Mariano Cruz Ordóñez is an Ecuadorian bullfighter at the end of his artistic career. Mariano was a figure of bullfighting in Ecuador and participated in the most important bullrings of his country and the world. The glory years have passed and prohibitions have arisen regarding bullfighting shows, and the only thing left is, with tenacity and faith, to fight against various adverse circumstances looking for a chance to move foward.
La Cosa Nuestra is a journey to the most hidden and surreal face of the bovid-bullfighting universe. Fun and tremendous, operating in iconographic cannibalism. It is a work that shows another reading of the national holiday, demystifying it. Confronts the Spanish bullfighting culture with the visions and uses of the bull in other civilizations. This video creation immerses itself in the aesthetic, ritual and cultural universe of the world of bullfighting, rebuilding it critically, but at the same time with healthy irony.
Based on the negatives of the 33 'La Tauromaquia' engravings made by Goya in 1816, the director invites us to witness the transformation of bodies at the approach of death.
The misadventures of a group of young people who seek a better life by becoming bullfighters, the only way to leave their poor existence in the slums of Barcelona.
Have you ever been to the bullfights in Tijuana? Larry Wessel's TAUROBOLIUM is not only cinema verite at it's best, Larry Wessel's TAUROBOLIUM is the best documentary on bullfighting ever made!
The film evokes all the aspects of bullfighting - its history, the bulls, the toreros, the arena, the audience - and involves numerous matadors from the era.
Home movie from Man Ray with a view of his home/gallery
This short film "Torerillos 61" is one of the first works of the master Patino, which tries to portray the Spanish society of the time outside the state convention and dodging the hand of censorship. Social commitment is the brand director throughout his long career, starting with short films such as this one, made in the early sixties, in the wake of the statements in Talks Salamanca. The sadness off the characters portrayed is bleak, "Maletillas" (aspiring bullfighters) in search of luck to pull them out of poverty. (IMDb)
Two shades of paint are pitted against each other in a bullfight that spills self-reflexively from the page into the animator’s studio
The story is set during the early 1980s in a small town in rural Spain. El Chiqui is a talented young man about to debut in the local bullring, expected to continue the legacy of his family name. But that is not what he truly wants. His secret relationship with a young man from the town, Nicolás, offers an escape from the village, leaving the family pressures behind.
The bull makes short work of the matador, and then turns on Porky, a tamale vendor who wanders into the ring accidentally. But then he makes the mistake of actually eating most of Porky's extra hot tamales.
Animated version of a famous Hungarian epic tale by János Arany.
Jackie Brutsche tries to unravel the dark secrets of her family and answer unanswered questions about her mother.
Popeye visits the bullfight only because of lovely Senorita Olive. He finds himself accidentally in the toreador box, even though he doesn't want to fight because it's cruelty to animals. Popeye rides the bull like a bronco, then gets tossed around a bit. The bull plants Popeye in the ground and attacks; the crowd turns on Popeye. Olive comes down to help and the bull chases her. The crowd throws vegetables at Popeye, including (fortunately) spinach.
Duende, the title of this documentary, is a richly complex and untranslatably idiomatic Spanish word which evokes the mysterious, ineffable quality that the art of bullfighting has for its devotees. This film explores the process by which an apprentice bullfighter, Carmelo, became a matador, a term which is reserved only for those who are recognized as being fully qualified to serve as a central player in this ritualistic drama, la corrida, which is sometimes incorrectly described as being a "sport." Various senior and retired bullfighters and their relatives recount their observations and experiences, and Carmelo re-enacts his coming-of-age as a bullfighter for the cameras. Those who are already convinced that la corrida is a celebration of the mystery of life and death may particularly appreciate this respectful documentary.
A mouse invites his girlfriend to a bullfight and ends up in the ring when the matador is defeated.
Orson Welles pitches to potential investors his vision of a largely improvised bullfighter movie about an existential, James Dean type troubadour who sets himself apart from other matadors. In front of an audience of wealthy arts patrons, Welles pontificates on the state of cinema, the filmmaking process, and the art of bullfighting.