A "scientific detective" story about the attempted murder of a wealthy New Yorker in his mountain lodge is framed with a satire of Hollywood as the writer of the story comically tries to get the script read and accepted by a studio.
A true-to-life gangster movie stirs up an all out mob assault on Hollywood.
A woman screenwriter lives in a shabby bungalow in order to be near her husband, a 39-year-old newspaper editor who has just joined the army.
An screenwriter with a violence record is a murder suspect until his lovely neighbor clears him. However, she soon starts to have her doubts.
A hack screenwriter writes a screenplay for a former silent film star who has faded into Hollywood obscurity.
This short film focuses on the job of the Hollywood screenwriter.
On Christmas Eve, suffering from a case of writer's block, screenwriter Mark Christopher and his gofer Virgil get an unexpected visit from Sergeant Maizel. Knowing Christopher is working on a juvenile delinquent script, the sergeant brings by delinquent Susan thinking she will inspire Christopher while providing a place for her to spend the holidays outside of juvenile hall.
A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.
The trials and tribulations of putting a feature film together.
Naive Iowa farm boy Lewis Tater dreams of being a famous Western novelist like his hero, Zane Grey. He leaves home to answer a writing correspondence course's ad for on-campus classes, only to discover that the school consists of a row of postboxes at an isolated Nevada train depot. On the run from the con men responsible, Lewis stumbles across "real" cowboys--cowboy actors shooting a movie in the desert. The would-be writer soon finds himself instead acting in Westerns, for the rundown Tumbleweed Productions studio, in Depression-era Hollywood.
A cashier poses as a writer for blacklisted talents to submit their work through, but the injustice around him pushes him to take a stand.
A television writer is troubled by accusations that a young boy's death resulted from actions the boy copied from the writer's teleplay.
A horror film about a screenwriter who loses the ability to distinguish between his fantasy world and the real world, with disastrous consequences. As he ruminates on his place in any world and loses his grip, he also loses his wife and his children's respect, and critics tear him apart. The final undoing of this screenwriter is a deadline that must be met at all costs, costs that perhaps are too great.
Grandmother has nothing to say when Libby tells her that she is off to LA to look up Dad, a Hollywood screenwriter. Grandmother has been in a New York cemetery for six years and Dad has been out of Libby's life for 16 of her 19 years. Libby arrives in LA on a Tuesday and phones Dad the one night that Stephanie, who does Jane Fonda's hair, stays over. Stephanie is there the next morning when Libby decides she needs to tell her story face-to-face.
When a professional couple, who have lived and worked together for many years, finally decide to marry, their sudden betrothal causes many unexpected difficulties. They soon find that being married is often quite different from being "best friends."
A filmmaker is upset to find out that his wholesome script about an orphan and his dog has been warped into a film about strippers.
A young screenwriter allows others to exploit her in the hopes of "making it" in Hollywood.
The film is a narrative from the screenwriter, consisting of perverse scenes.
A young director intent on making "the greatest color crime movie ever" can't seem to finish his script--he has a beginning and an end, but he can't quite figure out the middle. The daughter of his landlord, excited to have a real "movie person" living nearby, tries to help by putting him in touch with a man who wants to collaborate on a script--the strange "Dr. Jolly"
Patrick is a struggling screenwriter who takes a second job as a male prostitute. He is supposed to write by day and do right by his lonely clientele at night, but he develops writer's block. When Patrick decides to draw from his amorous experiences as inspiration for his next screenplay, the women conspire to prevent it.