The man-hungry “vampire,” later to be popularized by America’s Theda Bara, made her screen debut in this Danish melodrama directed by August Blom. Clara Wieth starred in the title role of the Vampire Dancer, which is just what she was: a dancer performing her seductions on-stage. Off-stage, the young girl is kindhearted and a bit naïve. The lustful dance, during which Robert Dinesen succumbs to the dancer’s fatal charms, remained the centerpiece of the film, which was a popular success and made Wieth an international star.
"My heart is ice, my passion consuming fire. Let men beware," exclaimed Theda Bara (via an inter-title, of course) in this "Vamp" melodrama based on Grabriele D'Annunzio's 1898 story La Gioconda.
The Vampire is a surviving 1915 silent film drama directed by Alice Guy and starring Olga Petrova. It is one of Petrova's and Guy's few surviving silent films.
An extremely jealous artist slips into a monkey costume and kills all those men who come too close to his wife, another artist.
In this apparently lost film an inventor uses a strange jewel to bring to life a statue of Lilith, and falls in love with her. Soon, however, she begins to appear on a screen, also developed by the inventor, which reveals her to be a vampire who is slowly sucking his life essence from him, causing him to gradually fade away. He realizes the situation has become even more drastic when he notices his new love, Ly, is being possessed by Lilith and has also begun fading away.
Since completing a portrait of Genuine, a high priestess, Percy becomes irritable and withdrawn. He loses interest in painting and refuses to see his friends, preferring to spend his time alone with the portrait in his study. After turning down a wealthy patron's offer to buy the picture, Percy falls asleep while reading stories of Genuine's life. Genuine comes to life from the painting and escapes. The film's sets were designed by the Expressionist painter César Klein.
A spoiled rich young woman overspends from her parents' savings and ruthlessly vamps on young men that she calls up randomly on the telephone. When her fiancée and his friends get word of this, they hatch a plan to teach her a valuable lesson.
The film is about a woman who experiences frightening visions after visiting an insane asylum where one of the inmates claims to be Count Dracula (here following the Hungarian spelling Drakula). She has trouble determining whether the inmate's visions are real or merely nightmares.
In this highly influential silent horror film, the mysterious Count Orlok (Max Schreck) summons Thomas Hutter (Gustav von Wangenheim) to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen (Greta Schroeder). After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock (Alexander Granach), prepares for his master to arrive at his new home.
Marcia Saville, thought to be a hopeless flirt by her sweetheart, Martin Kent, shows him that she prefers Tom Smith, a man from the underworld, because Tom is more authoritative. Tom is induced to enter a scheme to rob Marcia's father in a crooked deal instigated by Simon Downs. Downs plans to have Tom marry Marcia and divide the spoils, as she is to receive a sum of money when she marries. Tom is too smart for them and refuses to get involved. Meantime, Kent proves his strength of character, and Marcia is won over. Downs is exposed to her father and discharged.
The creatures are out for a feast.
The abandoned Balfour House, the owner of which was found dead five years earlier, comes back to life with the arrival of two suspicious sinister-looking tenants. (This movie was lost in 1965 during a fire.)
British estate agent Renfield travels to Transylvania to meet with the mysterious Count Dracula, who is interested in leasing a castle in London and is, unbeknownst to Renfield, a vampire. After Dracula enslaves Renfield and drives him to insanity, the pair sail to London together, and as Dracula begins preying on London socialites, the two become the subject of study for a supernaturalist professor, Abraham Van Helsing.
At midnight on Walpurgis Night, an English clerk, Renfield, arrives at Count Dracula's castle in the Carpathian Mountains. After signing papers to take over a ruined abbey near London, Dracula drives Renfield mad and commands obedience. Renfield escorts the boxed count on a death ship to London. From there, the Count is introduced into the society of his neighbor, Dr. Seward, who runs an asylum. Dracula makes short work of family friend Lucia Weston, then begins his assault on Eva Seward, the doctor's daughter. A visiting expert in the occult, Van Helsing, recognizes Dracula for who he is, and there begins a battle for Eva's body and soul.
A student of the occult encounters supernatural haunts and local evildoers in a village outside of Paris.
A German village is stricken by a series of murders that appear to be the work of vampires.
Sir Borotyn, a prominent Prague resident, is discovered murdered in his home, with all indications pointing to a vampire assault. The victim's friend, Baron Otto, and the physician who analyzes the body are certain that the vampire is the mysterious Count Mora, or perhaps his daughter, but receive little help from the law. Professor Zelen, an expert in the occult, is called in to assist with the investigation.
After a series of murders, a man finds out that his mother was bitten by a vampire bat during her pregnancy, and he believes that he may be the vampire committing the murders.
A countess from Transylvania seeks a psychiatrist’s help to cure her vampiric cravings.
While outside in a hotel garden at night, Miss Tang runs into a vampire. Mr. Li tries to find out if it's real or not. It may have something to do with the hotel grounds being a former gold mine. After its theatrical release, this has yet to be released again in any format anywhere. It's believed to be the first film ever to contain the jiangshi, or hopping vampire.