Bertram Pincus, a cranky, people-hating Manhattan dentist, develops the unwelcome ability to see dead people. Really annoying dead people. Even worse, they all want something from him, particularly Frank Herlihy, a smooth-talking ghost, who pesters him into a romantic scheme involving his widow Gwen. They are soon entangled in a hilarious predicament between the now and the hereafter!
When a disease turns all of humanity into the living dead, the last man on earth becomes a reluctant vampire hunter.
Michael, a struggling actor, dies right after a bad breakup. He finds himself awakening in a very bright room with a very strange lady and learns that he is in singles Purgatory, where he must find his soul mate in order to cross over to the other side. With limited time to find true love among other recently deceased single New Yorkers, Michael must navigate the new customs of a ghostly dating life... as if dating in life wasn't hard enough already.
An aimless college student comes upon the aftermath of a murder scene one night, and without thinking, grabs the titular weapon. He takes it home and keeps it safely hidden away, but curiosity gradually begins to consume him.
A schoolteacher and amateur sleuth suspects foul play when a fellow passenger on a seaplane gets sick and dies. The third and final film with Edna May Oliver and James Gleason as the astute schoolteacher Hildegarde Withers and the New York Police Inspector Oscar Piper busy solving crimes.
American: The Bill Hicks Story is a biographical documentary film on the life of comedian Bill Hicks. The film was produced by Matt Harlock and Paul Thomas, and features archival footage and interviews with family and friends, including Kevin Booth. The filmmakers used a cut-and-paste animation technique to add movement to a large collection of still pictures used to document events in Hicks' life. The film made its North American premiere at the 2010 South by Southwest Film Festival. The film was nominated for a 2010 Grierson British Documentary Award for the "Most Entertaining Documentary" category. It was also nominated for Best Graphics and Animation category in the 2011 Cinema Eye Awards. Awards won include The Dallas Film Festivals Texas Filmmaker Award, at Little Rock The Oxford American's Best Southern Film Award, and Best Documentary at the Downtown LA Film Festival. On Rotten Tomatoes, 81% of the first 47 reviews counted were rated positive.
In the final days of the war, Duyen faces a daily struggle to take care of her young son and ailing father-in-law, all the while hiding from them the fact that her husband has recently been killed in battle.
The late Pericles gets permission from God to return to earth and help his family, who has gone astray after his death. Invisible to all but present everywhere, he is able to eavesdrop on what's going on: his youngest daughter lives it up with some Teddy boys, his eldest do not intend to marry her fiancé, his son has become a crook, and his wife a gambler.
Man dies, but his family members can't notice this.
Laxmikant Kabadiya and his twin-sister, Prerna, started as mere beggars near Dadar Railway Station, and with the assistance of Vidyut Baba, they moved to collecting garbage, and recyclables, established their own recycling business, slowly acquired wealth and became multi-millionaires. Laxmikant went on to get married and sired two sons, Sameer and Ranjeet, who, in turn, went on to get married to Anju and Shruti. While Ranjeet has two daughters, Sanjana and Namrata, Sameer has one son, Pawan. Vidyut Baba, a Bi-sexual, is now their family Guru, and they have a trusted family servant named Ramu. The Kabadia family is now ready to launch it's first Public Offering, which will generate Crores of Rupees. The entire family is all set to enjoy this new-found wealth when they find out that while being intimate with a sexy, struggling actress, Kim, widower Laxmikant has passed away. The entire family know that this will ruin their future plans and decide to keep his death a secret. They ..
Kristoffer lives on the verge of poverty, just barely supporting himself on his photographic work and an allowance given him by his ex-wife to support their child. He is staying in his absentee mother's large old house, which she is preparing to sell. When he takes a photograph of a man who died by his own hand, the image fascinates him. He grows obsessed with the dead man's story and pushes his research as far as it will go.
During two and a half years, the man didn’t move from the couch of his Geneva apartment. His letterbox was full, his mail was being returned. Electricity had eventually been cut off and the real estate agency was about to evict him. When the police finally forced their way in, they discovered a flat infested by vermin and, in the middle, the decomposed body of Michel Christen, a 53-year-old Swiss man. The investigation that takes place in the film will show that his death occurred 28 months earlier. But the date on the death certificate has to be the one of the day the body was found. That’s the law... How could this man, who had a family and who was being monitored by medical and social services, fall into oblivion in such a way?