One year before the Berlin Wall fell, this silent black&white documentary from 1988 is a profile of West-Berlin: places and people, moods and locations; you eventually see "Checkpoint Charlie" still in function.
Commissioned by the Berliner Landesbildarchiv, this movie shows countless impressions of (West) Berlin everyday life, accentuated with self-ironic commentary.
The last day in the tanzclub "Dschungel" at Winterfeldplatz, Berlin-Schöneberg. Located at the bar Slumberland, GoltzStraße. 24. It documents with single frame automatic one night from evening to dawn. Sounds from The Doors and Iggy Pop. "Dschungel" moved in 1978 to Nürnberger Straße 35 and became more glamorous and hip.
Dragan Wende has lived in Berlin since the '70s and has seen the city change through the years. His nephew comes to live with him as Dragan remembers the better days he lived as a Yugoslavian immigrant in a divided city.
Follows the writer Günter Kunert on his return to West Berlin after his emigration from the GDR.
A simple story of young people in the West Berlin of 1982.
A documentary about the now abandoned and very influential punk club S.O.36. A punk music club on Oranienstrasse near Heinrichplatz in the area of Kreuzberg in Berlin, Germany.
An African-American GI retires from the US Army in West Berlin to live with his (white) girlfriend, who already has a baby with another black man. After an argument with her family, she deserts him as well. Despite finding a job and a new place to live, he keeps running into racism, which also manifests itself in sexual intimidation.
By the end of the seventies Tanzclub Dschungel moved from Winterfeldplatz, Berlin-Schöneberg to Nürnberger Straße, Berlin Schöneberg/Charlottenburg. A more glamorous venue.Tanzclub Dschungel at Nürnberger Straße, Berlin Schöneberg/ Charlottenburg was the place in Berlin. A relative of Studio 54 in NYC. But much more. Ask Nick Cave, Frank Zappa, David Bowie, Zazie de Paris, Mick Jagger, Prince, Grace Jones, Blixa Bargeld, Depeche Mode, Liza Minnelli, Iggy Pop, Bette Midler, Boy George, Sylvester Stallone, Hildegard Knef, David Hemmings, Michel Foucault, Claude Brasseur, Robert Mapplethorpe or Barbra Streisand.
Documentation on the Berlin S-Bahn, which threatened to fall into oblivion as a result of the division of the city.
With the dangerous smoothness of a tiger stalking his prey, Peter has circled the au pair Michèle. She quickly succumbs to his fascinating charisma and experiences for the first time a hitherto unknown, tender security. "I'll kill you," says Peter, as gently as cold-bloodedly. A macabre joke or a serious warning?
In 1986, Ross McElwee (Sherman's March) and Marilyn Levine were making a film about the 25th anniversary of the Berlin Wall, when the imposing structure was still very much intact as the world’s most visible symbol of hardline Communism and Cold War lore. They thought they were making a documentary on the community of tourists, soldiers, and West Berliners who lived in the seemingly eternal presence of the graffiti emblazoned eyesore. But in 1989, as the original film neared completion, the Wall came down, and McElwee and Levine returned to Berlin, this time to capture the radically different atmosphere of the reunified city.
Using diary excerpts, photographs and memories from companions, the film paints the portrait of the artist Jürgen Baldiga who sensitively and authentically captured the West Berlin queer scene of the 1980s and early 1990s with his camera.
Germany 1982: The country is divided into two parts. Nele, coming from West-Germany, travels to East-Germany where she meets Captain, singer of a band. They fall in love with each other, but the regime "takes care" of their relationship, meaning: They can not see each other again. Germany 1990: The country is reunited. Nele starts searching their lost love...
East Germany, 1988: working as a state security service agent, Jürgen Kaiser is loyal to the party line, but worried about his son Marco, a punk. As he is arrested after a concert, Marco is forced to join the army, where he surprisingly identifies with socialism and believes he has to defend his country against the capitalist enemy. While Jürgen is astonished, his wife Hanna and Marco's girlfriend Anja, supporting the civil rights movement, don't like his new attitude...
From the 1950s onwards, Erika and Ulrich Gregor brought countless film historical milestones to Berlin and shaped cinema discourse in post-war Germany. A look at the life and work of the couple without whom Arsenal and the Forum wouldn’t exist.
Berlin-Kreuzberg in the early 1980s. The film is essentially a one-set piece, taking place in a beat-up, graffiti-decorated schoolroom where six teen-age delinquents argue and fight as they await the latest in what has been a series of terrified teachers.