African women from different social levels and origins determined to bring about radical transformations in their day to day realities: Kenyan attorney and reputed lawyer Njoki Ndung'u, Puthi Ragophala the committed school principal of a remote South African village and Zimbabwean housewife-entrepreneur, Amai Rosie.
This early travelogue film, made in a Kenyan train station, captures an impromptu musical performance. Some passengers eagerly join in while others sleep—blissfully unaware of the performance taking place around them.