In Taliban-controlled Afghanistan, a woman walks into a chadari store in Kabul to buy her first full-body veil and face an uncertain future.
Six years ago, U.S.-led forces drove the Taliban from power in Afghanistan for providing sanctuary to al Qaeda terrorists. Now, these Islamist militants are back.
"Inside the Talibans" - What will happen if the Talibans return to power? Swedish journalist Magda Gad travels the Herat and Wardak provinces of Afghanistan to meet with the Taliban fighters.
U.S. Marine officer, Leslie Martz, is sent to Afghanistan on a mission to work with Afghan women and gain intelligence about their Taliban husbands.
In 2007, the Taliban kidnapped 24-year-old Ajmal Naqshbandi and an Italian journalist. Naqshbandi was one of Afghanistan's best "fixers" -- someone hired by foreign journalists to facilitate, translate, and gain access for their stories.
By immersing themselves in a Taliban village, and after gaining very rare access to major institutions, the directors shed a disturbing light on today's Taliban society, and on the workings of this ultra-conservative parallel state. whose leaders have just symbolically moved into the presidential palace, to assert a stranglehold that foreshadows the Afghanistan of tomorrow.
In the summer of 2001 the Taliban strategically captured 24 Shelter Now International Aid hostages that captured the attention of the world for more than three months. With representatives from the United States, Australia, Germany and Afghanistan, the Taliban set out to create an insurance policy against the pending attacks of September 11th. What transpired through their story was an overwhelming journey of faith, grace and endurance. Based on the true story as told by the captives, Kabul 24 captures the gantlet of their 105 days in captivity and the cruel treatment of the Muslim co-workers at the hands of the Taliban who accused them of converting to Christianity. Revisit their journey from the grueling interrogation to their sham "trial" before the Taliban Supreme Court, to the dangers endured during the bombing of Kabul and a crushing sense that the world had abandoned them.
The Kabul National Museum, once known as the "face of Afghanistan," was destroyed in 1993. We filmed the most important cultural treasures of the still-intact museum in 1988: ancient Greco-Roman art and antiquitied of Hellenistic civilization, as well as Buddhist sculpture that was said to have mythology--the art of Gandhara, Bamiyan, and Shotorak among them. After the fall of the Democratic Republic of Afghanistan in 1992, some seventy percent of the contents of the museum was destroyed, stolen, or smuggled overseas to Japan and other countries. The movement to return these items is also touched upon. The footage in this video represents that only film documentation of the Kabul Museum ever made.
Four Australian soldiers become compromised when they capture a young Afghani boy spying on their reconnaissance position.
After the attack of 9/11, John Walker Lindh is accused of killing an American hero. John is then arrested and put on trial as the true cause of John's death is uncovered.
The friendship between Christophe de Ponfilly and Commander Massoud, a legendary figure of the Afghan resistance against the Soviet invader, goes back to the filmmaker's first film, "A Valley Against an Empire", made in 1981. Fifteen years later, weakened, isolated, betrayed by many of his own, the "Lion of Panshir" has not surrendered to his new and implacable enemies, the Taliban. While preparing his next offensive, he evokes his commitment and his fights, and bears witness to a history in which he has been one of the main actors for twenty years. At the same time, the director questions the role and power of the media, as well as his own approach as a filmmaker. Commander Massoud was killed in an attack in September 2001.
A young widow develops a friendship with an older mullah who helps guide her through her spiritual crisis.
Jawed Taiman takes a distinct look at Afghanistan and lets the Afghan people have their say. En route through the different provinces, through urban and rural regions, in discussion with intellectuals and simple folk, politicians and Taliban fighters a multifaceted picture emerges of a country that is often portrayed as incomprehensible.
A rural Afghan family living at the base of a mountain, struggles to survive during the last year of the Taliban and the beginning of a new war that still rages. Living under harsh and oppressive conditions, the family finds comfort in one another and in trying to rebuild their mountainous home. The youngest daughter, Zolykha, is specially receptive, curious and clairvoyant. Zolykha can sense and see spirits of strange men from the past that roam the hills and mountains behind her home. As Zolykha and her older siblings, Amena and Zalmai struggle to find meaning in life's natural and man-made tragedies, they discover new convictions to carry on.
When a young mother speaks out against the Taliban, she and her husband are forced to flee their home and country with their three sons. Embarking on a long and terrifying journey across Russia and through Europe, they seek final refuge in the UK. But, as their eldest son’s life-threatening heart condition worsens and requires urgent surgery, their escape soon becomes a race against time. Amit Sharma directs this widely acclaimed stage version of The Boy with Two Hearts (BBC Radio 4 Book of the Week). Based on extraordinary real-life experiences, it is a powerful story of hope, courage, and humanity – and a heartfelt tribute to the NHS.
According to the official history of Afghanistan, ruthless destruction has always prevailed over art and creation; but there is another tale to be told, the forgotten account of a diverse and progressive country, seen through the lens of innovative filmmakers, a story that survives thanks to a few brave Afghans, a small but very passionate group that secretly fought to save a huge film archive that was constantly menaced by war and religious fanaticism.
In March 2001, the ruling Taliban destroyed Afghanistan's foremost tourist attraction, the 1600 year-old Buddhas of Bamiyan. This film follows the story of one of the refugees who now lives among the ruins….an eight-year-old boy named Mir.
Australian filmmaker Jordan Bryon has been living and working as a journalist and filmmaker in Afghanistan for more than six years. After the departure of US forces, he stays to document Afghan life under the male-centric Taliban leadership. With his colleague, Teddy, he heads to a Taliban stronghold in the north-west of the country, shortly after he started transitioning. If the Taliban knew he was trans, they would likely kill him. It’s a chaotic time, for the country and for Jordan, as he navigates his transformation and looks to the future.
Nogreh is a young Afghani woman living with her father and her sister-in-law, Leylomah, whose husband, Akhtar, is missing. Beyond the issue of Akhtar, Leylomah is most concerned with how to feed her baby. She cannot provide milk for her baby as her own hunger is preventing her from lactating. Nogreh, however, aspires toward a life in a western styled democracy. Although the Taliban are no longer in power in Afghanistan, traditional forces are still active in the country. Nogreh often displays signs of rebellion, such as wearing a pair of white pumps instead of the traditional slipper beneath her burqa. But mostly, Nogreh wants to be educated. Without her father's knowledge, Nogreh is attending a secular girls school. Ultimately, she wants to become President of Afghanistan. With the help of a Pakistani refugee who likes her as a woman, Nogreh tries to understand exactly what forces led to current world leaders being elected, those forces which she wants to emulate.
An Iranian diplomat who miraculously survived Taliban's raid on the Iranian consulate in Mazar E Sharif (Afghanistan) narrates his 19 days of hide and escape to reach Iran's borders meanwhile on the other side, the Iranian troops are preparing for retaliation.