Funeral Parade of RosesJanuary 1, 1969
A feverish collision of avant-garde aesthetics and grind-house shocks, Funeral Parade of Roses takes us on an electrifying journey into the nether-regions of the late-’60s Tokyo underworld. In Toshio Matsumoto’s controversial debut feature, seemingly nothing is taboo: neither the incorporation of visual flourishes straight from the worlds of contemporary graphic-design, painting, comic-books, and animation; nor the unflinching depiction of nudity, sex, drug-use, and public-toilets. But of all the “transgressions” here on display, perhaps one in particular stands out the most: the film’s groundbreaking and unapologetic portrayal of Japanese gay subculture.
ConstanceMay 30, 1985
Constance is a bored, movie-loving schoolteacher in post-WW2 New Zealand who begins to fantasize that she's a Hollywood star - with tragic consequences.
Oedipus RexJanuary 7, 1957
The story of Oedipus' gradual discovery of his primal crime, killing his father and marrying his mother, filmed by the famed British theatrical director Sir Tyrone Guthrie. This elegant version of Sophocles' play adds a brilliant stroke: the actors wear masks just as the Greeks did in the playwright's day.
Theban Plays: AntigoneSeptember 19, 1986
In a final battle for the control of Thebes, Oedipus's two sons kill each other. Creon issues an order that no one is to bury Polynices upon pain of death. But Antigone is determined that her brother's body will have the proper rites of burial.
Theban Plays: Oedipus at ColonusSeptember 17, 1986
Oedipus's wanderings come to an end when he finds his final resting place, as foretold by the gods. But his brother-in-law and his son each try to take him away.
Theban Plays: Oedipus the KingSeptember 16, 1986
Plagues are ravaging Thebes, and the blind fortune-teller Tieresias tells Oedipus, the King, that the gods are unhappy. The murder of the former king has gone unavenged, and Oedipus sets out to find the killer.
Mother's Meat and Freud's FleshFebruary 23, 1984
Inspired by the early trash films of John Waters, the film stars Estdelacropolis as Demira, a gay porn actor struggling with both his emotionally complicated relationship with his mother Esther and his desire to break out of porn and into mainstream movies. He connects with a Freudian psychiatrist who is convinced that his homosexuality stems from an unresolved Oedipus complex which he has repressed by denying his natural attractions to women, to which the psychiatrist's proposed solution is to hypnotize Esther into believing that she is a man so that men will become the gender that sexually repulses Demira; in his career, he is ambivalent when the first "mainstream" role he is able to land is a gore film in which he will play the victim of a cannibal family for which Esther has also been cast as the mother.