When a young woman is shot by an undocumented immigrant on Pier 14 in San Francisco, the incident ignites a political and media furor that culminates in Donald Trump’s election as President of the United States. In the eye of this storm, two public defenders fight to reveal the truth.
2 flatmates unfold the layers of their relationship on a random Sunday afternoon after they encounter a power cut.
What images do we associate with abortion and why? Where do these images and the emotional scripts in our head come from? How do they influence women who (want to) have an abortion, how do they shape the general discussion? Franzis Kabisch’s personal desktop documentary investigates these questions with great precision, clarity and humour (yes, humour, too!).
How did the rise of LGBTQ visibility, political progress, and digital technologies in the 2000s come together to offer the abundance of complex queer and transgender representations we see today? Media scholar Katherine Sender shows how LGBTQ visibility and political progress have combined with new digital media technologies and television platforms to produce an increasingly complex range of queer and transgender representations.
Tarık Us, a young radio broadcaster, hears a word from another radio broadcast that he disgusts. The word is "Schadenfreude", which is a German word meaning "pleasure taken from someone else's misfortune". After that, the life of Tarık would turn to a fight of authenticity. He is doomed to lose.
In an increasingly virtual world, what are three rappers and a fan doing barricaded in a clothing store? If Andy Warhol were alive, he would say they are looking for their 15 minutes of fame, but what will we say?
A heartwarming exploration of a community art project by photographer Tawfik Elgazzar providing free portraits for locals and passers-by in Sydney, Australia's Inner West. The film explores the nature of individuality, cultural diversity and the positive joy for the photographer of seeing his subjects smile.
Tells a story about a blurry photo of a woman who works in the media industry in Indonesia. This movie has several perspectives. One point of view is of a woman who works in a media and the other is about the sexual minority, people who aren’t allowed to appear on television due to their sexuality.
On January 18, 2019, 17-year old Nick Sandmann, a student at the affluent Covington Catholic High School in Kentucky, was internationally villainized on social media and in the 24-hour news cycle as he and his classmates appeared to confront Native American elder Nathan Phillips on the steps of the Lincoln Memorial in Washington, D.C. during a March for Life rally. Video clips of the interaction went viral overnight and Sandmann and his classmates faced worldwide outrage as the entire Covington Catholic community became the center of uncomfortable conversations about racism, privilege and politics.
A dense fog in the San Fernando Valley cancels a meeting of UFO hunters and causes an unexpected tragedy in the nearby mountains.
A man is tortured both mentally and physically by his television. As the man is suffering, the television plays commercials representing his life, both past and present.
In the near future ceilings have been replaced by omnipresent TV's. In the mass media Cannibalism is being hyped as the latest trend in people's day to day lives. Ma, Pa and Wilberforce are your typical North American family. They are obese, over consuming and have a big screen TV on their kitchen ceiling. Life doesn't change much for this family unit, Pa goes to his job at the meat shop, Ma works her dead end job and lately Wilberforce has been staying at home because he is sick. However, when Wilberforce suggests eating Pa for dinner ALL HELL BREAKS LOOSE.
A woman reads the newspaper with such intensity that she gets literally devoured by it. Painted on its pages she witnesses some of the tragic events of our times, drowns in ocean trash and is threatened by the elements unleashed by climate change. Yet in her despair she transforms this darkness into movement and art, so she plants the seeds of hope.
The press needs a new idol to worship every fifteen minutes. If you play your cards right, it could be you!
Robert McChesney lays the blame for the US's current state of affairs squarely at the doors of the corporate boardrooms of big media, which far from delivering on their promises of more choice and more diversity, have organized a system characterized by a lack of competition, homogenization of opinion and formulaic programming.
For the first 50 years of film history, the newsreel was a fixture in American movie theaters. From 1911 to 1967, these shorts proved an influential source of information – and misinformation – for generations of American moviegoers. Television news and public affairs programs became a great improvement over the scanty information offered by the newsreels. This documentary offers insight into a medium which has disappeared.
Live From Neverland is part of my ongoing series of works with found footage, a recreation of a public statement Michael Jackson read on television around the world in 1993. I chose the footage less for the content of the speech and more for the global recognition factor. This televisual image of Jackson is also just a visually arresting image with a dream-like quality to it, thanks to the saturated colors and the shocking whiteness of his face. [...] The scene seems staged and affected. This footage is paired with a second video image showing a chorus of 80 men and women performing Jackson’s monologue in unison. [...] I slowed down the Jackson footage, synching the movement of his mouth to match the measured pace of the chorus. In the resulting slow motion image, Jackson appears to be struggling to speak, as though he’s stuck in some viscous medium and can barely move.
In this highly anticipated sequel to his groundbreaking, ADVERTISING AND THE END OF THE WORLD, media scholar Sut Jhally explores the devastating personal and environmental fallout from advertising, commercial culture, and rampant American consumerism. Ranging from the emergence of the modern advertising industry in the early 20th century to the full-scale commercialization of the culture today, Jhally identifies one consistent message running throughout all of advertising: the idea that corporate brands and consumer goods are the keys to human happiness. He then shows how this powerful narrative, backed by billions of dollars a year and propagated by the best creative minds, has blinded us to the catastrophic costs of ever-accelerating rates of consumption.
Short film from Rao Heidmets about voyeurism, violence and media. Mixing live action with stop motion animation.